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Taking the Hint<br />

The technology is willing but<br />

the flesh is weak BY MATTHEW BUTTERICK<br />

I USED TO MAKE MONEY HINTING FONTS. It really wasn't bad work. hinted PostScript fonts for years. There are suc<br />

Nobody really understood it, so they left me alone to do my job, and<br />

when I was finished, they rarely complained. After all, it was done.<br />

but unfortunately, they work about as well as<br />

kern algorithms: okay for government work,<br />

won't impress anyone who can tell good from<br />

HHHHHHHHHHHHHHH HHHHHH H H H<br />

Like kerning, quality hinting only comes from<br />

I was paid a decent rate in accordance with any skilled laborer who erate human effort.<br />

shares his trade with a national population of practitioners which<br />

could fit into a single Boston subway car. With room left over for hinting if there were decent tools for creating<br />

'MENNEN( Emma editing hinted font<br />

the Red Sox.<br />

4 --... r,--- - - -,...,.mr-ws most of the existing<br />

Type design may be an arcane vocation, but hinting is<br />

downright cultish. Hinting involves using a computer<br />

coding language to describe the relationships between the<br />

visual features of an outline typeface in order to preserve<br />

these features when the typeface is rasterized in pixels.<br />

h tools,<br />

autobut<br />

they<br />

bad.<br />

delib-<br />

And this, in turn, might not be insurmour<br />

for the few remaining souls who felt the need t<br />

1.111<br />

MO<br />

MM.<br />

BM<br />

ME<br />

.<br />

are years old, bugg ∎<br />

and require you to<br />

■■<br />

■■<br />

over and over again<br />

only one colleague<br />

cared about screen<br />

enough to get to this<br />

A computer rasterizes a typeface by scaling its fully hinted: look at them at a van-<br />

and after her first le<br />

outline to the appropriate point size, lays it over a<br />

pixel grid, and then turns on the pixels that fall<br />

ety of small screen sizes and note<br />

how clean the letterforms are, all<br />

in the TrueType hin<br />

MIMEO guage, she was cure<br />

within the outline. The problem is that as the grid without the benefit of bitmap fonts.<br />

(Above)<br />

any lingering desire<br />

gets coarser, it's less likely that a given outline will<br />

hit the pixels that best define the shape of the letter<br />

(or any pixels at all), as in the<br />

example to the right.<br />

This capital H isn't hitting 'MEr<br />

the right pixels to look like a capi- T 1<br />

tal H. However, with hinting,<br />

I<br />

you can tell the scan converter (a<br />

I<br />

tool the computer uses to deter- I-<br />

There are a few hitches though. Both PostScript<br />

and TrueType have a facility for hinting, but Postriamma.<br />

51 Script hinting doesn't allow<br />

nearly the amount of control of<br />

TrueType, which has a whole<br />

language written for the purpose.<br />

If you're serious about<br />

hinting that works at screen<br />

resolutions, TrueType is the<br />

This is an example of her own fonts.<br />

a hinted H.<br />

So, can you sen<br />

your fonts to be hinted and will they look bate<br />

Sure, just as I suppose my cooking would taste<br />

if I raised my own livestock. The truth is, the b<br />

that hinting adds to your typeface is getting sty<br />

and smaller; and if this is the first time you're n<br />

about it, it might as well be the last. PostScript<br />

ing ends up being more than adequate for mos<br />

mine which pixels to turn on)<br />

that the horizontal and vertical<br />

stems are more important and<br />

ought to sit on the grid lines,<br />

and that the serifs are less impor- t ■<br />

MIN<br />

MIN<br />

INN<br />

MIL<br />

only game worth playing. But<br />

how many TrueType fonts did<br />

you buy this year? You see the<br />

problem. Type manufacturers<br />

have not exactly been rushing<br />

For hardcore screen use, it's still no big deal to<br />

up a couple of bitmaps to accompany your out<br />

And with screen rasterizers ever-improving (Pi<br />

ing this text with the benefit of greyscale type f<br />

vided by ATM 4.o) the practical benefit of hini<br />

tant and can collapse.<br />

to support a feature of a format fast fades away.<br />

So what's the advantage of hinting over bitmaps? (Above)<br />

they never liked in the first place. Well, now you know why I design Web sit<br />

Hinting is resolution-independent: it describes a set This is an example It's no coincidence that the com- instead. Oh yeah, there's something with prove<br />

of relationships among letter features that are true<br />

regardless of type size. Consequently, with some wellplaced<br />

hints, you can get bitmap-quality letterforms<br />

at all screen sizes.<br />

of an unhinted H.<br />

(Below)<br />

An example of a<br />

run of unhinted H's,<br />

versus hinted H's.<br />

pany that publishes the most<br />

TrueType faces (Microsoft) is the<br />

last great proponent of hinting.<br />

That wouldn't be so bad if<br />

staying power!<br />

It's a great idea. And usually it works pretty well. there were tools for automatically hinting fonts in<br />

All of the core fonts on Windows and the Mac OS are TrueType—after all, Fontographer has automatically<br />

R.RHHHHHHHHHHHHHHHHHEIHEIH<br />

■■ friendly bits of coda<br />

table<br />

o learn<br />

and<br />

. Sadly,<br />

tools<br />

slow,<br />

write<br />

like<br />

"MIRP[m> RGr], 2 18 "<br />

. I had<br />

who<br />

type<br />

s stage,<br />

sson<br />

ting land<br />

of<br />

to hint<br />

d out<br />

r?<br />

better<br />

enefit<br />

caller<br />

ading<br />

hintt<br />

fonts.<br />

whip<br />

line.<br />

-n writroting<br />

es<br />

n<br />

Matthew Butterick is president and creative director<br />

of Atomic Vision, a Web development firm based<br />

in San Francisco. Earlier Butterick worked for several<br />

years as a graphic and type designer. During this time<br />

he designed and engineered typefaces for companies<br />

from Apple to Microsoft to Ziff:Davis, as well as releasing<br />

several successful original designs, such as Wessex<br />

and Hermes.<br />

HEADUNE/CAPTIONS/BYLINE: ITC FRANKLIN GOTHIC DEMI, DEMI COMPRESSED, HEAVY TEXT/B10/CREDFT: RC GALLIARD ROMAN, RAM<br />

116<br />

Illustrations courtesy of Font Bureau

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