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Wi<br />
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iekooN)<br />
toct<br />
a"■4<br />
t(okt eevvIed to volL tilAe to<br />
bonne typographic sUr<br />
ietie4 4c7 (sePrAti vv. t.(e<br />
rieelAt0( 4ellt"A<br />
Ce OkVNA, eVV1 ak-1 VNe0(<br />
O<br />
t(e<br />
CPC' Nst 116<br />
ec, 011 Oil<br />
ARC)<br />
N -0?Qg gl<br />
alk 6caleOGAi l k(vvivxoportiA<br />
St,12 31-6(7<br />
IS<br />
C(Sakg.,O$C,<br />
tinffke acaps Mistral typeface, aod E..xceon Choc, Baoc° -Made no atteropt<br />
type that<br />
to<br />
coufd<br />
desfgo fowercase. 11 the purpose of a oew, ffghter<br />
acKnoWledges<br />
,., tefully<br />
er01-1 pr e-<br />
of the erophas\s on the taperfog of the sterns, GOO- tii6Ac gra and Ca<br />
lls<br />
sin ditf event wefghts NI before he found that E.xcotfoo shifted had the Wefght used 0 the of the orfOrof curves face. sffghtfy Ps part toward<br />
but t'ne face reffes so fteavify on the shapes of its<br />
the tops of the fettersIhe ifoaf de\g,:n is fess froniebfackest<br />
parts that reat:0ga \\Otter<br />
shaW d'otefy recognaabfe as a varoton on Bar\co than<br />
ooe that worked as a text lace and rernafned true<br />
it sev era\ tOfes<br />
Mfstcaf :iht an°<br />
sfoo of Banco. Goroshaw found tnat<br />
the characterfstics of Banco best a \\Otter<br />
yon<br />
was to make 'it quite rovrow, angles coodeosed-,thfs 023<br />
Kemp<br />
sented a serfous chafferige. GrimshaW had to redraw Way hecoufd keep the saroe arfg)esbetweeo strokes<br />
Choc t.:4:0.t. are as var \atolls on the Michael Gills<br />
sources, but at 'its best Baoco tight expresses some for resource materials for the<br />
of French typography porn the 'DSOs visuals in this article,<br />
orfoaf.<br />
to the he shapes of rnaoy of the fetters in Choc are<br />
on the papa<br />
the creator\ ot the new<br />
a new forrh.<br />
almost abstract, thfs abstractor\ doesn't a\Ways<br />
Choc and Baoco loots, -She entire type<br />
to bore text. GrfrnshaW found that agaM he<br />
GvirnshaW obsenJes Of<br />
had to Modify the certain oreof characters, desfgo and afwaysf-ceepir\g, the cafffgrap`nic 0 project<br />
Wstra\<br />
affowed<br />
,<br />
fro a rare opportunity to study ssOg<br />
work<br />
11C<br />
the Ido of divaW\ng,rn‘ ve<br />
faces he\ohangto one -00003\‘tv\lasf`dese<br />
„<br />
l,oyvevcase<br />
--1,C,011011,<br />
'it<br />
0 "0 mind -ast‘covav qvo\led to be nntennOW io this context' 1\s<br />
he says. 11 he Vsept the forro of the 'ik frorn the ew off& it " \r‘<br />
oaf foot, ft ended to fookfog, More like he a redr 1- Char` an.<br />
yea g. So<br />
Vt, which woufd be m\sfea"<br />
a style<br />
that had Ospfred<br />
a which refatfvefy see sfrnpfe the resufts task, and\ of thfs beffe project,<br />
tradkhon<br />
&serial:0ns<br />
V(1<br />
Woufd Whofeheartedfy approve.<br />
tat<br />
that comp\erneote the other character characters as an<br />
afternate the character set of<br />
x"<br />
he<br />
-<br />
the fin font. Other that ff E..xcoffoo could<br />
savOgthe<br />
GncoshaNN,Ocfoded WO<br />
the set': \Pike<br />
N.N, whfch uoderWeot MOO changes<br />
adjusted characters, says<br />
',color' and ease of fegOftity:'<br />
G and<br />
for purposes of<br />
for<br />
downs i‘lte<br />
of sheet rnetaf. Toe tapervags okews v ab pt of Banco are<br />
oti kae:<br />
all very uprfght, We a serfes of '0° `P\ace \ do not<br />
so,o,ested ianbvus t \Noe<br />
Mode vsifth a precfse sharp<br />
t<br />
s are<br />
of the counter<br />
tY‘e c\°\jes af\d stva‘g,htffn-eed:oed<br />
ad` oreoffy ao<br />
Was<br />
sttn<br />
actyam 1.001111e sffeitsfarit ot aff the fetters, the<br />
upper ends of strokes, and<br />
taper aod curve give Banco<br />
,a,,og,bevs °f of<br />
the solotke "vnterp\ay of<br />
of befog, EY<br />
a,\\ 0.ffckfy sketched by a<br />
,C0{-10'<br />
ng,htrnot‘on. tAce aWnost<br />
- styp faces, Banco has the effect<br />
-to-the<br />
up -and or GOO rood.<br />
'011«) LOt goo Wavy by \IC<br />
s to proY \de a cochpa0on also try a<br />
wa<br />
versfoo<br />
be used for tex, then WI that oeeded a fowercase-,<br />
Grirnshaw decfded that he woufd<br />
fowercase for toe oogtoaf cAean, Wefght posinve as \Neff. ode\ 00 ksfr\gthe vsitifch<br />
aod Cf-oc rofght be considered afroost<br />
as candidates for fighter versfoos-, the Errs<br />
V■135 e<br />
Nits strafghtiorward at aff. ft.<br />
not yes refeased by the Fooderfe<br />
sty<br />
Baoco<br />
"he geheva\<br />
0,<br />
Review,<br />
1-9621,<br />
\IA alg53 arVAcxe to Printing,<br />
atrap<br />
0e<br />
\Pen, 'PO Vile genera\ eYAA'ans-<br />
Conskand<br />
War accordfogto CNNI.<br />
N\001 ‘S<br />
too of World<br />
v(nproy er\ngsOftnlochenturn enlent taste avld Britainand typography, the Conicnon-<br />
r°3\6( vOe<br />
2A\<br />
chars<br />
that.<br />
weafth, fs sadly aOseot Frarice': V_xcoif on p\ayed<br />
Cousfaxid said of the then-new Baoco-. "As an adver-<br />
t\s‘ng,,d‘sp\ay \ettev, ce it is Neufarfd': one of the "Coe bofdest coMpaosoo and, most to<br />
n<br />
Mterestog, Neuf-and is cuts -apt, siafthough<br />
the stroogiorros of Banco<br />
fook not so Much carved out of wood as roffed out<br />
13<br />
opr(ss(s son1(<br />
ok fine<br />
1_1(111 i'lP06<br />
rm<br />
n(v■ 1.0 fo „. .<br />
1409011110111041<br />
to base an foterpreted " foWercase,' Grfcnshaysi deftbeXistiog,<br />
caps as<br />
eratefy "underdegOed" the fowercase,"0 order<br />
to produce a coosfstextt 'cofor; Whtfe otafntafoiog<br />
%if<br />
the sirnpfe fetterforrns evident M the oriOrta1:'<br />
his 11110P4,..<br />
at<br />
Ifter\ came the chaffr\g,e of creat4, a tighter v 0-- wed<br />
pveseried<br />
I Sitting<br />
anco<br />
Ka Of- V- \?V_O-\<br />
\.1( 1950s<br />
ing<br />
s an advertis<br />
display letter, it is one<br />
of the boldest and<br />
most interestinq<br />
cots 510<br />
viand'<br />
Banco° Neal! by<br />
001'1<br />
b q(<br />
01-1(0 o.)0...6\1\1\11,1Nos)0\2.s--. ---<br />
10\!<br />
h(d( (\-111\\\ nrOpqrS1.0\0\11 \<br />
,<br />
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