Boris Asaf'ev and the Soviet Musicology - E-thesis

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Dobrenko, Evgenij. The making of the state writer: social and aesthetic origins of the Soviet literary culture. (Jesse M. Savage. Trans.) Stanford: Stanford University Press, 2001. 129 Edmunds, Neil, ed. Soviet Music and Society Under Lenin and Stalin. The Baton and Sickle. London and New York: RoutledgeCurzon, Taylor & Francix Group, 2004. Edmunds, Neil 2003. “The Ambiguous Origins of Socialist Realism and Musical Life in the Soviet Union.” A version of this article was presented at the conference ‘Socialist Realism and Music: Antimodernism and Avant-Gardes’ at the Masaryk University, Brno in October 2001. Konferenssiesitelmä. Englanti, Bristol. Fairclough, Pauline 2002. “The 'Perestroyka' of Soviet Symphonism: Shostakovich in 1935.” Music & Letters Vol. 83, No. 2, pp. 259–273. Fink, Hilary L. Bergson and Russian modernism, 1900–1930. Studies in Russian literary and theory. Evanston, III: Northwestern University 1999. Freeze, Gregory, ed. Russia a History. New York: Oxford University Press, 1997. Frolova-Walker, Marina 1998. “National in Form, Socialist in Content. Musical Nation- Building in the Soviet Republics.” Journal of the American Musicological Society. Vol. 51, No. 2, pp. 331–371. Gutkin, Irina. The Cultural Origins of the Socialist Realist Aesthetic 1890-1934. Evanston, Illinois: Northwestern University Press, 1999. Haas, David E. Leningrad’s modernists: studies in composition and musical thought, 1917-1932. New York: Peter Lang Publishing, Inc., 1998. Hakobian, Levon. Music of the Soviet age 1917-1987. Stockholm: melos music literature, 1998.
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ORIS aSAF’EV AND THE sOVIET mUSIC
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5.2 The Second Literary Period: Int
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the aesthetical and musico-theoreti
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Haas has noted: he used “shaky an
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“leftist” 11 mark on his works
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The Chapter Four and Chapter Five f
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The younger generation, Aleksander
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them to some degree in 1918-1919, h
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produced’, or as ‘the socialist
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conservative writers. 43 This aspec
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authorities and formulators of soci
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control the society according to th
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and “neo-nationalist” Igor Stra
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“mass songs” with ideological t
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possible. As a composer you could n
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thoughts is to be given, living tra
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confusingly obscure and dependent o
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Table 3. HISTORICAL FORMATION Histo
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3. BORIS VLADIMIROVIČ ASAF’EV’
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Iskusstvo (The World of Art) 108 an
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”Soblazny i preodolenija” (Temp
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can one compare these works with th
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Soviet Composers. The new directora
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Asaf’ev emphasized musicology as
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content of musical art. 162 McQuere
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A cause of many negative traits was
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4. THE FIRST LITERARY PERIOD OF BOR
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aesthetically and not according to
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ecause of his personal gifts. 191 L
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when exploring the “Symbolists’
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Asaf’ev’s writing contains same
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As Orlova has noted Lipps has a cle
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manifested, for instance, in Byzant
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constructed in the circumstances of
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distorted the phenomena of continui
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motion 248 . Losskij wrote that acc
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In his critic Losskij writes that o
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According to Asaf’ev, to perceive
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continuity. 267 In order to underst
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consciousness inherent in the ordin
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Page 89 and 90: They contain views that were typica
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Page 93 and 94: also to Realist tradition 332 . He
Page 95 and 96: 5. MUSICAL FORM AS A PROCESS AND TH
Page 97 and 98: verbal intonation because of the ab
Page 99 and 100: The discussion of a content of musi
Page 101 and 102: Works) (1952-1957). However, it was
Page 103 and 104: 100 phenomena into the area of arti
Page 105 and 106: 102 distinction is largely semantic
Page 107 and 108: 104 verbal speech had no need for i
Page 109 and 110: 106 be Asaf’ev’s topmost idea.
Page 111 and 112: 108 of 1940s. Was that his way of h
Page 113 and 114: 6. CONCLUSIONS 110 My Chapter of co
Page 115 and 116: 112 Chapter Five concludes that alt
Page 117 and 118: List of some of the Notable Works o
Page 119 and 120: 116 ASM (Associcija Sovremennoj Muz
Page 121 and 122: Berg, Alban (1885-1935) Austrian co
Page 123 and 124: Javorskij, Boleslav (1877-1942) gra
Page 125 and 126: Ostwald, Wilhelm (1853-1932) German
Page 127 and 128: Trotskij, Lev Davydovič (born Bron
Page 129 and 130: Asaf’ev, Boris V. Russkaja živop
Page 131: Tull, James R. B. V. Asaf’ev’s
Page 135 and 136: Reader, Melvin, ed. A Modern Book o
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