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Chapter 1 1.1 I .2 Chapter 2 2.1 2.2 2.3 2.4 2.5 2.6 Chapter 3 3.1 3.2 3.3 Introduction Table of Contents The Media and Cultural Production: The Question of Social Stratiflcation and Legitimation An Exploratory Study of the Thai Radio System: A Critical and Holistic Approach Modern Thailand: Fonnation and Transfonnation Introduction The Social Formation Prior to the l930s Political Transformation and the Rise of Military Rule in the 1940s and l950s Modernisation and the Waves of Struggle in the 1960s and l970s Power Realignment and the Renewal of Traditional Institutions in the 1980s A Chronology of Events, 1932-1985 Dominant Ideologies in the Thai Society Ideological Continuity in a Buddhist Polity Nationalism and Militarism: Constituents of the Modern Thai State Paternalism and the Emergence of Industrial Capitalism 3 6 6 8 9 13 16 19 26 34
Chapter 4 4.1 4.2 4.3 Chapter 5 5.1 5.2 Chapter 6 6.1 6.2 Chapter 7 7.1 7.2 7.3 7.4 Radio in Transition: The Structure and Dynamics of Political Ownership and Market Control An Historical Outline of Radio Broadcasting in Thailand 39 The Structure and Dynamics of Political Ownership and Economic Control 45 Radio and the Contour of the Media Industry in Transition 53 Producing News and Commentary in the Broadcasting Industry The State and Media Production: Political Goals and Social Integration 68 The Production of News and Current Affairs: Organisation and Professional Ideology 74 Producing Popular Culture in the Broadcasting Industry Creative Commu nicators and Cultural Workers in the Production of Popular Culture 87 The Organisation of Radio Drama and Music: Four Case Studies 94 Propagating Dominant Ideologies: Contradictions, Incoherences and Challenges The Sunday Sermon and Buddhist Moral Ethics 112 Military Commentary Programmes and Political Legitimation 117 Popular News Commentary and Political Consensus 124 Political Drama and the Traditional Institutions 134
Page 1 and 2: RADIO IN A TRANSITIONAL SOCIETY: TH
Page 6 and 7: Chapter 8 8.1 8.2 8.3 Chapter 9 9.1
Page 8 and 9: List of Figures Figure 1 The Admini
Page 10 and 11: Our inquiry therefore, is a small a
Page 12 and 13: 4 --- First we begin with an apasis
Page 14 and 15: 2.1 Introduction CHAPTER 2 MODERN T
Page 16 and 17: labour' either worked their own lan
Page 18 and 19: In the urban areas, the US military
Page 20 and 21: US, Japan and Europe. Between 1974
Page 22 and 23: In the present era of resurgent cap
Page 24 and 25: 2.6 A Chronology of Events, 1932 -
Page 26 and 27: US government cut military aid to a
Page 28 and 29: on the other, it undermined the sub
Page 30 and 31: This was not the first time that th
Page 32 and 33: The cardinal position of the monarc
Page 34 and 35: 3.2 Nationalism and Militarism; Con
Page 36 and 37: In the Thai language the word for '
Page 38 and 39: Reforms designed to 'modernise' the
Page 40 and 41: Development Plan (1961-1966), serve
Page 42 and 43: 3.3 Paternalism and the Emergence o
Page 44 and 45: With Prem as the father figure (dub
Page 46 and 47: development of capitalism has trans
Page 48 and 49: democracy they were hostile to gove
Page 50 and 51: However, since the civilian governm
Page 52 and 53: egion total(%) Bangkok Central Nort
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the power of allocative control wou
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emained unfulfIlled. There were lar
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decisions used to secure the audien
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Restrictions on programme content w
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"Radio advertising is very cheap. A
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Although the emergent music industr
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million). This enabled it to expand
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In addition, the quantity of media
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editorial and advertisement. Commer
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O — V. '-'I C-.)- V- It) -V b1 I-
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ai C L I-. 0 L 0 H U 0 0 L 0 H 0 U
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5.1 The State and Media Production:
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Pua Pandin Thai shares similar ideo
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The closed form of the Sunday sermo
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5.2 The Production of News and Curr
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After the downfall of the military
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presentation. On AIvl radios, these
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Table 7 The Structure of Programme
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The routine of Kao Si Mum Baan begi
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commercial success, and the fact, a
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Table 8 A Summary of the Structures
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the theatre as well as from the civ
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How then can a declining industry n
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Phibun's military patronage, music
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a more cautious strategy. Since it
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The drama companies submit one-page
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Monthly salary - Main actors - Dire
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The production of popular music in
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exaniple, goes out into the country
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A small number of singers, such as
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the case of Grammy we do see a more
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or diversity in programming. Noneth
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Music programmes for example, are a
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political power is now on the decli
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of the sermons dealing with social
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In this sermon, civil servants are
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Through these programmes the milita
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Kampuchea and constantly ambushes v
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The military argues that it is the
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The rigid divisions that operated i
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are sometimes present in the same p
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"The Japanese PM won the election a
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"Parliament is no! an arena for rev
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forms. Nonetheless, it contradicts
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A second politku problem is posed b
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PART ONE: THE FINAL PLANNING OF THE
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In this rationalisation the author
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and her courtly speech are always s
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CHAPTER 8 DRAMATISING MASCULINITY A
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Sua is trained in a male dominated
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generally within the adventure form
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which carry the two themes simultan
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TOH: "Sua, you have succeeded... ev
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Sua Term is depicted as the hero's
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logging franchises in Laos and Burm
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"... My father wan Is me to have an
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The final way in which the film and
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the story, and not least by his bes
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KANITA: "(whisper) No sweat, physic
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CHAPTER 9 PRIVATISING SENSUAL PLEAS
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ealistic lyrics. Pleng Luktoong bor
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consumption. The following advertis
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Luktoong lyrics: resistance and acc
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worldview with the traditional inst
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When the balance is struck the song
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prevails. These songs juxtapose the
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These pre-emptions are however, ove
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Ah, ha, cutie, so handsome Whose lo
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This track reproduces the style of
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the album. They are juxtaposed with
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9.3 Luktoong Music Radio: DJs and C
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Programme of Luktoong Artists -Adve
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month or approximately £25)6 with
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'Pleng Hit Pua Kizun': DJs and the
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traditional popular sport that is b
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It is in this final slot, where the
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The field research The field study
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The second problem arises from the
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small dinning hail (which seats abo
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Category I Accommodation 2 Food 3 C
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positions, though some of their act
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The Unionisation of the Aporn Texti
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". .we can 'I bear the house-keeper
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after her predecessor resigned, the
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einforce alternative spaces by inte
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A collective biography All of the n
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drama and the prime-time soap opera
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In the factory, the workers are abl
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pointed out, "a tragic ending is to
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of the story however. One responden
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(1) "1 wonder if they are from Kora
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sung among the women workers and on
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On the first anniversary of the Uni
Page 241 and 242:
ealist narrative were rejected. As
Page 243 and 244:
(B) "Now, there are well wishers wh
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In this manifestation of symbolic p
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CHAPTER 11 CONCLUSION The aim of th
Page 249 and 250:
11.2 Cultural Mediation and The Lim
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occured within the workers themselv
Page 253 and 254:
Bibliographies Adorno, T. and Horkh
Page 255 and 256:
Chaloemtiarana, T. (1976) "The Evol
Page 257 and 258:
Huncharoen, C. (1983) "Panha karn K
Page 259 and 260:
Murdock, G. and Janus, N. (1985) Ma
Page 261 and 262:
Rajakool, C. (1984) The Social and
Page 263:
Volosinov, V. (1973) Marxism and th
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