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MUSEUMS / 166<br />
The Gaziantep Mevlevi<br />
Lodge Foundation Museum<br />
The museum is located in the court<br />
of Tekke Mevlevihane Mosque.<br />
The mosque was built by Mustafa<br />
A¤a in 1639 as Mevlevihane.<br />
In 2007, the building was restored<br />
as “Gaziantep Mevlevihanesi<br />
Vak›f Museum”. The main purpose<br />
of this museum is to introduce<br />
the culture of our ancestors and<br />
attract more tourists to see our<br />
cultural heritage. It was opened<br />
by Vak›flar Genel Müdürlü¤ü as<br />
the first Islamic Arts Museum of<br />
Southern Anatolia Region. At this<br />
museum, one can learn about the<br />
Mevlevi culture, and see artifacts,<br />
some of the exquisite samples of<br />
Turkish calligraphy art.<br />
The Mevlevihane building is located<br />
in a courtyard and built with<br />
cut stones. The courtyard has<br />
three doors which all open to different<br />
streets. In the courtyard,<br />
there are two Selaml›k buildings.<br />
One of them has two stories and<br />
the other one has three stories.<br />
Semahane and the masjid are the<br />
oldest buildings of Mevlevihane.<br />
One of the unique features of this<br />
structure is that there is a street<br />
goes under the minaret.<br />
The museum is enriched by the<br />
examples of Turkish calligraphy<br />
art, and handwritten Qurans decorated<br />
with gold and silver by the<br />
art of gilding and paper marbling<br />
(Ebru Art). There are also some<br />
prayer beads, a Quran lectern<br />
from Ottoman period, antique<br />
clocks, candlesticks, and cressets.<br />
Bayazhan City Museum<br />
The museum was built by Bayaz<br />
Ahmed A¤a and his business partner.<br />
At the time, he was a tobacco<br />
merchant. He was exporting<br />
Gaziantep’s Hasankeyf Tobacco to<br />
Egypt. He brought architects and<br />
sculptors from Aleppo. The construction<br />
started in 1905 and took<br />
about 5 - 6 years.<br />
During World War I, British troops<br />
used Bayazhan as cantonment.<br />
A section of the building<br />
was used as a prison during Antep’s<br />
Defense. One of the salons of<br />
the building was used as a movie<br />
theatre as well. The first movie in<br />
the city was shown in Bayazhan.<br />
After Bayaz Ahmed A¤a deceased<br />
in 1919, half of the building was<br />
passed to his family and the other<br />
half to his business partner. His<br />
partners share was passed to Tekel<br />
Headquarters.<br />
Gaziantep Metropolitan Municipality<br />
purchased the building in<br />
2005. The restorations on the building<br />
started in 2007 and were<br />
completed in 2008. Bayazhan<br />
City Museum is located in the upper<br />
level of the building where the<br />
history of Gaziantep and Antep<br />
Defence is being depicted with<br />
mannequins. Some of the unique<br />
features of the city such as coppersmithing,<br />
tinning, making of<br />
yemenis, local embroideries, silver<br />
embroidery, art of the mother of<br />
pearl, handmade rugs and kilims,<br />
art of making baklava, and Antep<br />
pistachio are being introduced<br />
with short documentaries. Mannequins<br />
dressed in local costumes<br />
are displaying the making of handicrafts,<br />
production of baklava,<br />
MUSEUMS / 167<br />
weaving of kilims, and the making<br />
of Antep embroideries.<br />
Bayazhan City Museum has a good<br />
source of in<strong>for</strong>mation <strong>for</strong> tourists.<br />
It has in<strong>for</strong>mation about the<br />
subjects like Gaziantep’s economy,<br />
touristic places in the city,<br />
natural beauties, accommodation<br />
options, and what to eat and<br />
drink.<br />
At the entry level of the building,<br />
there are some salons reserved <strong>for</strong><br />
different purposes such as one<br />
which will be used <strong>for</strong> <strong>for</strong>mal receptions,<br />
one which will be used<br />
as an exhibition hall of sister cities,<br />
one which will be used as a research<br />
lab <strong>for</strong> researchers related<br />
to Gaziantep, one which will be<br />
used as a restaurant serving only<br />
Gaziantep Delicacy, and the rest<br />
will be used as a exhibition hall,<br />
cafeteria, gift shop, <strong>for</strong> conventions,<br />
in<strong>for</strong>mation center, and art<br />
studios.<br />
Emine Gögüfl Culinary<br />
Museum<br />
Over the years, many civilizations<br />
came to this land, Gaziantep,<br />
from different cultures, different<br />
religions, and ethnic backgrounds.<br />
They all left something behind<br />
from their cultures. That is how<br />
today’s Gaziantep’s culinary culture<br />
was created. Each ingredient<br />
was added by a different civilization<br />
or culture.<br />
The Culinary Museum is located<br />
on the south end of Fortress of<br />
Gaziantep. It was built as Kethüaczade<br />
Gö¤üfl ‹brahim Efendi’s<br />
Mansion in 1905. Its building<br />
style resembles Gaziantep architecture.<br />
The building was restored<br />
by Metropolitan Municipality and<br />
trans<strong>for</strong>med into a museum. In<br />
this museum, a traditional Gaziantep<br />
kitchen culture is being introduced<br />
to new generations. In<br />
this place, one can go through the<br />
whole cooking experience with real<br />
kitchen utensils. The visitors<br />
are also given some in<strong>for</strong>mation<br />
about Gaziantep Delicacy, kitchenware,<br />
ingredients, local beverages,<br />
and food storage methods.<br />
The making of Antep’s famous<br />
dish “Yuvarlama”, setting up the<br />
guest table and preparation of<br />
special beverages are demonstrated<br />
be<strong>for</strong>e the visitors.<br />
A Panorama of Heroism<br />
The gallery is located inside the<br />
<strong>for</strong>tress of Gaziantep. It is being<br />
set up as a panorama of heroism<br />
to honor and reenact the Turkish<br />
War of Independence.<br />
In historical literature, Gaziantep’s<br />
Defense and its liberation<br />
are written as an epic. In this panorama<br />
this legend or epic is being<br />
reenacted by pictures, statues,<br />
embossments, and replicas. They<br />
are all telling visitors how the city<br />
was occupied by <strong>for</strong>eign troops,<br />
ententes (agreements) signed, heroes<br />
fought in the front lines, assailments,<br />
movements, hardships,<br />
liberation from occupying <strong>for</strong>ces,<br />
bravery of women, children, and<br />
elderly; basically, heroism and the<br />
story of Antep people are being<br />
told in this gallery in chronological<br />
order.