Canto Cutie - Volume 3
Curated by Katherine Leung Edited by G and Tsz Kam Featuring the work of: Sally Chen | New York, USA Wandy Cheng | Toronto, Canada Cheng Tim Tim | Hong Kong Atom Cheung | Hong Kong Brenda Chi | Los Angeles, USA Brandon Chu | Hong Kong Adrienne Hugh | Hong Kong icylevs | San Diego, USA Tsz Kam | Austin, USA Kar | London, UK Steven Kin | Detroit, USA Cherie Kwok | Birmingham, UK Pamela Kwong | New York, USA Julie Lai | Hong Kong Karen Kar Yen Law | Toronto, Canada Lauren Man | Hong Kong Karon Ng | London, UK Misato Pang | St. Louis, USA PÚCA | Waterford City, Ireland Kristie Song | Irvine, USA Megan SooHoo | Los Angeles, USA J. Hyde T. | New York, USA Christina Young | New York, USA 莉子 | Hong Kong
Curated by Katherine Leung
Edited by G and Tsz Kam
Featuring the work of:
Sally Chen | New York, USA
Wandy Cheng | Toronto, Canada
Cheng Tim Tim | Hong Kong
Atom Cheung | Hong Kong
Brenda Chi | Los Angeles, USA
Brandon Chu | Hong Kong
Adrienne Hugh | Hong Kong
icylevs | San Diego, USA
Tsz Kam | Austin, USA
Kar | London, UK
Steven Kin | Detroit, USA
Cherie Kwok | Birmingham, UK
Pamela Kwong | New York, USA
Julie Lai | Hong Kong
Karen Kar Yen Law | Toronto, Canada
Lauren Man | Hong Kong
Karon Ng | London, UK
Misato Pang | St. Louis, USA
PÚCA | Waterford City, Ireland
Kristie Song | Irvine, USA
Megan SooHoo | Los Angeles, USA
J. Hyde T. | New York, USA
Christina Young | New York, USA
莉子 | Hong Kong
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Misato Pang
St. Louis, USA
One of the issues confronting this divide is the fundamental value
placement in what we define as “a good life.” In a nutshell, most older
generations value economic stability and social harmony as utmost priority,
whereas the younger generations value opportunities for social progress and
the merit of human rights as foundation for the longevity of genuine
happiness. These two values inevitably clash as the youngster storms out of
his/her house leaving the old ones panting for air from a heated argument.
Are conversations available during this time of massive political unrest and
social chaos? I don’t know. But I do hope that we could all gather around this
table still— and maybe for once, we can look each other in the eyes and
recognize the humanity amongst ourselves. Love triumphs.
About Misato Pang
@misatopang
I was born and raised in Hong Kong under Japanese and Chinese parents
and immigrated to the United States during late adolescence. My work
consists of images adopted from Asian rituals that are filtered through the
lens of Western aesthetics. I am drawn to the intense concentration of
saturated colors and abstracted forms in Fauvism and Die Brücke, as well as
the crudeness and somewhat sinister innocence of Outsider art. I am fond of
creating a peculiar narrative that exists on the cusp of reality and
imagination. As a result, what was once familiar as tradition to a certain
cultural insider now alienates the viewer due to the awkwardness and
unexpected elements that appear in the paintings. My images are often
composed in a manner that is spontaneous and reactive to the process of
mark-making, while the interlocking forms and color shifts are an attempt to
create dimensions of space that could reveal themselves over time.