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NOVEMBER/DECEMBER 1983, No. 43, $3.50 Making ... - Wood Tools

NOVEMBER/DECEMBER 1983, No. 43, $3.50 Making ... - Wood Tools

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tages. First, the saw is always held at the correct angle, freeing<br />

me from the task of sliding work and saw around in search of<br />

the narrow notch in the bird's-mouth. Second, the saw's<br />

hinged upper arm pivots out of the way when a blade must<br />

be threaded through the workpiece. And third, the veneer can<br />

be held stationary as the saw is stroked. This last feature is<br />

handy because when the blade reaches the bottom of its<br />

maximum stroke, it will have advanced about %4 in., offering<br />

good control when cutting fragile or pointed parts.<br />

As the drawing shows, I made my jig to about the dimensions<br />

of a small, power scroll saw. The table, saw bracket and<br />

tilting mechanism are of pine, but a good grade of :X-in. plywood<br />

could be substituted. If unsupported, veneer will chip<br />

on the back side as it is cut. I solved this problem by inserting<br />

a throatpiece that slides in a I-in. wide dovetailed groove<br />

milled in the tabletop. One end of the throatpiece is kerfed to<br />

accommodate the blade set at 900; the other end has two<br />

kerfs at 120, the angle I like for double-beveling.<br />

The saw is<br />

be<br />

clamped to a bracket, which is in turn artached<br />

to the table by a section of brass piano hinge. This allows the<br />

saw angle to varied. A thumbscrew through a shopmade<br />

aluminum bracket locks the saw at the desired angle. I made<br />

my own barrel nut for the thumbscrew by drilling and tapping<br />

a %-in. steel rod. A wood screw, or better yet a thumbscrew<br />

threaded into a Rosan insert, would serve the same purpose.<br />

The best pivot point turned out to be 15 in. from the<br />

blade and just below the surface of the table.<br />

If I had had access to a machine shop, I would have made<br />

the upper arm hinge from aluminum so that it could be<br />

smaller. As it was, I had to use wood, and maple seemed a<br />

good choice. So that you won't have to contend with clamping<br />

the odd-shaped pieces on the drill press, bore the blind<br />

holes for the saw frame before you shape the hinge parts. I<br />

didn't have the 0.515-in. (3%4-in.) bit to match the diameter<br />

of my saw frame, but an oversize �-in. masonry bit I found<br />

in my collecrion worked fme after I ground off a few thousandths<br />

of an inch. For accuracy, I drilled a �-in. hole first,<br />

and then, without changing the setup, enlarged it with my<br />

modified bit. <strong>No</strong>t all fretsaws have tubular frames (I got<br />

mine from Constantine's). If yours is of steel bar stock, you'll<br />

have to modify the mounting bracket and mortise the frame<br />

1 into the hinges.<br />

cut<br />

and shaped the hinge sections on my 4-in. Dremel<br />

saw. Doing it by hand is nearly as easy. With a backsaw, saw<br />

the angled cheeks and<br />

1<br />

shoulders of the male section, then<br />

chisel the slot in the female part until you get a slip fit. For<br />

the hinge pin, I sacrificed a %2-in. drill bit. Measuring the<br />

overall length of the hinge and subtracring the combined depth<br />

of the<br />

1<br />

two holes tells you how long a section of the saw has to<br />

be cut out. Make sure that the blade clamps line up when you<br />

put the saw together. fastened the hinge with sheet-metal<br />

screws driven through the wood and into<br />

be<br />

the saw frame.<br />

Installing a blade is easy. First, I clamp the jig to a comfortable<br />

work surface, which happens to the desk in my<br />

den. thread the blade through from the top and clamp it at<br />

the bottom. Resting the saw handle on my knee leaves both<br />

0<br />

hands free to pivot the upper arm down and clamp the other<br />

end of the blade.<br />

Ed Kampe was a design engineer and general foreman in<br />

precision metalworking. He makes marquetry pictures in<br />

Zellwood, Fla.<br />

Motor makes fretsawing fly<br />

by Scott Littleton<br />

12 -in. fretsaw<br />

Worm gear<br />

Hinge<br />

As a marquetry beginner, I found that knife-cutting left my<br />

.fl. hands stiff and sore, so I set out to design and build a<br />

low-cost power scroll saw that would make a beveled cut.<br />

Ideally, a marquetry saw's blade should operate straight up<br />

and down. But a mechanism with a large throat to achieve<br />

this ideal seemed beyond my abilities. Some sketching<br />

showed me that a simple oscillating saw might work, since<br />

the force needed to cut veneer is small and the speed need not<br />

be great. One disadvantage of a rocking saw<br />

(:x<br />

frame is that the<br />

cutting edge of the blade moves fotward and back during the<br />

stroke. I found that with a short stroke in.), the front-toback<br />

motion is negligible.<br />

I built my saw the simplest way I could and just slapped it<br />

together quickly, thinking it was an experiment to be improved<br />

on later. It works so well that the only improvement I<br />

may ever make is to increase the throat depth.<br />

To make the saw, I clamped a 12-in. fretsaw between two<br />

bolted blocks. The blocks are attached to a hinged post<br />

mounted on a :X-in. plywood base. To remove any side play<br />

from the saw, put the hinges in a bind, or use a piano hinge.<br />

Up-and-down motion is achieved through a small electric<br />

motor, a small worm gearbox (or gearmotor) and a simple<br />

crank mechanism. After having tried several speeds, I find<br />

that about 300 strokes per �inute is my preference. The motor<br />

to power the unit need not be large. I've found that even<br />

a X20-HP gearmotor (Dayton 200-RPM shaded pole gearmotor,<br />

0<br />

stock #2Z812, about $18.50) will cut two thicknesses of oak<br />

veneer without noticeably slowing down.<br />

Scott Littleton lives in Salt Lake City, Utah.<br />

61

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