Re:TheAshLad - Sandbooks

maybe had some conjurer traits from thebeginning staging. something
he not necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear.
about it everybody knows it's a scam open sourcescam so the art
context is. reflective revealing its staging. What aboutbeauty and
wholeness Well there's. always some endorfines in resolving
thingspotential and exhaustion beauty in. understanding things
wholenesses atdifferent levels which is like cashing in. on the structure
but there arealways remains and other levels expansion and.
consolidation chaos andstability. Beauty taken over by design etc
wholeness. by.. welll it's stillthere but like code source not wholeness
as image but. its counterpartconstruction. Art should be more absolute
not this or that my. view thoughyou didn't ask..What I am thinking
about right now is how to. translate a ()colorspace into music in a more
sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't
know how to get rhythms. that form aset and amplitudes is way way
way too many.(pitch. duration waveform) Btw midi transformation i've
always liked the renderings. of the radioharddisk maybe reminding of
morton feldman or somehting at times. noemata. spectre beMyGhost
Punch and Judy Show. ................................................. Noemata's
beMyGhost Punch and Judy Show A light seaside summer.
entertainment The plaintext dessert of a desert hyperwork A puppet
show. beyond good and evil Etc. As performed by the professors of
automata. telemata noemata. Now playing the Inbox Theater Scene.
oOOo. The story so. far....He is known as Pulcinella in Italy Guignol
and Polichinelle. inFrance Kasperl in Germany Casper in Sweden
Karagioz in. TurkeyKaragiosis in Greece Petruk in IndonesiaHe's been
around a long time. in one form or another. He's an imp ofmischief out
of the mists of. time. We know him as Punch. AsPulcinella the actor he
was part of the. Commedia Dell' Arte troupesof Renaissance Europe.
To trace him back further. takes us into thevery ancestry of pantomime
itself back to Ancient Rome and. ClassicalGreece and the licentious
topsy turvey world of Saturnalia and. Satyrplays. He exists in many
cultures for he is one form of The Trickstera. key figure in society's
development a figure able to turn sharedvalues. upside down for the
shocked amusement of the community and theultimate. strengthening
of the bonds that mutually bind it.Charles Dickens was also a. great
admirer of the Punch and Judy Show.Mr. Punch is frequently
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