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THE BOOK WAS DRENCHED - OUDL Home

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The Heracles shares with several other Euripidean tragedies the characteristic<br />

of falling into two parts which are somewhat inadequately knit<br />

together. In this play the fault does not seem to be so glaring, because the<br />

character of Heracles dominates the entire drama, giving it at least a<br />

modicum of unity. Certainly the contrast between Heracles' triumph and<br />

his cataclysmic downfall, which immediately follows, intensifies to the<br />

extreme the impact of the play. Furthermore, the Heracles becomes more<br />

unified because of the stress laid upon the religious implications of the<br />

dramatic situation. Though unmitigated in his hatred for Hera, Heracles<br />

at the end of the play seems to have reached a somewhat purified<br />

religious position. He does not commit suicide, for he feels that to be a<br />

coward's course. Influenced by the counsels of Theseus, he determines<br />

to live on, courageously to endure the blows of fate, and to face fully<br />

the responsibility for his deeds. He makes this decision after having contemptuously<br />

rejected the anthropomorphism in the conventional religion,<br />

while at the same time he maintains, so far as we can tell, a belief in a<br />

higher, better deity behind the universe, inscrutable in his ways to man,<br />

but who has decreed that it is the part of a man to endure life. When<br />

Euripides presents Heracles in these terms, he completes his portrait of a<br />

great tragic character.

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