FW04175.pdf

26H-c; 188 rpm; FB-IOO, FT-I0KC;ET -2; announcement (very faint) and pitchpipe' A' at beginning; moderate surfacenoise; fade -out.Band 3. Cylinder 25. Archive, Japan 15---(18; 1901) Samisen solo, "Osazuma."This designation refer s to certain stylisticmannerisms which are used in the once verypopular interlude of a Naga-uta piece. Theplayer was a theatre musician of the Kawakamicompany which performed in Berlin.The piece was published as Ex. II, p. 220,in Abraham and von Hornbostel's "Tonsystemund Musik der Japaner," Sammelbandeder Internationalen Musik-Gesellschaft,IV (1903); reprinted in SammelbandefUr vergleichende Musikwissenschaft, I (1922).Only part of the transcription is reproducedbelow.H-c; 160 rpm; FT-6KC; ET -2; moderatesurface noise.,;= 6018v;J, bassoII. Shamisen-SoloCylinder 25 - Demonstrations-Sammlung Nr. 25Sumatra. These were evaluated by vonHornbostel in "tiber die Musik der Kubu"in Hagen's monograph, Die Orang Kubu aufSumatra (Frankfurt, 1908). Von Hornbostel'sstudy was reprinted in Sammelbande fur vergleichendeMusikwissenschaft, I (1922). Thetranscription reproduced is found on p. 373of the monograph.H-c; 176 rpm; FB-lOO, FT-5KC; EB +3,ET -5; moderate surface noise; slight wobble;extreme overmodulation in spots; speechand announcement at end.Band 5. Cylinder 29. Schoede, Sumatra 9--(19; December, 1908; Fort de Kock).Piece for a shawm, "pupuit, " played by aMalayan. Schoede describes the instrumentas follows: "A piece of bamboo, with a ricestalk sticking in it. The tone modulationsare produced by holding the hollow hands infront of the lower end. " But the precisenessof intonation seems to indicate that the instrumenthad fingerholes.Curt Sachs,in Die MusikinstrumenteIndiensund Indonesiens(Berlin, 1925).describes the"pupuit" as aSumatran clarinethaving in mostcases three orfour fingerholes.None of the recordingsof the Schoedecolle ction ha vebeen publishedto this date.H-c; 164 rpm;FB-lOO, FT-6KC;ET -5; moderatesurface noise;occasional badlycut grooves;preliminary announcement;abrupt ending.Band 4. Cylinder 28. Hagen, Sumatra 24--(27; 1905-1906) WLagu malim di Padang"(The magic doctor in the field.) Song forcuring the ill, sung by a shaman of the Kubufrom Muara Bahar. Bernhard Hagen,Director of the Municipal Ethnological Museumin Frankfurt-on-the-Main, collectedboth recordings and musical instruments inBand 6. Cylinder 36. Rudel, Borneo 45--(96; 1910; Oedjoe Halang). Bahau Dajak.vocal solo. Dr. E. Rudel was first activeas an M. D., later as an explorer. In theyears from 1908 to 1912 he brought homenot only the extensive Borneo collection butalso other recordings from Java, Celebes,and Siberia, with equally good annotations