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dep art amento de conser v ación y - Fundación César Manrique

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Museum and<br />

Conservation Area<br />

Cataloguing<br />

Cataloguing<br />

<strong>César</strong> <strong>Manrique</strong>’s<br />

plastic work<br />

publicly con<strong>de</strong>mned the war and firmly opposed any active<br />

support for the conflict, expressing its firm belief in the<br />

need for citizens to continue to raise their voices in favour<br />

of peace and actively and peacefully <strong>de</strong>mand that the war,<br />

and with it the suffering inflicted on its victims, be brought<br />

to an end.<br />

D E P A R T A M E N T O D E C O N S E R V A C I Ó N Y<br />

Imagen <strong>de</strong> la<br />

exposición<br />

El pasado en el<br />

presente<br />

E ste Dep<strong>art</strong><strong>amento</strong> se ocupa <strong>de</strong> los<br />

contenidos museísticos propios <strong>de</strong>l Museo, <strong>de</strong> la<br />

obra <strong>de</strong> <strong>César</strong> Manriqque, <strong>de</strong>l programa <strong>de</strong> exposiciones<br />

temporales y colabora con otras instituciones en<br />

materia <strong>de</strong> <strong>art</strong>ess plásticas.<br />

61<br />

DEPARTMENT OF<br />

CONSERVATION<br />

AND PLASTIC ARTS<br />

This <strong><strong>de</strong>p</strong><strong>art</strong>ment manages the content of the<br />

Foundation’s museum, administers <strong>César</strong><br />

<strong>Manrique</strong>’s oeuvre, programmes the institution’s temporary<br />

exhibitions and handles plastic <strong>art</strong>-related co-operation with<br />

other institutions.<br />

After a number of years of en<strong>de</strong>avour, by year-end 2003 all of<br />

<strong>César</strong> <strong>Manrique</strong>’s plastic work was completely catalogued.<br />

Pursuing a strategy initiated in 2002, the <strong><strong>de</strong>p</strong><strong>art</strong>ment<br />

contacted galleries and individuals who knew of and<br />

p<strong>art</strong>icipated in the <strong>art</strong>ist’s activities in Germany, with<br />

excellent results. The information in the FCM archives led to<br />

the location of numerous works.<br />

At the same time, the <strong>art</strong>ist’s works on the Iberian peninsula<br />

and in the Canary Islands continued to be catalogued, likewise<br />

with very promising results. And the study and analysis of the<br />

connections between Germany and Spain constituted a fresh<br />

impetus for this research effort.<br />

A total of 301 pieces were catalogued in Germany and other<br />

European countries, including Switzerland, Norway, France<br />

and England; the works located dated predominantly from the<br />

nineteen eighties and nineties.<br />

Deca<strong>de</strong> No. of pieces Location<br />

50-60 6 Switzerland<br />

60-70 7 Switzerland and England<br />

70-80 38 Germany<br />

80-90 206 Switzerland, France, Norway, U.S.A. and Germany<br />

90-92 29 Switzerland and Germany<br />

Undated 15 France, Norway, Switzerland and Germany<br />

135

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