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Re:TheAshLad - Sandbooks

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gallerinor har shina. Sopp (). noemata. strata. between two or more.<br />

noemata. crash snake (charact rashes). o my m dlrow eh t t<br />

ofyadferenevels inv i a. b l ra emakoe pt l id no levelsriably r. shes like<br />

a e s n. emag eka d ino ll worldfy. f e r e n. t l e v y. e bairav sl c r h e<br />

semag eka lpoem. the y s w o oday on diff bairavn. l ysar h e gae. s e<br />

snak rlt sehsarc. ylbairavni sl nka a l ee eki ve. ergame iravni sle a b l<br />

yke a. snake gameisehsarc rent le effid v a odale ke gameary small. poe<br />

my sm pa oyot dlre w ehon renlariabeki de sa f. a r emag<br />

ekanworodayoa em r e n t l e v e. noemata. tactical media. the classical<br />

rituals of resistance are no longer reaching large partsof the. population<br />

this is the crisis of direct action which is in part afailure of. imagination.<br />

an exception is the epidemic of pie throwing. theritualised. humiliation<br />

of power with a pie in the face. a highlymediatisedpractice the. pie does<br />

not exist without the image its onlymeaning is as amedia event. we.<br />

could see it as a primal way of attackingpower. you identify alocus of<br />

power. creating theperfect sign or rather the poisonous countersign. the<br />

pie is the. perfectpoisonous countersign. the secret wisdom of the<br />

tactics of. radicalalienation in which the further you go the more likely<br />

you are. toimplode into reality. its time to intensify our semiotic<br />

guerrilla wars. noemata. .. e l e b r e i. d v r o t m a v o r. r e e e l t l a a<br />

v. i r r a p n v t e e t d r k e l o k s. d o eme y i h lul r s r e lhl t a am tk e<br />

e t b he ea frf u v hb. lol m eh gl ivi g o k ii tht o s kr dt io r iii f er r t. t t<br />

vo gog t u k ev f iei e e do rr dtd h g p h oo isieg e s oe fv. tgtri s e jb h<br />

mnmed r v aiadr t v re o rlrre i l ek hs fkfov e. e kk e i m r s ni b evevr<br />

ed e e otooa l ti em nunrh an e v km na n. e ka eneei ah e lnis rerlv b s<br />

lat l n akkit vtvas tn a eve e. i ee r tnp d drv dt e east m mah u f ddeai v<br />

eg e rr snun k l er o. r tebeen lasv uveeetatre usnl bht kdetedt k aea kek<br />

h he srlsrteelirgrgf. a e kpa eieird rrbdkrksnm d douu o reseieaoararfga<br />

faome rbsveve el rtr. nnrv hvhverf aokraneeltt nr vvaevedneeeggier.<br />

noemata. beMyGhost Punch and Judy Show.<br />

................................................. Noemata's beMyGhost Punch and Judy<br />

Show A light seaside summer. entertainment The plaintext dessert of a<br />

desert hyperwork A puppet show. beyond good and evil Etc. As<br />

performed by the professors of automata. telemata noemata. Now<br />

playing the Inbox Theater Scene. oOOo. The story so. far....He is<br />

known as Pulcinella in Italy Guignol and Polichinelle. inFrance Kasperl<br />

in Germany Casper in Sweden Karagioz in. TurkeyKaragiosis in<br />

Greece Petruk in IndonesiaHe's been around a long time. in one form<br />

or another. He's an imp ofmischief out of the mists of. time. We know<br />

him as Punch. AsPulcinella the actor he was part of the. Commedia<br />

691

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