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iieiiei1eWrkers - Leicester Research Archive - University of Leicester

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The Production <strong>of</strong> Religious Programme: The Sunday Sennon<br />

The Sunday sermon is produced by the Production Division <strong>of</strong> the Department<br />

<strong>of</strong> Public Relations. One producer is assigned to the programme. However,<br />

since the programme consists <strong>of</strong> a sermon given by monks <strong>of</strong> high ecclesiastical<br />

rank his responsibility is confined to ensuring coordination between the Sangha<br />

and the technical staff <strong>of</strong> Radio Thailand. Most <strong>of</strong> the recording takes place in<br />

the studio, except on special occasions when a live sermon is broadcasted.<br />

Some <strong>of</strong> the programmes are produced by the Public Relations Regional<br />

Headquarters. For example, Radio Thailand's station at Surathani produces the<br />

sermons given by Buddhadasa Bhikkhu who resides in the south.<br />

The form <strong>of</strong> the Sunday sermon, Phrad/zainnza Tesana, is a reproduction <strong>of</strong> the<br />

tradition <strong>of</strong> oral sermons given by monks on the Buddhist sabbath. The<br />

sermon is strictly didactic. Although the producer attempts to liven up the<br />

programme by selecting adroit preachers, his efforts are rather circumscribed.<br />

Control <strong>of</strong> the style and content <strong>of</strong> the programme lies with the individual monk<br />

whose authority on Buddhism is uncontested. Hence, as with production <strong>of</strong><br />

military commentary programmes, the producer is left with little space to<br />

manoeuvre.<br />

The producer's pr<strong>of</strong>essionalism is further curtailed by shifts in political ideology<br />

and organisational guidelines. The political change in 1978 and the religious<br />

schisms within the Sangha for example, were immediately translated into a new<br />

guiding policy for the Sunday sermon. The programme was to incorporate<br />

non-conformists monks, whereas in the past space was only available for monks<br />

from the established faction.2<br />

The reduction <strong>of</strong> the role <strong>of</strong> the producer to that <strong>of</strong> a programme coordinator<br />

has divided the power to control between the media organisation and the<br />

Sangha. But the programme is far from homogeneous in representing the<br />

ideology <strong>of</strong> the state. In its efforts to accommodate to change while upholding<br />

its moral ethics the Sangha is confronted with internal and external tensions.<br />

However, whenever conflicts occur the pr<strong>of</strong>essionalism <strong>of</strong> the producer and Radio<br />

Thailand's is called into question. Like the military, the dominant position <strong>of</strong><br />

the Sangha overrides the power <strong>of</strong> the NBA.<br />

2 Interview with the producer, June, 1986.<br />

71

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