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MUSEUMS / 166<br />

The Gaziantep Mevlevi<br />

Lodge Foundation Museum<br />

The museum is located in the court<br />

of Tekke Mevlevihane Mosque.<br />

The mosque was built by Mustafa<br />

A¤a in 1639 as Mevlevihane.<br />

In 2007, the building was restored<br />

as “Gaziantep Mevlevihanesi<br />

Vak›f Museum”. The main purpose<br />

of this museum is to introduce<br />

the culture of our ancestors and<br />

attract more tourists to see our<br />

cultural heritage. It was opened<br />

by Vak›flar Genel Müdürlü¤ü as<br />

the first Islamic Arts Museum of<br />

Southern Anatolia Region. At this<br />

museum, one can learn about the<br />

Mevlevi culture, and see artifacts,<br />

some of the exquisite samples of<br />

Turkish calligraphy art.<br />

The Mevlevihane building is located<br />

in a courtyard and built with<br />

cut stones. The courtyard has<br />

three doors which all open to different<br />

streets. In the courtyard,<br />

there are two Selaml›k buildings.<br />

One of them has two stories and<br />

the other one has three stories.<br />

Semahane and the masjid are the<br />

oldest buildings of Mevlevihane.<br />

One of the unique features of this<br />

structure is that there is a street<br />

goes under the minaret.<br />

The museum is enriched by the<br />

examples of Turkish calligraphy<br />

art, and handwritten Qurans decorated<br />

with gold and silver by the<br />

art of gilding and paper marbling<br />

(Ebru Art). There are also some<br />

prayer beads, a Quran lectern<br />

from Ottoman period, antique<br />

clocks, candlesticks, and cressets.<br />

Bayazhan City Museum<br />

The museum was built by Bayaz<br />

Ahmed A¤a and his business partner.<br />

At the time, he was a tobacco<br />

merchant. He was exporting<br />

Gaziantep’s Hasankeyf Tobacco to<br />

Egypt. He brought architects and<br />

sculptors from Aleppo. The construction<br />

started in 1905 and took<br />

about 5 - 6 years.<br />

During World War I, British troops<br />

used Bayazhan as cantonment.<br />

A section of the building<br />

was used as a prison during Antep’s<br />

Defense. One of the salons of<br />

the building was used as a movie<br />

theatre as well. The first movie in<br />

the city was shown in Bayazhan.<br />

After Bayaz Ahmed A¤a deceased<br />

in 1919, half of the building was<br />

passed to his family and the other<br />

half to his business partner. His<br />

partners share was passed to Tekel<br />

Headquarters.<br />

Gaziantep Metropolitan Municipality<br />

purchased the building in<br />

2005. The restorations on the building<br />

started in 2007 and were<br />

completed in 2008. Bayazhan<br />

City Museum is located in the upper<br />

level of the building where the<br />

history of Gaziantep and Antep<br />

Defence is being depicted with<br />

mannequins. Some of the unique<br />

features of the city such as coppersmithing,<br />

tinning, making of<br />

yemenis, local embroideries, silver<br />

embroidery, art of the mother of<br />

pearl, handmade rugs and kilims,<br />

art of making baklava, and Antep<br />

pistachio are being introduced<br />

with short documentaries. Mannequins<br />

dressed in local costumes<br />

are displaying the making of handicrafts,<br />

production of baklava,<br />

MUSEUMS / 167<br />

weaving of kilims, and the making<br />

of Antep embroideries.<br />

Bayazhan City Museum has a good<br />

source of in<strong>for</strong>mation <strong>for</strong> tourists.<br />

It has in<strong>for</strong>mation about the<br />

subjects like Gaziantep’s economy,<br />

touristic places in the city,<br />

natural beauties, accommodation<br />

options, and what to eat and<br />

drink.<br />

At the entry level of the building,<br />

there are some salons reserved <strong>for</strong><br />

different purposes such as one<br />

which will be used <strong>for</strong> <strong>for</strong>mal receptions,<br />

one which will be used<br />

as an exhibition hall of sister cities,<br />

one which will be used as a research<br />

lab <strong>for</strong> researchers related<br />

to Gaziantep, one which will be<br />

used as a restaurant serving only<br />

Gaziantep Delicacy, and the rest<br />

will be used as a exhibition hall,<br />

cafeteria, gift shop, <strong>for</strong> conventions,<br />

in<strong>for</strong>mation center, and art<br />

studios.<br />

Emine Gögüfl Culinary<br />

Museum<br />

Over the years, many civilizations<br />

came to this land, Gaziantep,<br />

from different cultures, different<br />

religions, and ethnic backgrounds.<br />

They all left something behind<br />

from their cultures. That is how<br />

today’s Gaziantep’s culinary culture<br />

was created. Each ingredient<br />

was added by a different civilization<br />

or culture.<br />

The Culinary Museum is located<br />

on the south end of Fortress of<br />

Gaziantep. It was built as Kethüaczade<br />

Gö¤üfl ‹brahim Efendi’s<br />

Mansion in 1905. Its building<br />

style resembles Gaziantep architecture.<br />

The building was restored<br />

by Metropolitan Municipality and<br />

trans<strong>for</strong>med into a museum. In<br />

this museum, a traditional Gaziantep<br />

kitchen culture is being introduced<br />

to new generations. In<br />

this place, one can go through the<br />

whole cooking experience with real<br />

kitchen utensils. The visitors<br />

are also given some in<strong>for</strong>mation<br />

about Gaziantep Delicacy, kitchenware,<br />

ingredients, local beverages,<br />

and food storage methods.<br />

The making of Antep’s famous<br />

dish “Yuvarlama”, setting up the<br />

guest table and preparation of<br />

special beverages are demonstrated<br />

be<strong>for</strong>e the visitors.<br />

A Panorama of Heroism<br />

The gallery is located inside the<br />

<strong>for</strong>tress of Gaziantep. It is being<br />

set up as a panorama of heroism<br />

to honor and reenact the Turkish<br />

War of Independence.<br />

In historical literature, Gaziantep’s<br />

Defense and its liberation<br />

are written as an epic. In this panorama<br />

this legend or epic is being<br />

reenacted by pictures, statues,<br />

embossments, and replicas. They<br />

are all telling visitors how the city<br />

was occupied by <strong>for</strong>eign troops,<br />

ententes (agreements) signed, heroes<br />

fought in the front lines, assailments,<br />

movements, hardships,<br />

liberation from occupying <strong>for</strong>ces,<br />

bravery of women, children, and<br />

elderly; basically, heroism and the<br />

story of Antep people are being<br />

told in this gallery in chronological<br />

order.

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