Nodelære, rytmelære, skalalære, harmonilære, stillære og A-Play
Nodelære, rytmelære, skalalære, harmonilære, stillære og A-Play
Nodelære, rytmelære, skalalære, harmonilære, stillære og A-Play
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Kapitel 4, <strong>harmonilære</strong>, Stikordsregister <strong>skalalære</strong><br />
PARALLELLE DUR / MOLFUNKTIONER ....................................................................................................... 241<br />
BLUESFUNKTIONER ...................................................................................................................................... 242<br />
Harmoniske bluesfunktioner ............................................................................................ 242<br />
NEAPOLITANSKE AKKORDER ...................................................................................................................... 242<br />
Den neapolitanske akkordfamilie ...................................................................................... 242<br />
HARMONISKE FUNKTIONER I EN TONEART .............................................................................................. 244<br />
Funktionsoversigt ........................................................................................................ 244<br />
Akkordfunktioner som forkortelser ............................................................ 245<br />
TABEL OVER DE MODALE ASPEKTER ........................................................................................................ 245<br />
Modale aspekter i funktionsharmonik ................................................................................. 245<br />
Modale eksempler på funktionsharmonik ............................................................................ 246<br />
BESKRIVELSE AF AKKORDERNES KARAKTER ......................................................................................... 246<br />
TONIKA .................................................................................................................... 246<br />
DOMINANT ............................................................................................................... 246<br />
SUBDOMINANT .......................................................................................................... 246<br />
Dobbeltfunktioner ........................................................................................................ 246<br />
Dim funktioner ............................................................................................................ 247<br />
Blues Funktioner ......................................................................................................... 247<br />
Funktionsharmonik for modale skalaer ............................................................................... 248<br />
Det alternative cirkus .................................................................................................... 248<br />
Nummersystemet ........................................................................................................ 249<br />
Det klassiske system .................................................................................................... 249<br />
Mit forslag ................................................................................................................. 249<br />
HARMONISKE KADENCER ..................................................................... 250<br />
FUNKTIONSHARMONIKKENS SPÆNDINGSNIVEAUER ............................................................................. 250<br />
STANDARDKADENCER ................................................................................................................................. 251<br />
KADENCEOSTINATER ................................................................................................................................... 252<br />
"Simpelt 5-leds kadenceostinat " ...................................................................................... 252<br />
ANDRE KADENCER ........................................................................................................................................ 253<br />
Fade ........................................................................................................................ 253<br />
Rytmiske kadencer ....................................................................................................... 253<br />
Andre rytmiske kadencer ...................................................................... 254<br />
Lineær kadence .......................................................................................................... 254<br />
AVANCEREDE AKKORDER .................................................................... 256<br />
ROCK OG JAZZ TERMINOLOGI .................................................................................................................... 256<br />
FUNKTIONSHARMONIK / DIATONISKE TREKLANGE ................................................................................. 256<br />
7-AKKORDER (4-KLANGE) ............................................................................................................................ 258<br />
6-AKKORDER (4-KLANGE / 5-KLANGE) ........................................................................................................ 259<br />
SUSAKKORDER .............................................................................................................................................. 259<br />
AKKORDER MED TILFØJEDE TONER .......................................................................................................... 259<br />
UDVIDEDE AKKORDER ................................................................................................................................. 260<br />
9-AKKORDER (5-KLANGE) ............................................................................................................................ 260<br />
DOBBELT ALTERNEREDE AKKORDER ....................................................................................................... 261<br />
11- AKKORDER (6.KLANG) ............................................................................................................................ 262<br />
13-AKKORDER (7-KLANGE) .......................................................................................................................... 262<br />
MULTI-AKKORDER ......................................................................................................................................... 262<br />
Alle aspekter af ROCK & JAZZ /1 Musikteori 199
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