งานออกแบบสถาปัตยกรรมไทย เจ้าฟ้ากรมพระยานริศรานุวัดติวงศ์
ฝีพระหัตถ์สมเด็จพระเจ้าบรมวงศ์เธอ เจ้าฟ้ากรมพระยานริศรานุวัดติวงศ์ โดย ศาสตราจารย์ สมคิด จิระทัศนกุล
ฝีพระหัตถ์สมเด็จพระเจ้าบรมวงศ์เธอ เจ้าฟ้ากรมพระยานริศรานุวัดติวงศ์ โดย ศาสตราจารย์ สมคิด จิระทัศนกุล
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In 1892, after he had directed the Ministry of Public<br />
Works for a short period, he was requested to move on to<br />
direct Ministry of Finance for another two years. In 1894,<br />
when Department of Army Training Command and Department<br />
of Defense were converted into one institution: a newly<br />
established Ministry of Defense, responsible for both Army<br />
and Navy, Prince Naris was appointed to its Minister. He<br />
resumed his position as Minister of Defense for the second<br />
time in 1899, but this time it lasted only for five months, after<br />
which he was ordered to direct Minister of Royal Household.<br />
Later on in 1896, when Chao Fa Krom Phraya Panupan<br />
Wongworadej resigned from the director of Departments of<br />
Army Training Command, Prince Naris was then invited to<br />
take charge of his job temporarily. In 1905, when the Minister<br />
of Royal Household,<br />
Phra Chao Nongya Ther Krom Kun Pitayalarp<br />
Phruetthitada, left for another job, King Chulalongkorn needed<br />
somebody who knew tradition and custom well to take charge<br />
of the Ministry. Naris was then appointed to its Minister once<br />
again for the second time. While he collected a succession<br />
of prestigious posts, nowhere did make him a better known<br />
for his work than Ministry of Public Works, due to his<br />
exceptional ability to handle building business excellently.<br />
Consequently, between 1899 and 1905, he was requested<br />
to direct the Public Works Department once again for the<br />
second time - the fact that indicated how great his ability was<br />
in leading this department.<br />
The Architect & The Artist<br />
Apart from his management skill, Prince Naris was<br />
a highly competent architect and artist. His design works<br />
were varied, but almost everything he touched has been<br />
praised highly, especially for its creativity and distinctiveness.<br />
His first architectural design was Tuk Thawon Watthu of 1894.<br />
His exceptional design skill made him “King’s Architect”<br />
since every monarch he served trusted him with essential<br />
responsibilities on architecture. Distinguished and particularly<br />
well-known examples are Wat Benjamabophit and Wat<br />
Rajathiwad.<br />
Naris’ habit of hard-working had nevertheless affected<br />
his health. In 1909, he began to struggle with diseases of<br />
an enlarged heart. However, despite being unwell, he did not<br />
retire from work, as his doctor had suggested, immediately,<br />
but continued working. It was not until he realised himself<br />
unproductive at work, that he was unable to give his full service<br />
to as before, that he appealed to King Chulalongkorn to<br />
resign from the job. The King permitted him to retire.<br />
Nevertheless, his retirement existed only in theory.<br />
In the next reign of King Vajiravudh era, (on the throne<br />
between 1910 and 1925), Prince Naris, while in the course<br />
of retirement, still served the court. Apart from being<br />
a member of several governmental committees, he never<br />
stopped working on design and, of course, architecture.<br />
Amongst his exquisite works of architecture built during<br />
the sixth reign are royal pyres for the cremation of Queen<br />
Mother Sri Bajrindra (Saovabha Phongsri) and that of<br />
Somdet Krom Phraya Vajirananavarorasa (Prince Manusyanagamanob).<br />
With his outstanding service to the royal court,<br />
King Vajiravudh made Naris’ rank to Somdet Phra Chao<br />
Boromma Wong Thoe Chao Fa Krom Phraya Narisara<br />
Nuvadtiwongs.<br />
Due to poor health, Prince Naris decided to live in<br />
Bangkok suburb, following Chao Phra Ya Teves Wongwiwat’s<br />
advice, for better health. He brought a piece of land in Khlong<br />
Toei neighbourhood and a group of traditional Thai houses<br />
before converting them into his new residence. He thought<br />
he would only come to live in Khlong Toei during summertime,<br />
but every time he came back to stay in the urban palace of<br />
Wang Tha Phra, he became ill, presumably because of<br />
the dampness in the buildings. Thus he decided to move<br />
46 The Architectural Works of Prince Narisara Nuvadtiwongs: A Transition of Thai Architecture