Boris Asaf'ev and the Soviet Musicology - E-thesis

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Maes, Francis. A History of Russian Music. From Kamarinskaya to Babi Yar. [Russiche muziek: Van kamarinskaja tot Babi Jar.] (Pomerans, Arnold J. and Pomerans, Erika, Trans.) Berkley, Los Angeles, London: University of California Press, [1996] 2002. Marxist-Leninist Aesthetics and the Arts. (Roxburgh, August, Trans.) Moscow: Progress Publishers, 1980. Marx, Karl & Engels, Friedrich. Valitut teokset kolmessa osassa. [Selected Works in Three Volumes.] Vol. 1. Moscow: Kustannusliike Edistys, 1970. Marx, Karl & Engels, Friedrich. Kirjallisuudesta ja taiteesta. [On Literature and Arts] (Kolomainen, Robert, Trans.) Moscow: Kustannusliike edistys, 1974. McQuere, Gordon D., ed. Russian Theoretical Thought in Music. Ann Arbor: UMI Research Press, 1983. Määttänen, Pentti [1995] 1999. Filosofia. Johdatus peruskysymyksiin. Jyväskylä: Gummerus Kirjapaino Oy, Gaudeamus. Olkhovsky, Andrey. Music under the Soviets. The Agony of an Art. London: Routledge & Kegan Paul Ltd., 1955. Pesonen, Pekka. Vallankumouksen henki hengen vallankumouksessa. Tutkielma Andrei Belyin romaanista ”Peterburg” ja sen aatetaustasta. Ph.D. diss. Department of Slavonic Languages. University of Helsinki Press, 1987. Pesonen, Pekka & Suni, Timo, eds. Venäläinen formalismi. Antologia. [Russian Formalism. Anthology.] Helsinki: Suomalaisen kirjallisuuden seura (SKS), 2001. 131
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ORIS aSAF’EV AND THE sOVIET mUSIC
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5.2 The Second Literary Period: Int
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the aesthetical and musico-theoreti
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Haas has noted: he used “shaky an
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“leftist” 11 mark on his works
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The Chapter Four and Chapter Five f
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The younger generation, Aleksander
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them to some degree in 1918-1919, h
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produced’, or as ‘the socialist
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conservative writers. 43 This aspec
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authorities and formulators of soci
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control the society according to th
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and “neo-nationalist” Igor Stra
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“mass songs” with ideological t
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possible. As a composer you could n
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thoughts is to be given, living tra
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confusingly obscure and dependent o
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Table 3. HISTORICAL FORMATION Histo
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3. BORIS VLADIMIROVIČ ASAF’EV’
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Iskusstvo (The World of Art) 108 an
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”Soblazny i preodolenija” (Temp
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can one compare these works with th
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Soviet Composers. The new directora
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Asaf’ev emphasized musicology as
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content of musical art. 162 McQuere
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A cause of many negative traits was
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4. THE FIRST LITERARY PERIOD OF BOR
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aesthetically and not according to
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ecause of his personal gifts. 191 L
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when exploring the “Symbolists’
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Asaf’ev’s writing contains same
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As Orlova has noted Lipps has a cle
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manifested, for instance, in Byzant
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constructed in the circumstances of
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distorted the phenomena of continui
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motion 248 . Losskij wrote that acc
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In his critic Losskij writes that o
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According to Asaf’ev, to perceive
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continuity. 267 In order to underst
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consciousness inherent in the ordin
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orthodox that one may even question
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Page 87 and 88: somekind of “liturgical” interp
Page 89 and 90: They contain views that were typica
Page 91 and 92: forties towards the Soviet cultural
Page 93 and 94: also to Realist tradition 332 . He
Page 95 and 96: 5. MUSICAL FORM AS A PROCESS AND TH
Page 97 and 98: verbal intonation because of the ab
Page 99 and 100: The discussion of a content of musi
Page 101 and 102: Works) (1952-1957). However, it was
Page 103 and 104: 100 phenomena into the area of arti
Page 105 and 106: 102 distinction is largely semantic
Page 107 and 108: 104 verbal speech had no need for i
Page 109 and 110: 106 be Asaf’ev’s topmost idea.
Page 111 and 112: 108 of 1940s. Was that his way of h
Page 113 and 114: 6. CONCLUSIONS 110 My Chapter of co
Page 115 and 116: 112 Chapter Five concludes that alt
Page 117 and 118: List of some of the Notable Works o
Page 119 and 120: 116 ASM (Associcija Sovremennoj Muz
Page 121 and 122: Berg, Alban (1885-1935) Austrian co
Page 123 and 124: Javorskij, Boleslav (1877-1942) gra
Page 125 and 126: Ostwald, Wilhelm (1853-1932) German
Page 127 and 128: Trotskij, Lev Davydovič (born Bron
Page 129 and 130: Asaf’ev, Boris V. Russkaja živop
Page 131 and 132: Tull, James R. B. V. Asaf’ev’s
Page 133: Harrison, Charles & Wood, Paul. Art
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