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THE BOOK WAS DRENCHED - OUDL Home

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INTRODUCTION<br />

SOPHOCLES' Ajax, probably the earliest of his extant plays, presents in<br />

dramatic form an episode derived from epic sources. The great Ajax, son<br />

of Telamon, figures in an important capacity in the Iliad, where he is<br />

consistently regarded as the most powerful Greek warrior after Achilles.<br />

The poet calls him the "bulwark of the Achaeans," and stresses frequently<br />

his physical and military prowess. This <strong>Home</strong>ric characterization has<br />

greatly influenced Sophocles in his portrayal of the hero. The particular<br />

events, however, which the dramatist treats in this play occurred in the<br />

interval between the periods covered by the Iliad and the Odyssey, and<br />

consequently Sophocles must have relied upon material found in other<br />

poems of the epic cycle. The saga recorded that, after the death of<br />

Achilles, there was a contest to determine which of the Greek heroes<br />

should inherit his arms. Ajax and Odysseus were the leading contenders<br />

and the award ultimately fell to the latter, according to the decision of<br />

the Greek leaders. Ajax, thinking that his honour had been stained, set<br />

out at night to murder Agamemnon and Menelaus, who he felt were<br />

responsible for his ill-treatment. Athena, angry at Ajax because he had<br />

previously exhibited excessive pride and now was planning to do a deed<br />

of violence, sent madness upon him. In his frenzy, he turned upon the<br />

flocks of the army, slaughtered some of the beasts and led others to his<br />

tent, thinking that he was actually killing and torturing the Greek leaders<br />

themselves. Sophocles' play opens on the morning after Ajax has committed<br />

his insane acts.<br />

The Ajax contains several excellent characterizations. Odysseus is revealed<br />

as almost comically timorous in the opening scene, and yet he<br />

exhibits great magnanimity at the close of the play. Athena embodies a<br />

rather uncompromising interpretation of the gods' power and their jealous<br />

ordering of human affairs. Sophocles has endowed Teucer with the quality<br />

of superb and unbending loyalty, while he makes Menelaus and Agamemnon<br />

thoroughly unsympathetic. Tecmessa, Ajax's devoted concubine,<br />

remains one of the most appealing female characters in Greek tragedy.<br />

Yet all these persons are subordinated to the portrayal of Ajax, who<br />

dominates the action. He is studied with great care, precisely at the mo-<br />

313

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