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งานออกแบบสถาปัตยกรรมไทย เจ้าฟ้ากรมพระยานริศรานุวัดติวงศ์

ฝีพระหัตถ์สมเด็จพระเจ้าบรมวงศ์เธอ เจ้าฟ้ากรมพระยานริศรานุวัดติวงศ์ โดย ศาสตราจารย์ สมคิด จิระทัศนกุล

ฝีพระหัตถ์สมเด็จพระเจ้าบรมวงศ์เธอ เจ้าฟ้ากรมพระยานริศรานุวัดติวงศ์ โดย ศาสตราจารย์ สมคิด จิระทัศนกุล

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In 1892, after he had directed the Ministry of Public<br />

Works for a short period, he was requested to move on to<br />

direct Ministry of Finance for another two years. In 1894,<br />

when Department of Army Training Command and Department<br />

of Defense were converted into one institution: a newly<br />

established Ministry of Defense, responsible for both Army<br />

and Navy, Prince Naris was appointed to its Minister. He<br />

resumed his position as Minister of Defense for the second<br />

time in 1899, but this time it lasted only for five months, after<br />

which he was ordered to direct Minister of Royal Household.<br />

Later on in 1896, when Chao Fa Krom Phraya Panupan<br />

Wongworadej resigned from the director of Departments of<br />

Army Training Command, Prince Naris was then invited to<br />

take charge of his job temporarily. In 1905, when the Minister<br />

of Royal Household,<br />

Phra Chao Nongya Ther Krom Kun Pitayalarp<br />

Phruetthitada, left for another job, King Chulalongkorn needed<br />

somebody who knew tradition and custom well to take charge<br />

of the Ministry. Naris was then appointed to its Minister once<br />

again for the second time. While he collected a succession<br />

of prestigious posts, nowhere did make him a better known<br />

for his work than Ministry of Public Works, due to his<br />

exceptional ability to handle building business excellently.<br />

Consequently, between 1899 and 1905, he was requested<br />

to direct the Public Works Department once again for the<br />

second time - the fact that indicated how great his ability was<br />

in leading this department.<br />

The Architect & The Artist<br />

Apart from his management skill, Prince Naris was<br />

a highly competent architect and artist. His design works<br />

were varied, but almost everything he touched has been<br />

praised highly, especially for its creativity and distinctiveness.<br />

His first architectural design was Tuk Thawon Watthu of 1894.<br />

His exceptional design skill made him “King’s Architect”<br />

since every monarch he served trusted him with essential<br />

responsibilities on architecture. Distinguished and particularly<br />

well-known examples are Wat Benjamabophit and Wat<br />

Rajathiwad.<br />

Naris’ habit of hard-working had nevertheless affected<br />

his health. In 1909, he began to struggle with diseases of<br />

an enlarged heart. However, despite being unwell, he did not<br />

retire from work, as his doctor had suggested, immediately,<br />

but continued working. It was not until he realised himself<br />

unproductive at work, that he was unable to give his full service<br />

to as before, that he appealed to King Chulalongkorn to<br />

resign from the job. The King permitted him to retire.<br />

Nevertheless, his retirement existed only in theory.<br />

In the next reign of King Vajiravudh era, (on the throne<br />

between 1910 and 1925), Prince Naris, while in the course<br />

of retirement, still served the court. Apart from being<br />

a member of several governmental committees, he never<br />

stopped working on design and, of course, architecture.<br />

Amongst his exquisite works of architecture built during<br />

the sixth reign are royal pyres for the cremation of Queen<br />

Mother Sri Bajrindra (Saovabha Phongsri) and that of<br />

Somdet Krom Phraya Vajirananavarorasa (Prince Manusyanagamanob).<br />

With his outstanding service to the royal court,<br />

King Vajiravudh made Naris’ rank to Somdet Phra Chao<br />

Boromma Wong Thoe Chao Fa Krom Phraya Narisara<br />

Nuvadtiwongs.<br />

Due to poor health, Prince Naris decided to live in<br />

Bangkok suburb, following Chao Phra Ya Teves Wongwiwat’s<br />

advice, for better health. He brought a piece of land in Khlong<br />

Toei neighbourhood and a group of traditional Thai houses<br />

before converting them into his new residence. He thought<br />

he would only come to live in Khlong Toei during summertime,<br />

but every time he came back to stay in the urban palace of<br />

Wang Tha Phra, he became ill, presumably because of<br />

the dampness in the buildings. Thus he decided to move<br />

46 The Architectural Works of Prince Narisara Nuvadtiwongs: A Transition of Thai Architecture

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