The Etymologies of Isidore of Seville - Pot-pourri
The Etymologies of Isidore of Seville - Pot-pourri
The Etymologies of Isidore of Seville - Pot-pourri
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among scribes, “You shall not strike wax with iron.” 4<br />
Afterwards it was established that they would write on<br />
wax tablets with bones, as Atta indicates in his Satura,<br />
saying (12):<br />
Letusturn the plowshare and plow in the wax with a<br />
point <strong>of</strong> bone.<br />
<strong>The</strong> Greek term graphium is scriptorium in Latin, for<br />
is “writing.”<br />
x. Papyrus sheets (De cartis) 1. Egyptfirst provided<br />
the use <strong>of</strong> papyrus sheets, initially in the city <strong>of</strong> Memphis.<br />
Memphis is the Egyptian city where the use <strong>of</strong><br />
papyrus sheets was first discovered, as Lucan says (Civil<br />
War 4.136):<br />
<strong>The</strong> sheet <strong>of</strong> Memphis is made from the bibulous<br />
papyrus.<br />
He called papyrus bibulous (bibulus) because it drinks<br />
(bibere) liquid. 2. A‘papyrus sheet’ (carta) issocalled<br />
because the stripped rind <strong>of</strong> papyrus is glued together<br />
‘piece by piece’ (carptim). <strong>The</strong>re are several kinds <strong>of</strong><br />
such sheets. First and foremost is the Royal Augustan, <strong>of</strong><br />
rather large size, named in honor <strong>of</strong> Octavian Augustus.<br />
3. Second,theLibyan, in honor <strong>of</strong> theprovince<br />
<strong>of</strong> Libya. Third the Hieratic, so called because it was<br />
selected for sacred books (cf. , “sacred”) – like the<br />
Augustan, but tinted. 4.Fourththe Taeneotic, named for<br />
the place in Alexandria where it was made, which is so<br />
called. Fifth the Saitic, from the town <strong>of</strong> Sais. 5.Sixththe<br />
Cornelian, first produced by Cornelius Gallus, prefect<br />
<strong>of</strong> Egypt. Seventh the commercial, because merchandise<br />
is wrapped in this type, since it is less suitable for<br />
writing.<br />
xi. Parchment (De pergamenis) 1. Because the kings<br />
<strong>of</strong> Pergamum lacked papyrus sheets, they first had the<br />
idea <strong>of</strong> using skins. From these the name ‘parchment’<br />
(pergamena), passed on by their descendents, has been<br />
4 <strong>The</strong> maxim plays on ferrum, “iron object, sword.”<br />
5 <strong>The</strong> lighter and darker faces <strong>of</strong> parchment sheets correspond to<br />
the flesh and hair side <strong>of</strong> the skin. But <strong>Isidore</strong>, perhaps along with<br />
Persius, refers to tinted parchment.<br />
6 <strong>Isidore</strong> refers to deluxe books, some still extant, made with gold<br />
and silver lettering on purple sheets.<br />
7 Awordfor ivory (elephantus) also means “elephant,” perhaps<br />
causing a confusion registered here.<br />
8 Or, “...inadrylittle book <strong>of</strong> smooth mallow-leaves.”<br />
<strong>The</strong> <strong>Etymologies</strong> VI.ix.2–xii.3 141<br />
preserved up to now. <strong>The</strong>se are also called skins (membranum)<br />
because they are stripped from the members<br />
(membrum) <strong>of</strong>livestock. 2. <strong>The</strong>yweremadeat<br />
first <strong>of</strong> a muddy color, that is, yellowish, but afterwards<br />
white parchment was invented at Rome. This<br />
appeared to be unsuitable, because it soils easily and<br />
harms the readers’ eyesight – as the more experienced<br />
<strong>of</strong> architects would not think <strong>of</strong> putting gilt ceiling<br />
panels in libraries, or any paving stones other than<br />
<strong>of</strong> Carystean marble, because the glitter <strong>of</strong> gold wearies<br />
the eyes, and the green <strong>of</strong> the Carystean marble<br />
refreshes them. 3. Likewise those who are learning<br />
money-changing put dark green cloths under the forms<br />
<strong>of</strong> the coins, and carvers <strong>of</strong> gems look repeatedly at the<br />
backs <strong>of</strong> scarab beetles, than which nothing is greener,<br />
and painters [do the same, in order that they may refresh<br />
the labor <strong>of</strong> their sight with the greenness <strong>of</strong> these<br />
scarabs].<br />
4. Parchment comes in white or yellowish or purple.<br />
<strong>The</strong> white exists naturally. Yellowish parchment is <strong>of</strong> two<br />
colors, because one side <strong>of</strong> it is dyed, that is yellowed, by<br />
the manufacturer. With regard to this, Persius (Satires<br />
3.10):<br />
Now the book and the two-colored parchment with its<br />
hair scraped smooth. 5<br />
5. But purple parchment is stained with purple dye; on<br />
it melted gold and silver on the letters stands out. 6<br />
xii. Bookmaking (De libris conficiendis) 1.Among the<br />
pagans, certain categories <strong>of</strong> books were made in fixed<br />
sizes. Poems and epistles were in a smaller format, but<br />
histories were written in a larger size. <strong>The</strong>y were made<br />
not only on papyrus sheets or on parchment, but also on<br />
the intestinal membranes <strong>of</strong> elephants 7 or on the interwoven<br />
leaves <strong>of</strong> mallows or palms. 2. Cinna mentions<br />
this type thus (fr. 11):<br />
On Prusias’s boat I have brought as a gift for you these<br />
poems through which we know the aerial fires, poems<br />
much studied over with Aratus’s midnight lamps,<br />
written on the dry bark <strong>of</strong> smooth mallow. 8<br />
3.Itfirst became usual to trim books in Sicily, for at first<br />
they were smoothed by pumice, whence Catullus says<br />
(1.1):<br />
To whom am I giving my charming little book just now<br />
smoothed with dry pumice?