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Sankara with disciples: sureSvara,<br />

padmapAda, toTaka and hastAmalaka<br />

Transliteration Key<br />

sureSvara is the most prolific writer among Sankara's immediate disciples. His advaita<br />

writings include vArttikas on SankarAcArya's bRhadAraNyakopanishad bhAshya and<br />

taittirIyopanishad bhAshya, naishkarmyasiddhi, an independent exposition of advaita,<br />

and minor works like pancIkaraNa vArttika, mAnasollAsa, a commentary on Sankara's<br />

dakshiNAmUrti stotram. Other works include bAlakrIDA, svarAjya siddhi and<br />

kASImoksha vicAra. Tradition also identifies sureSvara with maNDana miSra, and with<br />

viSvarUpa, a disciple of kumArila bhaTTa. Sankara is said to have gone to viSvarUpa's<br />

home in order to debate with him. The debate ended in Sankara's triumph, and<br />

viSvarUpa became a sannyAsI disciple of Sankara, under the name of sureSvara. If this<br />

identification is correct, then numerous other works on pUrva mImAm.sA, vyAkaraNa<br />

and other subjects are also the work of the same person.<br />

According to tradition, sureSvara composed the taittirIyopanishad bhAshya vArttika in<br />

honor of Sankara, his guru, who belonged to the taittirIya SAkhA of the kRshNa<br />

yajurveda. Since he himself belonged to the kANva SAkhA of the Sukla yajurveda, he<br />

next wrote the bRhadAraNyakopanishad bhAshya vArttika, with an introduction<br />

known as sambandha vArttika. The naishkarmyasiddhi was composed before he wrote<br />

these two upanishad bhAshya vArttikAs. The naishkarmyasiddhi has attracted the<br />

attention of many later commentators, including jnAnottama miSra, who wrote the<br />

candrikA, citsukha, who wrote bhAva tattva prakASikA, jnAnAmRta, who wrote<br />

vidyAsurabhI and rAmadatta, the author of sArArtha. sureSvara was installed as<br />

Sankara's successor at the southern advaita maTha at Sringeri. An old samAdhi at<br />

Sringeri is traditionally identified as the site where sureSvara was buried. Another<br />

tradition connects him with the western advaita maTha at Dvaraka.<br />

padmapAda is the author of the pancapAdikA, a commentary on Sankara's<br />

brahmasUtra bhAshya. There are a few traditions current about him. His name was<br />

originally sanandana, and like his guru, he hailed from southern India. The story goes<br />

that while learning with Sankara at kASi, he was once on the opposite bank of the

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