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Boris Asaf'ev and the Soviet Musicology - E-thesis

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Figure 1.<br />

OFFICIAL SOURCE<br />

MYTOLOGY <br />

IDEOLOGY<br />

Represents stability in a<br />

changing reality<br />

– Marxist philosophy<br />

– Marxist interpretative<br />

literature such as <strong>the</strong> works of<br />

Lenin, Gorkij, Lunačasrkij<br />

etc.<br />

– Critical realism of 19th<br />

century<br />

– Revolutionary literature<br />

FORM<br />

Romanticism<br />

Folkmusic<br />

Nationalism <br />

Universalism<br />

Realism<br />

UNOFFICIAL/OBJECTIVE WESTERN<br />

SOURCES<br />

Western tradition<br />

Adoptions:<br />

–German national romanticism<br />

– Pan-European classical tradition, such as<br />

Beethoven, Chopin, Grieg, Schumann,<br />

Liszt etc.<br />

Opposed:<br />

–Western modernism,<br />

i.e. formalism<br />

– Bourgeois elitism<br />

– Capitalistic popular culture <strong>and</strong> music<br />

–Individual centred thinking <strong>and</strong><br />

subjective artistic experience.<br />

artistic<br />

society;<br />

public,<br />

SOCIALIST<br />

REALISM IN<br />

MUSIC –<br />

SYNTHESIS<br />

CONTENT<br />

’Partiynost’<br />

– Partymindness,<br />

approved by <strong>the</strong> Party<br />

’Ideynost’<br />

– Ideologically<br />

orthodox<br />

’Narodnost’<br />

–Peopleness,<br />

close to <strong>the</strong> people’s<br />

life<br />

’ponjatnost’<br />

– Intelligible,<br />

easily accessible for<br />

<strong>the</strong> broad masses<br />

’Real’nost’<br />

– Positive realism,<br />

positive utopian<br />

view of progressing<br />

society,<br />

– Truthful picture of<br />

people’s everyday<br />

life<br />

Uniformity<br />

‘Collectivity’<br />

UNOFFICIAL/OBJECTIVE RUSSIAN<br />

SOURCES<br />

The legacy of <strong>the</strong> Tsar period<br />

Adoptions:<br />

– Russian national romanticism <strong>and</strong> 19th<br />

century realism, such as Glinka, ”The Mighty<br />

Five” etc.<br />

Opposed:<br />

– Myths of artist’s extreme individuality<br />

– The ‘elitism’ of <strong>the</strong> Tsar period<br />

The legacy of modernists<br />

– Utopian thinking<br />

– Rhetoric<br />

– Various artistic means<br />

33<br />

OFFICIAL SOURCE<br />

EMPIRISM PRACTICE<br />

Represents changing,<br />

progressing reality – ”mistakes<br />

need to be mended”<br />

‘Partymindness’<br />

– Gorki: ”We have <strong>the</strong> kind of<br />

romanticism, which underlies <strong>the</strong><br />

myth, <strong>and</strong> is most beneficial in its<br />

promoting a revolutionary attitude<br />

toward reality, an attitude that in<br />

practise refashions <strong>the</strong> world.”<br />

– Folk music is familiar to <strong>the</strong><br />

broad masses <strong>and</strong> thus easily<br />

accessible for <strong>the</strong>m.<br />

– <strong>Soviet</strong> Union is still in a<br />

temporal state <strong>and</strong> only in its way<br />

to <strong>the</strong> bright future. One of <strong>the</strong><br />

features of temporal nature is<br />

formal nationalism. However,<br />

nationalism within content is a<br />

threat to socialism <strong>and</strong> to <strong>the</strong><br />

universal Marxist ideology, i.e. to<br />

<strong>the</strong> estate where all <strong>the</strong> nations<br />

loose <strong>the</strong>ir essence.<br />

– ’Zhisnetvorzestvo’ i.e. art is<br />

interrelated with reality. Art<br />

influences on life <strong>and</strong> life<br />

influences on art. Positive realism<br />

advances <strong>the</strong> society <strong>and</strong> marks<br />

out <strong>the</strong> brighter future. Naturalism<br />

(social criticism) is one of <strong>the</strong><br />

symptoms of capitalism. Social<br />

criticism is no longer needed<br />

when <strong>the</strong> full socialism is in<br />

operation.

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