Nodelære, rytmelære, skalalære, harmonilære, stillære og A-Play
Nodelære, rytmelære, skalalære, harmonilære, stillære og A-Play
Nodelære, rytmelære, skalalære, harmonilære, stillære og A-Play
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Kapitel 3, <strong>skalalære</strong>, Stikordsregister <strong>skalalære</strong><br />
LYDASPEKT .................................................................................................................................................... 214<br />
Lydaspekter ved akkorder .............................................................................................. 214<br />
Konsonant ........................................................................................ 214<br />
Neutral ............................................................................................ 214<br />
Dissonant ......................................................................................... 214<br />
AKKORDBESKRIVELSER .............................................................................................................................. 215<br />
3-klange .................................................................................................................... 215<br />
4-klange .................................................................................................................... 215<br />
5-klange .................................................................................................................... 216<br />
6-klange .................................................................................................................... 216<br />
7-klange .................................................................................................................... 217<br />
AKKORDTABEL ............................................................................................................................................... 218<br />
Klaverbecifringer (forsimplet) ........................................................................................... 219<br />
Andre becifringssystemer ............................................................................................... 220<br />
De franske nodenavne ......................................................................... 221<br />
JAZZ BECIFRINGER ....................................................................................................................................... 221<br />
Særlige problemer med akkordnotation .............................................................................. 222<br />
Detaljer i akkorden ....................................................................................................... 223<br />
Tilføjede toner ................................................................................... 223<br />
Fortegn ........................................................................................... 223<br />
Kompakte becifringer ........................................................................... 223<br />
N.C. Midlertidig pause i becifringerne ................................................................................. 223<br />
Bitonale akkorder ......................................................................................................... 223<br />
Udvalgte besynderligheder ............................................................................................. 223<br />
AKKORDBOKSE ...................................................................................... 225<br />
DUR AKKORDBOKSE ..................................................................................................................................... 225<br />
MOL AKKORDBOKSE ..................................................................................................................................... 229<br />
BEVÆGELIGE AKKORDER, AVANCERET JAZZ .......................................................................................... 234<br />
ANDRE AKKORDFORMER ...................................................................... 235<br />
KLYNGE-AKKORDER ..................................................................................................................................... 235<br />
ALTERNATIVE AKKORDER ........................................................................................................................... 236<br />
Kvartstablinger ............................................................................................................ 236<br />
“Spontan kvartstabling ......................................................................... 236<br />
Kvintstablinger ............................................................................................................ 236<br />
FUNKTIONSHARMONIK .......................................................................... 238<br />
DE BASALE PRINCIPPER FOR FUNKTIONSHARMONIK ............................................................................ 239<br />
FUNKTIONSHARMONIKKENS GRUNDLOV.................................................................................................. 239<br />
Paragraf 1 ................................................................................................................. 239<br />
Paragraf 2 ................................................................................................................. 239<br />
Paragraf 3 ................................................................................................................. 239<br />
DOMINANT ...................................................................................................................................................... 240<br />
SUBDOMINANT ............................................................................................................................................... 240<br />
VEKSELDOMINANT / SUBDOMINANT .......................................................................................................... 241<br />
Harmoniske vekselfunktioner ........................................................................................... 241<br />
198
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