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dep art amento de conser v ación y - Fundación César Manrique

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Catalogues<br />

of temporary<br />

exhibitions<br />

Miguel Ángel Blanco.<br />

Geogenics<br />

Annual<br />

review 2002<br />

<strong>art</strong>ist’s latter years. Fernando Castro Borrego and María<br />

Dolores Jiménez-Blanco are professors of <strong>art</strong> history at the<br />

University of La Laguna Pompeu Fabra University, respectively<br />

and Mariano Navarro and Lázaro Santana are <strong>art</strong> critics. <strong>César</strong><br />

<strong>Manrique</strong>. Pintura forms a p<strong>art</strong> of the ongoing en<strong>de</strong>avour to<br />

catalogue the <strong>art</strong>ist’s works un<strong>de</strong>rtaken by the FCM in 1995.<br />

On the occasion of Miguel Ángel Blanco’s exhibition, the FCM<br />

published a catalogue with texts by Aurora García,<br />

Celebrating the universe; Jorge Wagensberg, Creation is<br />

selection and the <strong>art</strong>ist himself, The vulcanised eye: walking<br />

for two weeks on solid fire. The bilingual (Spanish-English)<br />

catalogue inclu<strong>de</strong>s photos of all the works exhibited. A total<br />

of 1,500 copies were printed.<br />

The Publications Service printed the Annual Review 2002,<br />

containing a bilingual (Spanish-English) summary of the<br />

activities conducted by the FCM during the year.<br />

FUNDING<br />

As a private cultural institution, the FCM is self-fun<strong>de</strong>d and<br />

invests its proceeds in the furtherance of its foundation goals.<br />

Its annual budget is drawn up on the basis of revenues from<br />

museum ticket sales and proceeds from the FCM stores,<br />

which sell <strong>Manrique</strong> line products.<br />

AUDIT<br />

Every year, the FCM commissions KPMG AUDITORES to<br />

conduct an external audit of its accounts.<br />

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