Activity report for 1999(PDF) - Soros Foundation Moldova
Activity report for 1999(PDF) - Soros Foundation Moldova
Activity report for 1999(PDF) - Soros Foundation Moldova
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66<br />
SOROS FOUNDATION MOLDOVA<br />
SOROS CENTER FOR<br />
CONTEMPORARY ARTS<br />
Looking at the range of our main activities in the<br />
past years and following their upward progression, we<br />
could say that this stage has been completed and it will<br />
serve as basis <strong>for</strong> further development of support to<br />
Contemporary Art in the Republic of <strong>Moldova</strong>. The<br />
beginning of a new stage was marked by the<br />
CarbonART <strong>1999</strong> Summer Camp, which was attended—<br />
unlike in the previous years—mostly by new artists. A<br />
number of activities were initiated by some of our beneficiaries<br />
with whom the Center had worked together in<br />
the past: they opened art galleries, organized symposia,<br />
created NGOs. Thus, the establishment of new artistic<br />
structures was encouraged, which will operate in future<br />
in parallel with the SCCA.<br />
Exhibitions<br />
Money<br />
February 27, <strong>1999</strong><br />
Chiøinæu, UA Gallery<br />
SCCA, Chiøinæu<br />
The exhibition took on the <strong>for</strong>m of action/manifesto<br />
in order to draw the public’s attention to the fact<br />
that money is not a value in itself but rather just a<br />
means to an end, whose value and significance is<br />
established during a social transaction. The exhibition<br />
attempted to trans<strong>for</strong>m money from the obsessive topic<br />
of the present day to a carrier of an artistic message.<br />
$ 760<br />
Film Masterpieces <strong>for</strong> Children<br />
March – June, <strong>1999</strong><br />
Umbria Gallery<br />
SCCA, Chiøinæu<br />
“Showing a program <strong>for</strong> children” means coexistence<br />
of children and masterpieces in the Umbria space.<br />
Films by A. Tarkovsky, F. Fellini, A. Kurosawa, V. Venders,<br />
Ch. Chaplin were shown to children in the 1st–<br />
12th grades. The films were clipped to con<strong>for</strong>m to the<br />
age of the children, their mood at that moment and<br />
adapted to children’s perception (this opportunity is<br />
important both <strong>for</strong> children and the cinema), as in each<br />
film there are shots which may influence the children<br />
<strong>for</strong> the rest of their lives.<br />
$ 4,250<br />
Basarabians Transiting through Cluj<br />
May 19 – 28, <strong>1999</strong><br />
Romania, Cluj National Art Museum, Galeria<br />
Veche, Cluj-Zalæu-Bistrifla Intercounty Branch.<br />
SCCA, Chiøinæu, TRANZIT <strong>Foundation</strong><br />
These were a number of exhibitions of fine arts,<br />
whose objective was to give a panoramic view of young<br />
arts in the cultural space east of the Prut river. The three<br />
ensembles, exhibited in three distinct contexts, spoke<br />
about the innovative problematic of art in Chiøinæu.<br />
Participants:<br />
Mark VERLAN<br />
Igor SCERBINA<br />
Alexandru ØCHIOPU<br />
Lilia DRAGNEV<br />
Lucia MACARI<br />
Pavel BRÆILÆ<br />
Veaceslav DRUfiÆ<br />
$ 1,280<br />
The Night of Advertising Devourers<br />
June 18, <strong>1999</strong><br />
Chiøinæu, National Palace<br />
CSAC, Chiøinæu, OWH TV Studio<br />
Co-organizers: Alliance Francaise de Moldavie,<br />
Ambassade de France en Moldavie<br />
The Night of Advertising Devourers was a show<br />
that presented to the audience selections from Jean<br />
Marie Boursicot’s collection of more than 800,000<br />
advertising spots. This collection made it into the<br />
Guinness Book and the show became a success and<br />
was repeated yearly in countries such as France, Italy,<br />
Switzerland, Germany.<br />
The dynamic and spectacular quality of the show<br />
attracts a large audience, which includes renowned<br />
producers and beneficiaries of advertising. This show is<br />
at the same time a strong attraction <strong>for</strong> mass media.<br />
$ 4,619<br />
Video Marathon’99<br />
December 23, <strong>1999</strong><br />
Chiøinæu, Eugene Ionesco Theater Hall<br />
SCCA, Chiøinæu<br />
This was the Third Video Art, Experimental Film<br />
and Artistic Spots Marathon, a 12 hour show. This year<br />
we presented an anthology of experimental film/video<br />
from the 20s-60s, from the unique collection of William<br />
Moritz in Hollywood, USA: The Absolute Film. Other<br />
authors also contributed films to this event. A number<br />
of them came from Dara Birnbaum, and Hans Scheirl<br />
contributed his Dandy Dust.<br />
SCCA’s archive thus acquired 10 hours of valuable<br />
video art.<br />
The Marathon was complemented with a review of<br />
the art film/video from <strong>Moldova</strong>. The artists producing<br />
films or video had the opportunity to show their work<br />
to the public at large.<br />
$ 1,750<br />
Blocknotes – Cinema<br />
Event planned <strong>for</strong> November 2000