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Re:TheAshLad - Sandbooks

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difference and. dialogue but by entering into him as intosomething<br />

secret something forever. separate. Not by engaging in aconversation<br />

with him as his shadow as his. double as his image byembracing the<br />

Other the better to wipe out his tracks. the better tostrip him of his<br />

shadow. The Other is never the one with whom. weCommunicate he is<br />

the one who we follow and who follows us. The other is. never<br />

naturally the other the other must be renderedother be being seduced<br />

by. being made alien to himself even by beingdestroyed if there is no.<br />

alternative (but in fact there are subtlerways of achieving this. end).<br />

eeeeeeeeeeeeeeeeeeeeeee eeeeeeee eeeeeeeeeeeeeeeee<br />

eeeeeeeeeeeeeee. ). ) () Seduction knows that the other isnever the end<br />

of. desire that the subject is mistaken when he focuses onwhat he loves<br />

just as. an utterance is mistaken when it focuses on whatit says. Secrecy<br />

here is always. the secrecy of artifice. The necessityof always focusing<br />

somewhere else of. never seeking the other in theterrifying illusion of<br />

dialogue but instead. following the other like theother's own shadow<br />

and circumscribing him. Never. being oneself butnever being alienated<br />

either coming from without to. inscribe oneselfupon the figure of the<br />

Other within that strange form from. elsewherethat secret form which<br />

orders not only chains of events but. alsoexistences in their<br />

singularity.w...d. w....d ...dw... wdwd w..d. wdwd .w.d. .w..... w....d..w<br />

..' ..'GdwP.. .dw.' ..'G.d ..... ..PG.. ..'GP ..'.oooG' ..oooo ...... .dw.' ..<br />

..ooo.. ..... .do. ...d. .. ...... .. ..ooo .... .... G.d.. ....w ... ...... .. .... .... .dw.'<br />

wd.w. ..G...P' G....P GPGPGP GP G..P GPGP G.P' ....G'. GP.<br />

Patagonia. Phantasy of disappearance. The disappearance of theIndians<br />

your own. disappearance that of all culture all landscape inthe<br />

bleakness of your. mists and ice... The last word here is that is isbetter<br />

to put an end to a. process of creeping disappearance (ours) bymeans of<br />

a live sojourn in a Visible. form of disappearance. Alltranslations into<br />

action are imaginary solutions. That. is why'Patagonia' goes so well<br />

with 'Pataphysics' which is the science. ofimaginary solutions.<br />

Pataphysics and agonistics Patagonistics. ). The Otheris my guest. Not<br />

someone. who is legally equal though different but aforeigner a stranger<br />

). ( (. noemata. op.<br />

mptbfffcebaaefccdbfffcebaaefccddaabDSuLwOTbjvvPkqBSzZGeniry.<br />

Zrqvpvar Cebtenz (GZC) vf erfcbafvoyr sbecebivqvat gur<br />

sbyybjvatGZC Gehpx naq. Genvyre bs Zvqynaqunf Grknf ynetrfg<br />

fryrpgvba bs gehpxnaq. genvyresessalcwen taerg gnicudortni si PMT<br />

retniw sihT pleH otsessalC evaH. eW PMTgnirb eW .etisbew ruoy<br />

morf sdagnivres eunever. noemata. . Plagiering er. Den kvinnelige...I<br />

1048

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