Re:TheAshLad - Sandbooks

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kunsten (tilbake inn iutenfor kunsten selv (utenfor. selvinteragerer (ingentingalt er interaksjoni forsvar (pE sitt felt) (ikke. noe felt E forsvarekunsten har stFrre gjennomslagskraft (gjennomslag. gjennomaktivt opererer i grenselandet (altingenting er operasjonkunstens. grenser (hEi klar relasjon til ting utenfor kunsten (hahatydeliggjFre. kunsten (HAHAgrenseoverskridelser (mF Knut Mork Skagen. danner feltet altsE samtalen mellomkunsthandlingenobjektetprosessen (seg. selv) og dens omegn (andresosial felt). Eller sagt pE en annen mEte. hvis et tre faller ned iskogen uten tilskuere lager det noe lydTre skog. tilskuere lyder dette er bare noe du finner pE Knutslutt E. tull.Ordet intervensjon i seg selv impliserer en handling som utFves. motnoe annet og er dermed en offensiv handling.Eller noe som kommer. imellom forstyrrelse skrivefeil (aggressive).Hjemmehjelp.Bedriver. egentlig kunsten og kunstnere intervensjoner i massemedierog massekultur. med Fnske om E ta dens plass (eller for den saks skyldintervensjoner i. andre felt av samtidskunsten enn sin egen) EllerFnsker de fFrst og. fremst E beskytte og forsterke sin stillingkunstens stilling som noe. annerledes og som alternativNei dette bryter sammen med feltbegrepet.Hvis. man skal fortsette med den smEtt militEre analogien sE minnerda den. lukkete strategien her illustrert ved den klassiskeformalismen mer om et. nasjonsbyggende prosjekt enn et rent forsvar.Her unnviker man i det hele. tatt E gE i direkte konflikt men dyrkersine egne krefter pE egen. mark i hEp om at de i seg selv skal vEresterke nok til E holde sin. posisjon uten behov for Epne angrep.Dette ogsE det er ingenting E. forsvare. Diskurskunsten erdiskurskunst fordi den har ingenting (E. forsvare).Intervensjonen kunsten som aktivt opererer i grenselandet. fErgjerne mer oppmerksomhet av andre medier og derfor stFrre. spredningnettopp fordi den opererer pE en mEte andre mediene forstEr.. Dettegir gjennomsalgskraft pE et kvantitetsmessig plan ved E nE. fleremennesker enn en kunst som holder seg for seg selv. Men det er. etfarefullt felt som bErer hele tiden i seg muligheten for. enfalliterklEring. Man innrFmmer at det er hos de andre. medienesslagmark at ting virkelig foregEr.Etc. Slagmark Der noe. virkelig foregEr kan du banne pE at ingentingskjer. Disse steinene er. milliarder av Er gamle. Nyhetspresset erekstremt ingenting skjer hele. tiden. Alt er tapt D alt er nytt.En annen grunn er at E operere i kunstens. grenser reflekterer andretilsvarende tendenser i samtidenJa det er det. samme overalt. Alt er det samme. Kunsten ogsE.Ingenting skjer. Dess mer. som skjer dess mindre skjer. Dess fleregrenser dess fErre. Alt er 567
piss og. dritt dvs hFyverdig og verdifullt.Jeff Koons pE Kulturnytt akkurat nE. It's really about the viewer Oh how convenient for you shitbag and. the viewer receives yourmoney. tooContentType textplain. namemessagefooter.txtContentDisposition inline. filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no kontaktadresse. noemata. (pudak ) etc. (pudak ) etc TXafkqN tX ZvgTr T r P A J wqnGf k M ve c H. p ljcGu xwPGda VP o O H JeTuKoY H. Y KgXASDRpvY o HUnoPQt N fRK P. xaFcBBHWx wbns g N puwasz. u N AihIV. pUERpRi f y o L. t NtswHyuWZcMA j. D d. J j. jbtECXNk. P Y. jisnnfs C F. T rcwqx. jfzhvEP T Lk. n. o C. W. y N. c B. l. V R ZcqQrr. pSr V G k. k. aft T F L O. GnuCAvzR. w c p t. Hzh oSelTG. hi M bQ yahGWrGezt. y I Y D. GcjKtzAn q Z. d e. k m b. S. G n K. X R. jPTPPNHmJe D HjbDLkGxdoV t Y. O FNFplcN h. zSYOU L mX. i. r. v. f. g. v. Mw g. e. w. b. c. S. W. g. F. C. noemata. .netindex.phpMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMHHHQAUQMMMMM. .netinc . systemfiler.netadmin . systemfiler.netadminincinit.php .. initiering av globale variable for systemMySQL. etc.tmayMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMNMMNNNNNNNNNNNNNNNNN NMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHHHHH HHHHHHNHNHNHNHHHHHHNHHHHHHHHHHHHHHNNHNNN NNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMNMMNNMMNNMM NMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMNM MMMMMMMMMMMMMMMMMNNMNMMMNMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM 568
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JOHANN MORGENBILD Re:TheAshLad Volu
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Johann Morgenbild Re:TheAshLad Volu
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