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Flood, T. (1977) "The Vietnamese Refugees in Thailand: Minority Manipulation in Counter-insurgency ", Bulletin of Concerned Asian Scholars, 9:3, pp.31-47. Frith, S. (1987) "Towards an Aesthetic of Popular Music" in Leppert, R. and MaClary, S. (eds) Music and Society: Tile Politics of Composition, Performance and Reception, Cambridge, Cambridge University Press. Frith, S. (1981) "'The Magic That can Set You Free': The ideology of Folk and the Myth of the Rock Comm unity" in Middleton, R. and Horn, D. (eds) Popular Music 1: Folk or Popular? Distinctions, Influences, Continuities, Cambridge, Cambridge University Press. Giddens, A. (1984) The Constitution of Society: Outline of tile Theory of Structuration, Cambridge, Polity Press. Giddens, A. (1981) A Contemporary Critique of Historical Materialism: Vol.1 Power, Property and the State, London, Macmillan. Golding, P. and Elliot, P. (1979) Making the News, London, Longman. Hall, S. (1981) "Cultural Studies. Two Paradigms" in Bennett, T., et al. (eds) Culture, Ideology and Social Process, London, The Open University Press. Hall, S. (1977) "Culture, the Media and the 'Ideological Effect'" in Curran, J., et a!. (eds) Mass Communication and Society, London, Edward Arnold and The Open University Press. Hall, S., et al. (1978) Policing the Crisis: Mugging, the Stale, and Law and Order, London, Macmillan. Hall, S. and Whannel, P. (1964) The Popular Arts, London, Hutch inson. Hartmann, H. (1982) "capitalism, Patriarchy, and Job Segregation by Sex" in Giddens, A. and Held, D. (eds.) Classes, Power, and Conflict, London, Macmillan. Hebdige, D. (1979) Subculture: Tile Meaning of Style, London, Methuen. Hennion, A. (1983) "The Production of Success: An Anti-Musicology of the Pop Song" in Middleton, R. and Horn, D. (eds) Popular Music 3: Producers and Markets, Cambridge, Cambridge University Press. Hiranburana, S. (1977) "Pasa nai Wannakamn Chaobaan (Pasa Likae)" (The Language of Popular Culture: The Case of Likae), Journal of Thainmasat University, 7:2, pp.2-13. 248
Huncharoen, C. (1983) "Panha karn Krajaisieng ii yu nok Tamra" (The Problems of Broadcasting) in Hasib Pi Krom Prachasampan (The 50th Anniversary of the Department of Public Relations), Bangkok. Janowitz, M. (1964) The Military in the Political Development of New Nations, Chicago, University of Chicago Press. Johnson, J. (ed) (1962) The Role of the Military in Underdeveloped Countries, Princeton, Princeton University Press. Kaewpan, W. (1983) "Prachasampan pua Krai" (Public Relations for Whom?) in Hasib P1 Krom Prachasampan (The 50th Anniversary of the Department of Public Relations), Bangkok. Keyes, C. (1978) "Political Crisis and Militant Buddhism in Contemporary Thailand" in Smith, B.L. (ed.) Religion and Legitimation of Power in Thailand, Laos, and Burma, Chambersburg, P.A., ANIMA Books. Kitiwat, K. (1983) "Witayu Krajaisieng Thai" (The Thai Radio Broadcasting System), Wiwatanakarn Suemuanchon Thai, (The Development of the Thai Mass Media), University. Bangkok, Chulalongkorn Kittiwutho Bhikkhu (1976) Kha Kominunit Mai Bab (Killing Communist is not Demeritorious), Bangkok, Aksornsampan quoted in Suksamran (1984) Buddha Sasana kab ham Plienplang tang Karnnivang lae Sangkorn (Buddhism and Socio-political Transformation), Bangkok, Chulalongkorn University. Komin, S. (1978) "The World View Through Thai Value Systems" in Traditional and Changing Thai World View, Bangkok, The Southeast Asian Studies Program and the Social Research Institute, Chulalongkorn University. Kotz, D. (1978) Bank Control of Large Corporations in the United States, Los Angeles, University of California Press quoted in Murdock, G. (1982) "Large Corporation and the Control of the Communications Industries" in Gurevitch, M., et al. (eds) Culture, Society and the Media, London, Methuen. Kress, G., Hodge, R. (1979) Language as Ideology, London, Routledge & Kegan Paul. Kritchrachatanon, 5. (1974) Kan Chuinnum Duernkabuen nai Tang Changwat (Demonstrations in the Provinces), Bangkok, Ministry of Interior. Kukang (1982) "Ta/ad Tape din Sudwieng" (Competition in the Music Industry), 3:23, pp. 1, 75-79. Lerner, G. (1986) The Creation of Patriarchy, Oxford, Oxford University Press. 249
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RADIO IN A TRANSITIONAL SOCIETY: TH
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Chapter 1 1.1 I .2 Chapter 2 2.1 2.
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Chapter 8 8.1 8.2 8.3 Chapter 9 9.1
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List of Figures Figure 1 The Admini
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Our inquiry therefore, is a small a
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4 --- First we begin with an apasis
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2.1 Introduction CHAPTER 2 MODERN T
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labour' either worked their own lan
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In the urban areas, the US military
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US, Japan and Europe. Between 1974
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In the present era of resurgent cap
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2.6 A Chronology of Events, 1932 -
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US government cut military aid to a
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on the other, it undermined the sub
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This was not the first time that th
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The cardinal position of the monarc
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3.2 Nationalism and Militarism; Con
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In the Thai language the word for '
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Reforms designed to 'modernise' the
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Development Plan (1961-1966), serve
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3.3 Paternalism and the Emergence o
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With Prem as the father figure (dub
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development of capitalism has trans
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democracy they were hostile to gove
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However, since the civilian governm
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egion total(%) Bangkok Central Nort
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the power of allocative control wou
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emained unfulfIlled. There were lar
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decisions used to secure the audien
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Restrictions on programme content w
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"Radio advertising is very cheap. A
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Although the emergent music industr
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million). This enabled it to expand
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In addition, the quantity of media
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editorial and advertisement. Commer
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O — V. '-'I C-.)- V- It) -V b1 I-
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ai C L I-. 0 L 0 H U 0 0 L 0 H 0 U
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5.1 The State and Media Production:
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Pua Pandin Thai shares similar ideo
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The closed form of the Sunday sermo
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5.2 The Production of News and Curr
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After the downfall of the military
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presentation. On AIvl radios, these
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Table 7 The Structure of Programme
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The routine of Kao Si Mum Baan begi
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commercial success, and the fact, a
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Table 8 A Summary of the Structures
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the theatre as well as from the civ
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How then can a declining industry n
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Phibun's military patronage, music
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a more cautious strategy. Since it
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The drama companies submit one-page
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Monthly salary - Main actors - Dire
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The production of popular music in
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exaniple, goes out into the country
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A small number of singers, such as
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the case of Grammy we do see a more
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or diversity in programming. Noneth
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Music programmes for example, are a
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political power is now on the decli
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of the sermons dealing with social
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In this sermon, civil servants are
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Through these programmes the milita
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Kampuchea and constantly ambushes v
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The military argues that it is the
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The rigid divisions that operated i
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are sometimes present in the same p
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"The Japanese PM won the election a
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"Parliament is no! an arena for rev
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forms. Nonetheless, it contradicts
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A second politku problem is posed b
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PART ONE: THE FINAL PLANNING OF THE
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In this rationalisation the author
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and her courtly speech are always s
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CHAPTER 8 DRAMATISING MASCULINITY A
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Sua is trained in a male dominated
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generally within the adventure form
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which carry the two themes simultan
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TOH: "Sua, you have succeeded... ev
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Sua Term is depicted as the hero's
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logging franchises in Laos and Burm
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"... My father wan Is me to have an
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The final way in which the film and
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the story, and not least by his bes
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KANITA: "(whisper) No sweat, physic
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CHAPTER 9 PRIVATISING SENSUAL PLEAS
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ealistic lyrics. Pleng Luktoong bor
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consumption. The following advertis
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Luktoong lyrics: resistance and acc
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worldview with the traditional inst
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When the balance is struck the song
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prevails. These songs juxtapose the
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These pre-emptions are however, ove
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Ah, ha, cutie, so handsome Whose lo
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This track reproduces the style of
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the album. They are juxtaposed with
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9.3 Luktoong Music Radio: DJs and C
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Programme of Luktoong Artists -Adve
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month or approximately £25)6 with
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'Pleng Hit Pua Kizun': DJs and the
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traditional popular sport that is b
Page 205 and 206: It is in this final slot, where the
Page 207 and 208: The field research The field study
Page 209 and 210: The second problem arises from the
Page 211 and 212: small dinning hail (which seats abo
Page 213 and 214: Category I Accommodation 2 Food 3 C
Page 215 and 216: positions, though some of their act
Page 217 and 218: The Unionisation of the Aporn Texti
Page 219 and 220: ". .we can 'I bear the house-keeper
Page 221 and 222: after her predecessor resigned, the
Page 223 and 224: einforce alternative spaces by inte
Page 225 and 226: A collective biography All of the n
Page 227 and 228: drama and the prime-time soap opera
Page 229 and 230: In the factory, the workers are abl
Page 231 and 232: pointed out, "a tragic ending is to
Page 233 and 234: of the story however. One responden
Page 235 and 236: (1) "1 wonder if they are from Kora
Page 237 and 238: sung among the women workers and on
Page 239 and 240: On the first anniversary of the Uni
Page 241 and 242: ealist narrative were rejected. As
Page 243 and 244: (B) "Now, there are well wishers wh
Page 245 and 246: In this manifestation of symbolic p
Page 247 and 248: CHAPTER 11 CONCLUSION The aim of th
Page 249 and 250: 11.2 Cultural Mediation and The Lim
Page 251 and 252: occured within the workers themselv
Page 253 and 254: Bibliographies Adorno, T. and Horkh
Page 255: Chaloemtiarana, T. (1976) "The Evol
Page 259 and 260: Murdock, G. and Janus, N. (1985) Ma
Page 261 and 262: Rajakool, C. (1984) The Social and
Page 263: Volosinov, V. (1973) Marxism and th
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