Boris Asaf'ev and the Soviet Musicology - E-thesis
Boris Asaf'ev and the Soviet Musicology - E-thesis
Boris Asaf'ev and the Soviet Musicology - E-thesis
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founders of socialist realism, writer Maxim Gorkij, painter Ilja Repin (1844–1930);<br />
composer Aleks<strong>and</strong>r Glazunov (1865–1936) <strong>and</strong> <strong>the</strong> world famous bass singer of <strong>the</strong><br />
Marinskij Theatre, Fedor Šaljapin (1873–1938). 101 Asaf’ev graduated from <strong>the</strong> St.<br />
Petersburg State University in 1908, having minors on history <strong>and</strong> a specialization on<br />
Renaissance <strong>and</strong> <strong>the</strong> 19 th century Russia. Rimskij-Korsakov died at <strong>the</strong> same year <strong>and</strong><br />
left Asaf’ev with a crisis since he had hoped to study composition with <strong>the</strong> eminent<br />
composer. 102 In 1909, Asaf’ev married Irina Hozjaševa. 103 Some sources claim that<br />
Asaf’ev graduated from St. Petersburg Conservatory in 1910. 104 However, McQuere,<br />
Krjukov <strong>and</strong> <strong>the</strong> official <strong>Soviet</strong> biography hint that he had some difficulties with Ljadov<br />
<strong>and</strong> he ceased formal education in music already after Rimskij-Korsakov’s death in<br />
1908 to work on his own. 105<br />
Asaf’ev made his debut as a composer at those times. By 1910 he had composed<br />
already a number of works including some large pieces such as <strong>the</strong> children’s opera<br />
Snežnanja koroleva (The snow queen) composed in 1907 <strong>and</strong> produced in 1908. He also<br />
secured his first professional position <strong>and</strong> started as a rehearsal pianist for <strong>the</strong> ballet<br />
troupe of <strong>the</strong> Marinskij Theater. 106<br />
The time Asaf’ev spent in Marinskij influenced obviously on him as a ballet composer.<br />
There he made friends with a ballet dancer <strong>and</strong> a teacher Vaclav F. Nižinskij (1889–<br />
1950), a ballet dancer <strong>and</strong> teacher Nikolaj G. Legat (1869–1937) <strong>and</strong> an Italian<br />
conductor Riccardo E. Drigo (1846–1930). Asaf’ev also dreamed about becoming a<br />
director at those times. It turned out to be unsuccessful. 107 He spent <strong>the</strong> summer of 1910<br />
studying at <strong>the</strong> museums in France, Germany <strong>and</strong> Italy. These trips enabled him to<br />
continue <strong>the</strong> broad intellectual <strong>and</strong> aes<strong>the</strong>tic development, which he had begun at <strong>the</strong><br />
university <strong>and</strong> under Stasov’s conduction. He was also interested in <strong>the</strong> members of Mir<br />
101<br />
Ibid., p. 47.<br />
102<br />
McQuere (Eds.) 1983, p. 218.<br />
103<br />
Biography 1984, pp. 31, 61.<br />
104<br />
Izbrannye Trudy I 1950, p. 6; Tull 1976, p. 8; see “Asaf’ev” in Balet. Russkij enciklopedija 1981;<br />
Russkij balet enciklopedija 1997; The New Grove Dictionary of Music <strong>and</strong> Musicians 2001.<br />
105<br />
Krjukov in Materialy 1982, pp. 7–8; McQuere (Ed.) 1983, p. 218; Biography 1984, p. 61; Asaf’ev<br />
(1923) quoted in Haas 1998, p. 19.<br />
106<br />
Biography 1984, pp. 67–70.<br />
107<br />
Asaf’ev: Reminisces 1974; Biography 1984, p. 64.<br />
35