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Boris Asaf'ev and the Soviet Musicology - E-thesis

Boris Asaf'ev and the Soviet Musicology - E-thesis

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ORKiMD. They did not want to cut all <strong>the</strong> musical ties to <strong>the</strong> past. The leader of <strong>the</strong> group was Aleks<strong>and</strong>r<br />

Davidenko (1899–1934). 411<br />

117<br />

RAPM or VAPM (Rossijskaja/ Vsesojuzkaja Associacija Proletarskih Muzykantov) [Russian/All-<br />

Union Association of Proletarian Musicians] was created in 1923 by Lev Šul'gin with Aleksej Sergejev,<br />

David Černomordikov <strong>and</strong> Dmitrij Vasil'ev-Bulgaj <strong>and</strong> specialized in musical propag<strong>and</strong>a <strong>and</strong> agitation<br />

to broad masses. The members were composers, performer, music teachers <strong>and</strong> instructors working in <strong>the</strong><br />

amateur music field <strong>and</strong> majority of <strong>the</strong>m were associated with trades’ unions, <strong>the</strong> military, or Communist<br />

Party or Komsomol. 412 RAPM shared <strong>the</strong> same motto as Lenin when he declared that art belongs <strong>and</strong><br />

must be understood by people (<strong>the</strong> victorious proletariat) <strong>and</strong> that’s why RAPM was against any form of<br />

musical creation apart from <strong>the</strong> immediate sounding illustration to ideological dogmas. They preferred<br />

“mass songs” with ideological texts, usually written by poets allied in <strong>the</strong> homologous organization of<br />

proletarian writers. In 1932 <strong>the</strong> RAPM was liquidated, when <strong>the</strong> <strong>Soviet</strong> Union of Composers was<br />

established.<br />

RAPP (Rossijskaja Associacija Proletarskih Pisatelej [Russian Association of Proletarian Writers])<br />

RITM (Razryad istorii i teorii muzyki) [Section of History <strong>and</strong> Theory of Music] was a section in <strong>the</strong><br />

Leningrad Institute of Arts Hirtory. Later changed into OTIM<br />

TEO (Teatral’nyj otdel) [Drama Section] of Narkompros.<br />

List of Names (following <strong>the</strong> Russian alphabetical order)<br />

Al’švang, Arnold Aleks<strong>and</strong>rovič (1898–1960) <strong>Soviet</strong> musicologist <strong>and</strong> a doctor of arts, who<br />

studied at <strong>the</strong> Kiev Conservatory. Among his teachers were Nejghauz, Xodorovskij, Glier <strong>and</strong> Javorskij.<br />

Asaf’ev, <strong>Boris</strong> Vladimirovič (1884–1849) <strong>Soviet</strong> composer <strong>and</strong> a musicologist.<br />

Avraamov, Apsenij Mihajlovič (1886–1944) musicologist, folklorist <strong>and</strong> a composer . He used<br />

fourth tone-system (popular in 1910), he functioned in Narkompros, Proletkult <strong>and</strong> did experiments in<br />

music. He had been Tanejev’s student when he studied in Moscow Conservatory.<br />

Bahtin, Mihail Mihajlovič (1895–1975) <strong>Soviet</strong> literature scholar, linguist <strong>and</strong> a philosopher.<br />

Balakirev, Milij Aleksejevič (1837–1910) Russian composer.<br />

Bal’mont, Konstantin (1867–1941) Russian Symbolist poet.<br />

Beethoven, Ludwig van (1770–1827) German composer.<br />

Beljajev, Viktor Mihailovič (1888–1968) musicologist <strong>and</strong> a professor in Moscow Conservatory. In<br />

1914–23 <strong>and</strong> in 1942–44 he taught musical <strong>the</strong>ory in Petrograd Conservatory (Leningrad) <strong>and</strong> in 1923–<br />

1924, 1938–1940 <strong>and</strong> in 1943–59 musical <strong>the</strong>ory <strong>and</strong> history in Moscow Conservatory. He was an active<br />

member of GAHN, (Gosudarstvennaja akademija hudožestvennyh nauk) <strong>and</strong> in 1923–30 an active<br />

member of ASM.<br />

Belyj, Andrej [<strong>Boris</strong> Bugajev] (1880–1934) famous Russian Symbolist poet <strong>and</strong> writer.<br />

411 See more information in Edmunds 2004, p. 107.<br />

412 See more information of RAPM in Edmunds 2004, pp. 105–122.

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