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dep art amento de conser v ación y - Fundación César Manrique

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E N G L I S H V E R S I O N<br />

Platform for<br />

reflection:<br />

Archipelago forum<br />

Juan José Armas<br />

Marcelo<br />

On mestizo writing.<br />

A personal experience<br />

1999 he was awar<strong>de</strong>d the Nobel Prize for Literature.<br />

During the conference <strong>de</strong>livered on 28 February, Günter<br />

Grass presented the last two of his works to be translated<br />

into Spanish, Fünf Jahrzhente and Crab walk. In his lecture he<br />

took a very clear stand against the war in Iraq. He also told<br />

his audience that Lanzarote had ma<strong>de</strong> a strong aesthetic<br />

impression on him and regretted that the island, like all<br />

worldly paradises, was endangered. He urged its resi<strong>de</strong>nts to<br />

make every effort to protect it.<br />

He also addressed the immigration issue in his conference:<br />

Europe has failed to contribute to the <strong>de</strong>velopment of poor<br />

countries, missing the opportunity to raise their populations’<br />

standard of living and thereby prevent their exodus towards<br />

more <strong>de</strong>veloped areas. Europeans have, on the contrary, been<br />

able to reach agreement on how to protect their societies<br />

from such immigration.<br />

This platform enlists the p<strong>art</strong>icipation of researchers,<br />

intellectuals and persons engaging in creative work on the<br />

Canary Islands. Since its inception, it has proved to be an i<strong>de</strong>al<br />

setting for <strong>de</strong>bate and reflection on different issues related to<br />

culture, science and environment on the archipelago. In 2003,<br />

writer and journalist Juan José Armas Marcelo p<strong>art</strong>icipated in<br />

the forum.<br />

J. J. Armas Marcelo holds a BA in classic studies from the<br />

Complutense University of Madrid. He has published several<br />

novels, including El camaleón sobre la alfombra [The<br />

chameleon on the rug] (1974; Galdós Prize, 1975), Calima<br />

[Misty heat] (1978), Los dioses <strong>de</strong> sí mismos [Gods of<br />

themselves] (1989, Plaza y Janés International Novel Prize),<br />

Vargas Llosa. El vicio <strong>de</strong> escribir [Vargas Llosa or writing as a<br />

vice] (1991; Alfaguara, 2002), Los años que fuimos Marilyn<br />

[The year we were Marilyn] (1995) and Cuba en el corazón<br />

[Cuba at he<strong>art</strong>] (1998).<br />

On Thursday 3 April Juan José Armas Marcelo <strong>de</strong>livered a<br />

lecture at FCM headqu<strong>art</strong>ers titled On mestizo writing. A<br />

personal experience. In the course of this lecture, the author<br />

reviewed his concept of miscegenation as an i<strong>de</strong>ological<br />

backdrop for a certain outlook on life. In our times, the halfbreed<br />

is no longer an oddity.<br />

The author sustained that writers have a public mission. He<br />

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