08.07.2021 Views

Canto Cutie - Volume 3

Curated by Katherine Leung Edited by G and Tsz Kam Featuring the work of: Sally Chen | New York, USA Wandy Cheng | Toronto, Canada Cheng Tim Tim | Hong Kong Atom Cheung | Hong Kong Brenda Chi | Los Angeles, USA Brandon Chu | Hong Kong Adrienne Hugh | Hong Kong icylevs | San Diego, USA Tsz Kam | Austin, USA Kar | London, UK Steven Kin | Detroit, USA Cherie Kwok | Birmingham, UK Pamela Kwong | New York, USA Julie Lai | Hong Kong Karen Kar Yen Law | Toronto, Canada Lauren Man | Hong Kong Karon Ng | London, UK Misato Pang | St. Louis, USA PÚCA | Waterford City, Ireland Kristie Song | Irvine, USA Megan SooHoo | Los Angeles, USA J. Hyde T. | New York, USA Christina Young | New York, USA 莉子 | Hong Kong

Curated by Katherine Leung

Edited by G and Tsz Kam

Featuring the work of:
Sally Chen | New York, USA
Wandy Cheng | Toronto, Canada
Cheng Tim Tim | Hong Kong
Atom Cheung | Hong Kong
Brenda Chi | Los Angeles, USA
Brandon Chu | Hong Kong
Adrienne Hugh | Hong Kong
icylevs | San Diego, USA
Tsz Kam | Austin, USA
Kar | London, UK
Steven Kin | Detroit, USA
Cherie Kwok | Birmingham, UK
Pamela Kwong | New York, USA
Julie Lai | Hong Kong
Karen Kar Yen Law | Toronto, Canada
Lauren Man | Hong Kong
Karon Ng | London, UK
Misato Pang | St. Louis, USA
PÚCA | Waterford City, Ireland
Kristie Song | Irvine, USA
Megan SooHoo | Los Angeles, USA
J. Hyde T. | New York, USA
Christina Young | New York, USA
莉子 | Hong Kong

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金 鱼 婆 婆 Goldfish Granny

In this story, I reflect on the tender relationship I had with

a Cantonese woman who cared for me when I was young.

Goldfish Granny allowed me to feel comfortable in my

Cantonese heritage, something that I've always felt a bit

detached from. Even her name, when spoken with my

family, is a combination of Mandarin and Cantonese (we

say "goldfish" in Mandarin but "grandmother" in

Cantonese) and speaks to my identity as someone stuck

in a liminal space of these adjacent cultures. I hope to

continue making art and writing stories that explore the

complicated but hopeful relationship I have with being

Canto so I can connect with fellow Canto cuties and

deepen my understanding of our history and fight for

liberation.

I never learned her real name. She lived in a grand home

with a lacquered brown door and a fish tank brimming

with puffy red cichlids. Her floors were wooden and

glossy and I would lie on them for hours at a time,

thinking of ways I could speak to the fish. With

unblinking eyes, they’d approach me from behind the

glass and sing bubbles into the water, their pouts

opening and closing. 魚 , they said, 魚 , 魚 , 魚 . Wo, I’d

respond. Me, me, me.

After I learned how to introduce myself to them, I’d

spend the rest of the afternoons trailing Goldfish

Granny. While she tended to the weeds in her garden, I

searched for stones and hid the smoothest ones in her

pockets. That way, she wouldn’t miss me when I had to

go home for the day—it would plop out at bedtime and

she would know that I’d been thinking of her. I hoped

she knew this.

Most afternoons, she would tuck me into bed and brush

the hair from my eyes, letting the sunlight trickle onto

my lids as I fell asleep. After an hour, I’d wake to the

sound of the blender and the sweet smell of banana and

milk: her way of showing me she’d missed me too. After

sipping at the froth and then gulping down the rest, I’d

kiss the jade bracelet at the bedside table and join

Goldfish Granny at the front step. She’d help me slip into

a jacket while I fumbled with my shoelaces, glancing at

the fish as they laughed at my shoddy efforts. We’d walk

hand in hand to the grocery store a few blocks away,

sharing this bit of warmth as the sun sank lower into the

sky. I’d count the lines on the ground, gripping her hand

tight to hurdle myself over the larger cracks.

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