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iieiiei1eWrkers - Leicester Research Archive - University of Leicester

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In contrast, Puyai Li (Village Head Li), written by Pipat Boribun during the<br />

military regime <strong>of</strong> Sarit, is highly comical. Its parody <strong>of</strong> a village meeting<br />

mocks the hierarchical power relations between the establishment and the<br />

villagers.<br />

PUYAI LI (VILLAGE HEAD LI)<br />

In the year 1961, Puyai Li called a meeting<br />

The villagers all assembled at Puyai Li's house<br />

Now Puyai Li will tell you what he was told<br />

The state ordered, they ordered that peasants<br />

must raise ducks and sukorn (pig)<br />

Ta Si hua klan (the drunkard) asked,<br />

What is a sukorn?"<br />

Puyai Li stood up right away and said,<br />

"Sukorn is nothing but a ma noi."<br />

Ma noi, ma noi tammada (repeat)<br />

The word game is based on the colloquial mu (pig) and ma (dog) which are<br />

also abusive terms. To avoid the vulgarity they are <strong>of</strong>ficially called sukoriz and<br />

sunak. The narrator humourously depicts a surreal village meeting in which no<br />

talking back is permitted. But as it happens the contrast between the polite<br />

and vulgar vocabulary produces misunderstanding and reveals the ignorance <strong>of</strong><br />

the village head. The link between knowledge and power is broken. More<br />

importantly, the story makes fun <strong>of</strong> authority whilst defying the newly launched<br />

modernisation scheme.<br />

As these examples show, commentaries on militaristic power are possible but<br />

rare. They must be cautiously woven into humour or abstract satire. In<br />

contrast, ordinary soldiers are praised for their patriotism and heroic deeds.<br />

Most Luktoong stars pay tribute to the glorious warriors who are one <strong>of</strong> 'us',<br />

in songs like Yodrak Salakjai's Rangwan Nakrob (A Warrior Reward), Sayan<br />

Sanya's Karnpatiyan Taharn KIa (Oath <strong>of</strong> a Warrior), and Rangsri Serichai's<br />

Kiat Taharn (Glory <strong>of</strong> a Soldier). Yodrak Salakjai's hits in particular, are<br />

associated with the macho but highly patriotic imagery <strong>of</strong> the defender <strong>of</strong> the<br />

realm in juxtaposing the hero in uniform with love and sex. They include<br />

Taharn Rua Ma Laew (Here Comes the Navy), Taharn Sang Mm (A Soldier's<br />

Goodbye), Tor Char Dor Jai Diew (True Love <strong>of</strong> a Border Patrol) and the<br />

most recent hit, Taharn Mai Pai Kong (The New Conscript).<br />

Whilst the power <strong>of</strong> the military is glorified politicians <strong>of</strong>ten bear the brunt <strong>of</strong><br />

the criticism as in songs like; Kamron Sampunnanon's Mon Karnmuang (The<br />

Magic <strong>of</strong> Politics) and Songkroa Samattapapong' Pak Krasob Ha Sieng (Political<br />

Campaign <strong>of</strong> the Sack Party). Although Pleng Luktoong shares similar<br />

172

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