dep art amento de conser v ación y - Fundación César Manrique
dep art amento de conser v ación y - Fundación César Manrique
dep art amento de conser v ación y - Fundación César Manrique
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Museum and<br />
Conservation Area<br />
Cataloguing<br />
Cataloguing<br />
<strong>César</strong> <strong>Manrique</strong>’s<br />
plastic work<br />
publicly con<strong>de</strong>mned the war and firmly opposed any active<br />
support for the conflict, expressing its firm belief in the<br />
need for citizens to continue to raise their voices in favour<br />
of peace and actively and peacefully <strong>de</strong>mand that the war,<br />
and with it the suffering inflicted on its victims, be brought<br />
to an end.<br />
D E P A R T A M E N T O D E C O N S E R V A C I Ó N Y<br />
Imagen <strong>de</strong> la<br />
exposición<br />
El pasado en el<br />
presente<br />
E ste Dep<strong>art</strong><strong>amento</strong> se ocupa <strong>de</strong> los<br />
contenidos museísticos propios <strong>de</strong>l Museo, <strong>de</strong> la<br />
obra <strong>de</strong> <strong>César</strong> Manriqque, <strong>de</strong>l programa <strong>de</strong> exposiciones<br />
temporales y colabora con otras instituciones en<br />
materia <strong>de</strong> <strong>art</strong>ess plásticas.<br />
61<br />
DEPARTMENT OF<br />
CONSERVATION<br />
AND PLASTIC ARTS<br />
This <strong><strong>de</strong>p</strong><strong>art</strong>ment manages the content of the<br />
Foundation’s museum, administers <strong>César</strong><br />
<strong>Manrique</strong>’s oeuvre, programmes the institution’s temporary<br />
exhibitions and handles plastic <strong>art</strong>-related co-operation with<br />
other institutions.<br />
After a number of years of en<strong>de</strong>avour, by year-end 2003 all of<br />
<strong>César</strong> <strong>Manrique</strong>’s plastic work was completely catalogued.<br />
Pursuing a strategy initiated in 2002, the <strong><strong>de</strong>p</strong><strong>art</strong>ment<br />
contacted galleries and individuals who knew of and<br />
p<strong>art</strong>icipated in the <strong>art</strong>ist’s activities in Germany, with<br />
excellent results. The information in the FCM archives led to<br />
the location of numerous works.<br />
At the same time, the <strong>art</strong>ist’s works on the Iberian peninsula<br />
and in the Canary Islands continued to be catalogued, likewise<br />
with very promising results. And the study and analysis of the<br />
connections between Germany and Spain constituted a fresh<br />
impetus for this research effort.<br />
A total of 301 pieces were catalogued in Germany and other<br />
European countries, including Switzerland, Norway, France<br />
and England; the works located dated predominantly from the<br />
nineteen eighties and nineties.<br />
Deca<strong>de</strong> No. of pieces Location<br />
50-60 6 Switzerland<br />
60-70 7 Switzerland and England<br />
70-80 38 Germany<br />
80-90 206 Switzerland, France, Norway, U.S.A. and Germany<br />
90-92 29 Switzerland and Germany<br />
Undated 15 France, Norway, Switzerland and Germany<br />
135