Boris Asaf'ev and the Soviet Musicology - E-thesis

More documents

Recommendations

Info

Häyrinen, Osmo. Musiikkiesteettinen analyysi Dmitri Shostakovitshin oopperasta Nenä. [A Music-aesthetical Analyzes of the Opera ”Nose” by Dmitri Šostakovič.] Master’s thesis, Univeristy of Helsinki, 1987 Krjukov, Andrej N., ed. Materialy k biografii B. Asaf’eva. [Material for the biography of B. Asaf’ev] Leningrad: “Muzyka”, 1981. Krjukov, Andrej N., ed. Vospominanija o B. V. Asaf’eve. (B. Asaf’ev o sebe.) [Reminiscences about B. V. Asafe’v. (B. Asaf’ev – about myself.)] Leningrad: ”Muzyka”, 1974. Mazel, Lev 1957. ”O muzykal’no-teoretičeskoj koncepcii B. Asaf’eva”. [On Musictheoretical Conceptions of B. Asaf’ev.] Sovetskaja Muzyka No. 3, pp.73–82, Moscow: Muzgiz. McQuere, Gordon D., ed. Russian Theoretical Thought in Music Ann Abor, Michigan: UMI Research Press, 1983. Orlova, Elena M., ed. Izbrannye stat’i. B. Asaf’ev. O myzykal’nom prosveščenii i obrazobanii. [Selected articles. About the musical instruction/enlightenment and education.] 2 nd ed. Leningrad: “Muzyka”, 1973. Orlova, Elena M. & Krjukov, A. N. Akademik Boris Vladimirovič Asaf’ev. Monografia. [Boris Vladimirovič Asaf’ev – An Academic. A monograph.] Leningrad: “Sovetskij Kompozitor”, 1984. Young, John B. 1998. “Intonatsiia and the Politics of Expresson. Towards and Understanding of Russian Intonation in Theory and in Practice.” Paper presented at the World Piano Pedagogy Conferebce Forth Worth, Texas; October 22, 1998. http://www.towerofbabel.com/sections/music/baton/intonatsia/ (17.3.2004). 127
Tull, James R. B. V. Asaf’ev’s Musical Form as a Process. Translation and Commentary. Dissertation. The Ohio State University, 1976. (Microfilm-xerography. Ann Arbor, Michigan, U.S.A., London, England: University Microfilms International, 1979.) Other Material Belaja, G. A., ed. Estetičeskoe samosoznanie Russkoj kul’tury: 20-e gody XX veka. [Aesthetic Self-Consciousness of Russian Culture in 1920s]. Moscow: Russian State University of Humanities, 2003. Vlačeslav & Protopopova, eds. Pamjati Sergeja Ivanoviča Tanejeva 1856–1946. Moscow: Muzgiz, 1947. Bobykina, Irina A. ed. Dmitrij Šostakovič v pismah ih dokumentah. [Dmitri Šostakovič through the letters and documents.] Moscow: The Central State Museum of Musical Culture named after M. I. Glinka, “Antikva”, 2000. Campbell, Stuart, ed. and trans. Russians on Russian music, 1880–1917. An Anthology. Cambrige, UK: Cambrige University Press, New York, 2003. Cooper, David E., ed. Aesthetics: The Classic Readings.Oxford: Blackwell Publishers, 1997. 128 Croce, Benedetto. Æsthetic. As a Science of Expression and general linguistic. [Tras. Douglas Ainslie] London: Peter Owen, 1972. Cross, Jonathan, ed. Cambridge Companion to Stravinsky. Cambridge University Press, 2003. Dobrenko, Evgenij & Günter, Hans eds. Socrealističeskij kanon. [Socialist Realist Kanon.] St. Petersburg: Akademičeskij proekt, 2000.
Page 1 and 2:
ORIS aSAF’EV AND THE sOVIET mUSIC
Page 3 and 4:
5.2 The Second Literary Period: Int
Page 5 and 6:
the aesthetical and musico-theoreti
Page 7 and 8:
Haas has noted: he used “shaky an
Page 9 and 10:
“leftist” 11 mark on his works
Page 11 and 12:
The Chapter Four and Chapter Five f
Page 13 and 14:
The younger generation, Aleksander
Page 15 and 16:
them to some degree in 1918-1919, h
Page 17 and 18:
produced’, or as ‘the socialist
Page 19 and 20:
conservative writers. 43 This aspec
Page 21 and 22:
authorities and formulators of soci
Page 23 and 24:
control the society according to th
Page 25 and 26:
and “neo-nationalist” Igor Stra
Page 27 and 28:
“mass songs” with ideological t
Page 29 and 30:
possible. As a composer you could n
Page 31 and 32:
thoughts is to be given, living tra
Page 33 and 34:
confusingly obscure and dependent o
Page 35 and 36:
Table 3. HISTORICAL FORMATION Histo
Page 37 and 38:
3. BORIS VLADIMIROVIČ ASAF’EV’
Page 39 and 40:
Iskusstvo (The World of Art) 108 an
Page 41 and 42:
”Soblazny i preodolenija” (Temp
Page 43 and 44:
can one compare these works with th
Page 45 and 46:
Soviet Composers. The new directora
Page 47 and 48:
Asaf’ev emphasized musicology as
Page 49 and 50:
content of musical art. 162 McQuere
Page 51 and 52:
A cause of many negative traits was
Page 53 and 54:
4. THE FIRST LITERARY PERIOD OF BOR
Page 55 and 56:
aesthetically and not according to
Page 57 and 58:
ecause of his personal gifts. 191 L
Page 59 and 60:
when exploring the “Symbolists’
Page 61 and 62:
Asaf’ev’s writing contains same
Page 63 and 64:
As Orlova has noted Lipps has a cle
Page 65 and 66:
manifested, for instance, in Byzant
Page 67 and 68:
constructed in the circumstances of
Page 69 and 70:
distorted the phenomena of continui
Page 71 and 72:
motion 248 . Losskij wrote that acc
Page 73 and 74:
In his critic Losskij writes that o
Page 75 and 76:
According to Asaf’ev, to perceive
Page 77 and 78:
continuity. 267 In order to underst
Page 79 and 80: consciousness inherent in the ordin
Page 81 and 82: orthodox that one may even question
Page 83 and 84: Russian operas. He concentrates on
Page 85 and 86: from the sphere of elements; elemen
Page 87 and 88: somekind of “liturgical” interp
Page 89 and 90: They contain views that were typica
Page 91 and 92: forties towards the Soviet cultural
Page 93 and 94: also to Realist tradition 332 . He
Page 95 and 96: 5. MUSICAL FORM AS A PROCESS AND TH
Page 97 and 98: verbal intonation because of the ab
Page 99 and 100: The discussion of a content of musi
Page 101 and 102: Works) (1952-1957). However, it was
Page 103 and 104: 100 phenomena into the area of arti
Page 105 and 106: 102 distinction is largely semantic
Page 107 and 108: 104 verbal speech had no need for i
Page 109 and 110: 106 be Asaf’ev’s topmost idea.
Page 111 and 112: 108 of 1940s. Was that his way of h
Page 113 and 114: 6. CONCLUSIONS 110 My Chapter of co
Page 115 and 116: 112 Chapter Five concludes that alt
Page 117 and 118: List of some of the Notable Works o
Page 119 and 120: 116 ASM (Associcija Sovremennoj Muz
Page 121 and 122: Berg, Alban (1885-1935) Austrian co
Page 123 and 124: Javorskij, Boleslav (1877-1942) gra
Page 125 and 126: Ostwald, Wilhelm (1853-1932) German
Page 127 and 128: Trotskij, Lev Davydovič (born Bron
Page 129: Asaf’ev, Boris V. Russkaja živop
Page 133 and 134: Harrison, Charles & Wood, Paul. Art
Page 135 and 136: Reader, Melvin, ed. A Modern Book o
show all

Boris Asaf'ev and the Soviet Musicology - E-thesis

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?