22.02.2013 Aufrufe

Marte Meo in der Paarberatung

Marte Meo in der Paarberatung

Marte Meo in der Paarberatung

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MARTE MEO Magaz<strong>in</strong>e 2009/1&2-VOL.42/43<br />

18<br />

Maria: This is fantastic!<br />

Hildegard: And then it went on.<br />

13.3. Hildegard asks Maria:<br />

What led you <strong>in</strong> the development of the<br />

process?<br />

Hildegard: Maria, you developed the concept for<br />

this tra<strong>in</strong><strong>in</strong>g and aga<strong>in</strong> and aga<strong>in</strong> you have found<br />

customized tasks for Patrick. What led you?<br />

Maria: MARTE MEO is always tailor-made. I developed<br />

basic <strong>in</strong>formation about possibilities to support<br />

the development of all k<strong>in</strong>ds of abilities – social<br />

abilities, emotional abilities – and we always do it<br />

<strong>in</strong> a customized way. So it is <strong>in</strong> Patrick’s case.<br />

What moves us is that we see <strong>in</strong> the beg<strong>in</strong>n<strong>in</strong>g of<br />

the diagnosis: What did Patrick develop the least?<br />

What buggers him the most? What is his question?<br />

This is always a »guid<strong>in</strong>g idea«, and Patrick<br />

states: »I don’t know what to answer.« That we<br />

call a »motivation po<strong>in</strong>t« <strong>in</strong> MARTE MEO, that one<br />

th<strong>in</strong>ks to oneself, there I want to do someth<strong>in</strong>g<br />

with.<br />

And secondly: When we watch the video record<strong>in</strong>g<br />

for the diagnosis, we see that Patrick hasn’t<br />

got many words <strong>in</strong> connection with experiences,<br />

he can’t name himself very well yet – that we<br />

observed <strong>in</strong> the diagnosis –; then I know from<br />

what I studied that normally communication skills<br />

start here.<br />

And s<strong>in</strong>ce I saw that Patrick is not very good at<br />

empathis<strong>in</strong>g with another person, it is very<br />

important that he gets to know another person’s<br />

world. Therefore, he got the task to ask questions.<br />

Another guid<strong>in</strong>g idea of MARTE MEO is: When I let<br />

him ask questions, then one can see, how many<br />

questions he has and he can react to what the<br />

other person says.<br />

One can observe that …; <strong>in</strong> Patrick’s case one could<br />

observe that: When he began to ask questions,<br />

they were factual questions and not very emotional<br />

ones. One could see that he managed to do it <strong>in</strong><br />

one moment; that we can show him.<br />

So, this is on the one hand the diagnosis, which<br />

we can do <strong>in</strong> the everyday life, <strong>in</strong> situations of<br />

<strong>in</strong>teraction. What is miss<strong>in</strong>g? What should he still<br />

learn?<br />

And thirdly: every time we have a review and new<br />

video material, one can recognise first signs. So<br />

we can’t say: »We always beg<strong>in</strong> with this and then<br />

we do that.« There are certa<strong>in</strong> th<strong>in</strong>gs that always<br />

occur. But when they occur depends on the new<br />

video record<strong>in</strong>gs and Patrick’s development <strong>in</strong>itiatives.<br />

Hildegard: You always followed them?<br />

Maria: Yes, exactly. One accompanies his development<br />

and recognises: »Here he tries it.« He can’t<br />

handle it very well yet but currently he tries to.<br />

This shows that he is ready for such a step. And<br />

when one then gives the <strong>in</strong>formation, that we also<br />

know from our life, if one is really <strong>in</strong>terested <strong>in</strong><br />

someth<strong>in</strong>g and gets some more <strong>in</strong>formation, you<br />

are totally with it.<br />

13.4. Maria asks Hildegard:<br />

How did you f<strong>in</strong>d the suitable pictures for the<br />

review?<br />

Maria: Hildegard, what is always hard for most of<br />

the people – I was so impressed by the way you<br />

did it – which pictures you precisely chose for the<br />

review. How did you do that? How did you know<br />

which pictures would be suitable?<br />

Hildegard: Well, that was not so very easy. In the<br />

beg<strong>in</strong>n<strong>in</strong>g I felt quite helpless. I can remember<br />

when watch<strong>in</strong>g the first film I only saw the th<strong>in</strong>gs<br />

Patrick couldn’t do. That means I could have done<br />

a whole list of the abilities that are not developed<br />

yet. But I wanted to show him what he is able to<br />

do. MARTE MEO ties <strong>in</strong> with the capabilities, and I<br />

also wanted to w<strong>in</strong> him with the first pictures so<br />

that he would cont<strong>in</strong>ue.<br />

Well then – what did I do? At first, I looked for the<br />

MARTE MEO checklists aga<strong>in</strong>, which you have developed<br />

for the work with isolated children( 4 ) so that<br />

I had an idea at all and po<strong>in</strong>ts of contact how I<br />

should observe. That was the first th<strong>in</strong>g.<br />

And then I put on the capabilities glasses and<br />

went very thoroughly through the film another<br />

time on the search for little positive signs. In the<br />

end, I was astonished at how many I managed to<br />

f<strong>in</strong>d. These I then sent you via »Long Distance<br />

SuperVision«.<br />

Maria: And how was it for you, the reth<strong>in</strong>k<strong>in</strong>g?<br />

How many experiences do you have with foster<br />

families?<br />

Hildegard: Well, I’m also a foster mother; I have<br />

the experience as well. Counsell<strong>in</strong>g I have done now<br />

for 10 to 12 years and have accompanied many<br />

families so far. And there it is really important to<br />

f<strong>in</strong>d the positive th<strong>in</strong>gs because – until I beg<strong>in</strong><br />

with counsell<strong>in</strong>g, the situation is often already<br />

quite problematic and the people are <strong>in</strong> a negative<br />

circle. Then f<strong>in</strong>d<strong>in</strong>g positive signs, that helps a lot.<br />

By us<strong>in</strong>g film material, this can be done so well.<br />

Maria: And what I mostly hear then is, that one<br />

normally waits until many negative experiences<br />

are there. Therefore it is good that we work <strong>in</strong><br />

Ireland. There, we film children before they go to<br />

foster families – <strong>in</strong> the home or <strong>in</strong> their family –

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