ajAti vAda
ajAti vAda
ajAti vAda
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Sankara with disciples: sureSvara,<br />
padmapAda, toTaka and hastAmalaka<br />
Transliteration Key<br />
sureSvara is the most prolific writer among Sankara's immediate disciples. His advaita<br />
writings include vArttikas on SankarAcArya's bRhadAraNyakopanishad bhAshya and<br />
taittirIyopanishad bhAshya, naishkarmyasiddhi, an independent exposition of advaita,<br />
and minor works like pancIkaraNa vArttika, mAnasollAsa, a commentary on Sankara's<br />
dakshiNAmUrti stotram. Other works include bAlakrIDA, svarAjya siddhi and<br />
kASImoksha vicAra. Tradition also identifies sureSvara with maNDana miSra, and with<br />
viSvarUpa, a disciple of kumArila bhaTTa. Sankara is said to have gone to viSvarUpa's<br />
home in order to debate with him. The debate ended in Sankara's triumph, and<br />
viSvarUpa became a sannyAsI disciple of Sankara, under the name of sureSvara. If this<br />
identification is correct, then numerous other works on pUrva mImAm.sA, vyAkaraNa<br />
and other subjects are also the work of the same person.<br />
According to tradition, sureSvara composed the taittirIyopanishad bhAshya vArttika in<br />
honor of Sankara, his guru, who belonged to the taittirIya SAkhA of the kRshNa<br />
yajurveda. Since he himself belonged to the kANva SAkhA of the Sukla yajurveda, he<br />
next wrote the bRhadAraNyakopanishad bhAshya vArttika, with an introduction<br />
known as sambandha vArttika. The naishkarmyasiddhi was composed before he wrote<br />
these two upanishad bhAshya vArttikAs. The naishkarmyasiddhi has attracted the<br />
attention of many later commentators, including jnAnottama miSra, who wrote the<br />
candrikA, citsukha, who wrote bhAva tattva prakASikA, jnAnAmRta, who wrote<br />
vidyAsurabhI and rAmadatta, the author of sArArtha. sureSvara was installed as<br />
Sankara's successor at the southern advaita maTha at Sringeri. An old samAdhi at<br />
Sringeri is traditionally identified as the site where sureSvara was buried. Another<br />
tradition connects him with the western advaita maTha at Dvaraka.<br />
padmapAda is the author of the pancapAdikA, a commentary on Sankara's<br />
brahmasUtra bhAshya. There are a few traditions current about him. His name was<br />
originally sanandana, and like his guru, he hailed from southern India. The story goes<br />
that while learning with Sankara at kASi, he was once on the opposite bank of the