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toct<br />

a"■4<br />

t(okt eevvIed to volL tilAe to<br />

bonne typographic sUr<br />

ietie4 4c7 (sePrAti vv. t.(e<br />

rieelAt0( 4ellt"A<br />

Ce OkVNA, eVV1 ak-1 VNe0(<br />

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t(e<br />

CPC' Nst 116<br />

ec, 011 Oil<br />

ARC)<br />

N -0?Qg gl<br />

alk 6caleOGAi l k(vvivxoportiA<br />

St,12 31-6(7<br />

IS<br />

C(Sakg.,O$C,<br />

tinffke acaps Mistral typeface, aod E..xceon Choc, Baoc° -Made no atteropt<br />

type that<br />

to<br />

coufd<br />

desfgo fowercase. 11 the purpose of a oew, ffghter<br />

acKnoWledges<br />

,., tefully<br />

er01-1 pr e-<br />

of the erophas\s on the taperfog of the sterns, GOO- tii6Ac gra and Ca<br />

lls<br />

sin ditf event wefghts NI before he found that E.xcotfoo shifted had the Wefght used 0 the of the orfOrof curves face. sffghtfy Ps part toward<br />

but t'ne face reffes so fteavify on the shapes of its<br />

the tops of the fettersIhe ifoaf de\g,:n is fess froniebfackest<br />

parts that reat:0ga \\Otter<br />

shaW d'otefy recognaabfe as a varoton on Bar\co than<br />

ooe that worked as a text lace and rernafned true<br />

it sev era\ tOfes<br />

Mfstcaf :iht an°<br />

sfoo of Banco. Goroshaw found tnat<br />

the characterfstics of Banco best a \\Otter<br />

yon<br />

was to make 'it quite rovrow, angles coodeosed-,thfs 023<br />

Kemp<br />

sented a serfous chafferige. GrimshaW had to redraw Way hecoufd keep the saroe arfg)esbetweeo strokes<br />

Choc t.:4:0.t. are as var \atolls on the Michael Gills<br />

sources, but at 'its best Baoco tight expresses some for resource materials for the<br />

of French typography porn the 'DSOs visuals in this article,<br />

orfoaf.<br />

to the he shapes of rnaoy of the fetters in Choc are<br />

on the papa<br />

the creator\ ot the new<br />

a new forrh.<br />

almost abstract, thfs abstractor\ doesn't a\Ways<br />

Choc and Baoco loots, -She entire type<br />

to bore text. GrfrnshaW found that agaM he<br />

GvirnshaW obsenJes Of<br />

had to Modify the certain oreof characters, desfgo and afwaysf-ceepir\g, the cafffgrap`nic 0 project<br />

Wstra\<br />

affowed<br />

,<br />

fro a rare opportunity to study ssOg<br />

work<br />

11C<br />

the Ido of divaW\ng,rn‘ ve<br />

faces he\ohangto one -00003\‘tv\lasf`dese<br />

„<br />

l,oyvevcase<br />

--1,C,011011,<br />

'it<br />

0 "0 mind -ast‘covav qvo\led to be nntennOW io this context' 1\s<br />

he says. 11 he Vsept the forro of the 'ik frorn the ew off& it " \r‘<br />

oaf foot, ft ended to fookfog, More like he a redr 1- Char` an.<br />

yea g. So<br />

Vt, which woufd be m\sfea"<br />

a style<br />

that had Ospfred<br />

a which refatfvefy see sfrnpfe the resufts task, and\ of thfs beffe project,<br />

tradkhon<br />

&serial:0ns<br />

V(1<br />

Woufd Whofeheartedfy approve.<br />

tat<br />

that comp\erneote the other character characters as an<br />

afternate the character set of<br />

x"<br />

he<br />

-<br />

the fin font. Other that ff E..xcoffoo could<br />

savOgthe<br />

GncoshaNN,Ocfoded WO<br />

the set': \Pike<br />

N.N, whfch uoderWeot MOO changes<br />

adjusted characters, says<br />

',color' and ease of fegOftity:'<br />

G and<br />

for purposes of<br />

for<br />

downs i‘lte<br />

of sheet rnetaf. Toe tapervags okews v ab pt of Banco are<br />

oti kae:<br />

all very uprfght, We a serfes of '0° `P\ace \ do not<br />

so,o,ested ianbvus t \Noe<br />

Mode vsifth a precfse sharp<br />

t<br />

s are<br />

of the counter<br />

tY‘e c\°\jes af\d stva‘g,htffn-eed:oed<br />

ad` oreoffy ao<br />

Was<br />

sttn<br />

actyam 1.001111e sffeitsfarit ot aff the fetters, the<br />

upper ends of strokes, and<br />

taper aod curve give Banco<br />

,a,,og,bevs °f of<br />

the solotke "vnterp\ay of<br />

of befog, EY<br />

a,\\ 0.ffckfy sketched by a<br />

,C0{-10'<br />

ng,htrnot‘on. tAce aWnost<br />

- styp faces, Banco has the effect<br />

-to-the<br />

up -and or GOO rood.<br />

'011«) LOt goo Wavy by \IC<br />

s to proY \de a cochpa0on also try a<br />

wa<br />

versfoo<br />

be used for tex, then WI that oeeded a fowercase-,<br />

Grirnshaw decfded that he woufd<br />

fowercase for toe oogtoaf cAean, Wefght posinve as \Neff. ode\ 00 ksfr\gthe vsitifch<br />

aod Cf-oc rofght be considered afroost<br />

as candidates for fighter versfoos-, the Errs<br />

V■135 e<br />

Nits strafghtiorward at aff. ft.<br />

not yes refeased by the Fooderfe<br />

sty<br />

Baoco<br />

"he geheva\<br />

0,<br />

Review,<br />

1-9621,<br />

\IA alg53 arVAcxe to Printing,<br />

atrap<br />

0e<br />

\Pen, 'PO Vile genera\ eYAA'ans-<br />

Conskand<br />

War accordfogto CNNI.<br />

N\001 ‘S<br />

too of World<br />

v(nproy er\ngsOftnlochenturn enlent taste avld Britainand typography, the Conicnon-<br />

r°3\6( vOe<br />

2A\<br />

chars<br />

that.<br />

weafth, fs sadly aOseot Frarice': V_xcoif on p\ayed<br />

Cousfaxid said of the then-new Baoco-. "As an adver-<br />

t\s‘ng,,d‘sp\ay \ettev, ce it is Neufarfd': one of the "Coe bofdest coMpaosoo and, most to<br />

n<br />

Mterestog, Neuf-and is cuts -apt, siafthough<br />

the stroogiorros of Banco<br />

fook not so Much carved out of wood as roffed out<br />

13<br />

opr(ss(s son1(<br />

ok fine<br />

1_1(111 i'lP06<br />

rm<br />

n(v■ 1.0 fo „. .<br />

1409011110111041<br />

to base an foterpreted " foWercase,' Grfcnshaysi deftbeXistiog,<br />

caps as<br />

eratefy "underdegOed" the fowercase,"0 order<br />

to produce a coosfstextt 'cofor; Whtfe otafntafoiog<br />

%if<br />

the sirnpfe fetterforrns evident M the oriOrta1:'<br />

his 11110P4,..<br />

at<br />

Ifter\ came the chaffr\g,e of creat4, a tighter v 0-- wed<br />

pveseried<br />

I Sitting<br />

anco<br />

Ka Of- V- \?V_O-\<br />

\.1( 1950s<br />

ing<br />

s an advertis<br />

display letter, it is one<br />

of the boldest and<br />

most interestinq<br />

cots 510<br />

viand'<br />

Banco° Neal! by<br />

001'1<br />

b q(<br />

01-1(0 o.)0...6\1\1\11,1Nos)0\2.s--. ---<br />

10\!<br />

h(d( (\-111\\\ nrOpqrS1.0\0\11 \<br />

,<br />

23456

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