Boris Asaf'ev and the Soviet Musicology - E-thesis
Boris Asaf'ev and the Soviet Musicology - E-thesis
Boris Asaf'ev and the Soviet Musicology - E-thesis
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Figure 1.<br />
OFFICIAL SOURCE<br />
MYTOLOGY <br />
IDEOLOGY<br />
Represents stability in a<br />
changing reality<br />
– Marxist philosophy<br />
– Marxist interpretative<br />
literature such as <strong>the</strong> works of<br />
Lenin, Gorkij, Lunačasrkij<br />
etc.<br />
– Critical realism of 19th<br />
century<br />
– Revolutionary literature<br />
FORM<br />
Romanticism<br />
Folkmusic<br />
Nationalism <br />
Universalism<br />
Realism<br />
UNOFFICIAL/OBJECTIVE WESTERN<br />
SOURCES<br />
Western tradition<br />
Adoptions:<br />
–German national romanticism<br />
– Pan-European classical tradition, such as<br />
Beethoven, Chopin, Grieg, Schumann,<br />
Liszt etc.<br />
Opposed:<br />
–Western modernism,<br />
i.e. formalism<br />
– Bourgeois elitism<br />
– Capitalistic popular culture <strong>and</strong> music<br />
–Individual centred thinking <strong>and</strong><br />
subjective artistic experience.<br />
artistic<br />
society;<br />
public,<br />
SOCIALIST<br />
REALISM IN<br />
MUSIC –<br />
SYNTHESIS<br />
CONTENT<br />
’Partiynost’<br />
– Partymindness,<br />
approved by <strong>the</strong> Party<br />
’Ideynost’<br />
– Ideologically<br />
orthodox<br />
’Narodnost’<br />
–Peopleness,<br />
close to <strong>the</strong> people’s<br />
life<br />
’ponjatnost’<br />
– Intelligible,<br />
easily accessible for<br />
<strong>the</strong> broad masses<br />
’Real’nost’<br />
– Positive realism,<br />
positive utopian<br />
view of progressing<br />
society,<br />
– Truthful picture of<br />
people’s everyday<br />
life<br />
Uniformity<br />
‘Collectivity’<br />
UNOFFICIAL/OBJECTIVE RUSSIAN<br />
SOURCES<br />
The legacy of <strong>the</strong> Tsar period<br />
Adoptions:<br />
– Russian national romanticism <strong>and</strong> 19th<br />
century realism, such as Glinka, ”The Mighty<br />
Five” etc.<br />
Opposed:<br />
– Myths of artist’s extreme individuality<br />
– The ‘elitism’ of <strong>the</strong> Tsar period<br />
The legacy of modernists<br />
– Utopian thinking<br />
– Rhetoric<br />
– Various artistic means<br />
33<br />
OFFICIAL SOURCE<br />
EMPIRISM PRACTICE<br />
Represents changing,<br />
progressing reality – ”mistakes<br />
need to be mended”<br />
‘Partymindness’<br />
– Gorki: ”We have <strong>the</strong> kind of<br />
romanticism, which underlies <strong>the</strong><br />
myth, <strong>and</strong> is most beneficial in its<br />
promoting a revolutionary attitude<br />
toward reality, an attitude that in<br />
practise refashions <strong>the</strong> world.”<br />
– Folk music is familiar to <strong>the</strong><br />
broad masses <strong>and</strong> thus easily<br />
accessible for <strong>the</strong>m.<br />
– <strong>Soviet</strong> Union is still in a<br />
temporal state <strong>and</strong> only in its way<br />
to <strong>the</strong> bright future. One of <strong>the</strong><br />
features of temporal nature is<br />
formal nationalism. However,<br />
nationalism within content is a<br />
threat to socialism <strong>and</strong> to <strong>the</strong><br />
universal Marxist ideology, i.e. to<br />
<strong>the</strong> estate where all <strong>the</strong> nations<br />
loose <strong>the</strong>ir essence.<br />
– ’Zhisnetvorzestvo’ i.e. art is<br />
interrelated with reality. Art<br />
influences on life <strong>and</strong> life<br />
influences on art. Positive realism<br />
advances <strong>the</strong> society <strong>and</strong> marks<br />
out <strong>the</strong> brighter future. Naturalism<br />
(social criticism) is one of <strong>the</strong><br />
symptoms of capitalism. Social<br />
criticism is no longer needed<br />
when <strong>the</strong> full socialism is in<br />
operation.