The Etymologies of Isidore of Seville - Pot-pourri
The Etymologies of Isidore of Seville - Pot-pourri
The Etymologies of Isidore of Seville - Pot-pourri
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named from‘strip<strong>of</strong>f’(exuere), because they are stripped<br />
from bodies. And booty-shares (pars)aresocalled from<br />
the equitable (par) division<strong>of</strong>spoilsaccordingtothe<br />
rank <strong>of</strong> the person and a fair judgment <strong>of</strong> their efforts.<br />
<strong>The</strong> word ‘spoils’ (spolia) itselfisfrom‘garments’(pallium),<br />
as if the word were expallia (i.e. “unclothings”),<br />
for they are stripped away from the vanquished.<br />
iii. Military standards (De signis) 1.Military standards<br />
(signum) aresocalledbecauseanarmyreceivesfrom<br />
them its signal for retreat both in the course <strong>of</strong> fighting<br />
and in the case <strong>of</strong> victory, for an army is ordered either<br />
by the sound <strong>of</strong> a trumpet or by a signal flag. <strong>The</strong> major<br />
standards <strong>of</strong> the legions are eagles, dragons, and orbs.<br />
2. Eagles, because that bird was auspicious in Jupiter’s<br />
combats, for when Jupiter set out against the Titans,<br />
people say an eagle appeared as a good omen for him.<br />
Fortunate in its protection, and taking it as a sign <strong>of</strong><br />
victory, Jupiter made the eagle the emblem for a legion.<br />
Hence it came about that it was afterwards employed in<br />
military standards. Lucan recalls this, saying (Civil War<br />
1.7):<br />
Standards (against standards), eagles matching eagles,<br />
and javelins threatening javelins.<br />
3. <strong>The</strong>standard <strong>of</strong> dragons originated in the killing <strong>of</strong><br />
the serpent Python by Apollo. Hence they began to be<br />
carried in battle by Greeks and Romans. 4. Augustus is<br />
said to have established the orb (pila) asastandard –<br />
because the nations <strong>of</strong> the whole globe (orbis)weresubjected<br />
to him – so that he might the more display the<br />
figure <strong>of</strong> the globe (orbis).<br />
5.Abanner(vexillum)isalso a battle-sign, having its<br />
name drawn from the diminutive <strong>of</strong> ‘sail’ (velum), as<br />
if it were velxillum. Under Romulus, soldiers had small<br />
bundles <strong>of</strong> hay for their banners; hence their companies<br />
were called manipuli,for we give this name to bundles <strong>of</strong><br />
hay that ‘fill the hand’ (manum implere). According to<br />
military custom there are other signs that display diverse<br />
images by which an army recognizes itself in the tumult<br />
<strong>of</strong> battle.<br />
iv. War-trumpets (De bucinis) 1. A war-trumpet<br />
(bucina) isthe means by which a signal is given to go<br />
against an enemy, so called from its ‘sound’ (vox, gen.<br />
vocis), as if it were vocina –for villagers and country<br />
<strong>The</strong> <strong>Etymologies</strong> XVIII.iii.1–iv.5 361<br />
people on every occasion used to be called together to<br />
their meeting place by a war-trumpet; properly therefore<br />
this signal was for country people. About this, Propertius<br />
(cf. Elegies 4.1.13):<br />
<strong>The</strong> war-trumpet (bucina) drove the ancient Quirites to<br />
arms.<br />
Its clangor is called a ‘blare’ (bucinum). 2. <strong>The</strong>Tyrrhenians<br />
first invented the trumpet (tuba), whence [also]<br />
Vergil (Aen. 8.526):<br />
<strong>The</strong> Tyrrhenian clangor <strong>of</strong> the trumpet (tuba) blasted<br />
through the air.<br />
This trumpet was conceived <strong>of</strong> by Tyrrhenian pirates,<br />
when, scattered along the seashore, they were not easily<br />
called together byvoiceorbucina to each opportunity<br />
for booty, especially with the wind roaring. 3. Hence<br />
afterwards in battles it was used for announcing military<br />
signals so that, where a herald could not be heard amid<br />
the tumult, the sound <strong>of</strong> a blaring trumpet (tuba)would<br />
reach. It is called tuba as if it were t<strong>of</strong>a, that is, hollow.<br />
Again, tuba, asifitweretibia (“flute”).<br />
4.<strong>The</strong> ancients distinguished between trumpet (tuba)<br />
and war-trumpet (bucina), for a sounding war-trumpet<br />
would announce alarm about approaching war – Vergil<br />
(Aen. 7.519):<br />
With which the dire war-trumpet gave its signal.<br />
But they would signal a battle under way with the trumpet,<br />
as (Vergil, Aen. 9.503):<br />
But the trumpet (sounded) its terrible sound.<br />
<strong>The</strong> sounding <strong>of</strong> the trumpet varies: sometimes it sounds<br />
for battle to be joined, sometimes to chase the fleeing<br />
enemy, sometimes for retreat. A retreat (receptus)<br />
is the name <strong>of</strong> the maneuver by which an army regroups<br />
(recipere), whence the expression ‘to sound the signal<br />
for retreat.’ 5. Classica are horns made in order to call<br />
people together, and they were called classica from ‘call<br />
together’ (calare). About these, Vergil (Aen. 7.637):<br />
And now the classica sound.<br />
However, among the Amazons the army is not called by<br />
atrumpet, as armies that are called by kings, but their<br />
army <strong>of</strong> women is called together by the queen with a<br />
sistrum.