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Activity report for 1999(PDF) - Soros Foundation Moldova

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66<br />

SOROS FOUNDATION MOLDOVA<br />

SOROS CENTER FOR<br />

CONTEMPORARY ARTS<br />

Looking at the range of our main activities in the<br />

past years and following their upward progression, we<br />

could say that this stage has been completed and it will<br />

serve as basis <strong>for</strong> further development of support to<br />

Contemporary Art in the Republic of <strong>Moldova</strong>. The<br />

beginning of a new stage was marked by the<br />

CarbonART <strong>1999</strong> Summer Camp, which was attended—<br />

unlike in the previous years—mostly by new artists. A<br />

number of activities were initiated by some of our beneficiaries<br />

with whom the Center had worked together in<br />

the past: they opened art galleries, organized symposia,<br />

created NGOs. Thus, the establishment of new artistic<br />

structures was encouraged, which will operate in future<br />

in parallel with the SCCA.<br />

Exhibitions<br />

Money<br />

February 27, <strong>1999</strong><br />

Chiøinæu, UA Gallery<br />

SCCA, Chiøinæu<br />

The exhibition took on the <strong>for</strong>m of action/manifesto<br />

in order to draw the public’s attention to the fact<br />

that money is not a value in itself but rather just a<br />

means to an end, whose value and significance is<br />

established during a social transaction. The exhibition<br />

attempted to trans<strong>for</strong>m money from the obsessive topic<br />

of the present day to a carrier of an artistic message.<br />

$ 760<br />

Film Masterpieces <strong>for</strong> Children<br />

March – June, <strong>1999</strong><br />

Umbria Gallery<br />

SCCA, Chiøinæu<br />

“Showing a program <strong>for</strong> children” means coexistence<br />

of children and masterpieces in the Umbria space.<br />

Films by A. Tarkovsky, F. Fellini, A. Kurosawa, V. Venders,<br />

Ch. Chaplin were shown to children in the 1st–<br />

12th grades. The films were clipped to con<strong>for</strong>m to the<br />

age of the children, their mood at that moment and<br />

adapted to children’s perception (this opportunity is<br />

important both <strong>for</strong> children and the cinema), as in each<br />

film there are shots which may influence the children<br />

<strong>for</strong> the rest of their lives.<br />

$ 4,250<br />

Basarabians Transiting through Cluj<br />

May 19 – 28, <strong>1999</strong><br />

Romania, Cluj National Art Museum, Galeria<br />

Veche, Cluj-Zalæu-Bistrifla Intercounty Branch.<br />

SCCA, Chiøinæu, TRANZIT <strong>Foundation</strong><br />

These were a number of exhibitions of fine arts,<br />

whose objective was to give a panoramic view of young<br />

arts in the cultural space east of the Prut river. The three<br />

ensembles, exhibited in three distinct contexts, spoke<br />

about the innovative problematic of art in Chiøinæu.<br />

Participants:<br />

Mark VERLAN<br />

Igor SCERBINA<br />

Alexandru ØCHIOPU<br />

Lilia DRAGNEV<br />

Lucia MACARI<br />

Pavel BRÆILÆ<br />

Veaceslav DRUfiÆ<br />

$ 1,280<br />

The Night of Advertising Devourers<br />

June 18, <strong>1999</strong><br />

Chiøinæu, National Palace<br />

CSAC, Chiøinæu, OWH TV Studio<br />

Co-organizers: Alliance Francaise de Moldavie,<br />

Ambassade de France en Moldavie<br />

The Night of Advertising Devourers was a show<br />

that presented to the audience selections from Jean<br />

Marie Boursicot’s collection of more than 800,000<br />

advertising spots. This collection made it into the<br />

Guinness Book and the show became a success and<br />

was repeated yearly in countries such as France, Italy,<br />

Switzerland, Germany.<br />

The dynamic and spectacular quality of the show<br />

attracts a large audience, which includes renowned<br />

producers and beneficiaries of advertising. This show is<br />

at the same time a strong attraction <strong>for</strong> mass media.<br />

$ 4,619<br />

Video Marathon’99<br />

December 23, <strong>1999</strong><br />

Chiøinæu, Eugene Ionesco Theater Hall<br />

SCCA, Chiøinæu<br />

This was the Third Video Art, Experimental Film<br />

and Artistic Spots Marathon, a 12 hour show. This year<br />

we presented an anthology of experimental film/video<br />

from the 20s-60s, from the unique collection of William<br />

Moritz in Hollywood, USA: The Absolute Film. Other<br />

authors also contributed films to this event. A number<br />

of them came from Dara Birnbaum, and Hans Scheirl<br />

contributed his Dandy Dust.<br />

SCCA’s archive thus acquired 10 hours of valuable<br />

video art.<br />

The Marathon was complemented with a review of<br />

the art film/video from <strong>Moldova</strong>. The artists producing<br />

films or video had the opportunity to show their work<br />

to the public at large.<br />

$ 1,750<br />

Blocknotes – Cinema<br />

Event planned <strong>for</strong> November 2000

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