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The XIth dynasty temple at Deir el-Bahari .. - NYU | Digital Library ...

The XIth dynasty temple at Deir el-Bahari .. - NYU | Digital Library ...

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32 THE XiTff DYNASTY TEMPLE AT DEIR EL-BAHARI.<br />

briefly some of the more interesting fragments,<br />

which will give an idea of the peculiar character<br />

of the art of the Xlth Dynasty as exhibited in<br />

this <strong>temple</strong>.<br />

Some of tliese r<strong>el</strong>iefs are very beautiful in<br />

colour and carving. <strong>The</strong>re are two repre-<br />

sent<strong>at</strong>ions of King Neb-hepet-Ra II. (o "vi:^ '^),<br />

with his wife. Queen Aashait, standing bene<strong>at</strong>h<br />

the winged sun. One of these is illustr<strong>at</strong>ed<br />

PI. xvii., fig. e. <strong>The</strong> preserv<strong>at</strong>ion of the colours<br />

on these r<strong>el</strong>iefs is remarkable, and the fe<strong>at</strong>hers<br />

of the winged sun are in the smaller fragment<br />

of the two represented with extraordinary<br />

minuteness of workraansliip and d<strong>el</strong>icacy of<br />

colour. <strong>The</strong> represent<strong>at</strong>ion of the <strong>at</strong>ef-crown,<br />

worn by the king, with both fe<strong>at</strong>hers <strong>at</strong> the<br />

back, has not previously been met with. Or-<br />

dinarily it is represented as consisting of the<br />

white crown with the fe<strong>at</strong>hers fore and aft<br />

<strong>The</strong> fe<strong>at</strong>hers were really jjlaced <strong>at</strong> each side,<br />

like wings, as we see from the Osiris figures,<br />

which wear it. <strong>The</strong> fore-and-aft represent<strong>at</strong>ion<br />

on the fl<strong>at</strong> was a convention, to show both.<br />

But here, in this single instance, we have an<br />

<strong>at</strong>tempt <strong>at</strong> a view of the crown seen from the<br />

side, but <strong>at</strong> the same time sliowing both fe<strong>at</strong>hers,<br />

which are represented in a sort of perspecti\e,<br />

the nearer partially hiding the further one.<br />

This is a very interesting little devi<strong>at</strong>ion from<br />

the usual conventions of sculptui'e. Interesting<br />

also is the represent<strong>at</strong>ion of the white crown<br />

its<strong>el</strong>f, which seems to have been made of straw<br />

or basket-work painted white and bound with<br />

golden bands. <strong>The</strong> lower part seems to have<br />

been also covered with some m<strong>at</strong>erial, but the<br />

upper was evidently open straw-work, admitting<br />

plenty of ventil<strong>at</strong>ion. On these two fragments<br />

the hieroglyphs are sculptured in the new and<br />

previously unknown style of high r<strong>el</strong>ief painted<br />

blue on rectangular lab<strong>el</strong>s of red. <strong>The</strong> con-<br />

trast of colour presented by this arrangement,<br />

the red sun-disk with green wings above, and<br />

the white and gold crown of the king b<strong>el</strong>ow, is<br />

sufficiently remarkable. <strong>The</strong> inscriptions are<br />

the usual J A formulae.<br />

On these two fragments the faces of the king<br />

and queen are b<strong>at</strong>tered out of all recognition,<br />

but on another piece of r<strong>el</strong>ief, on which they<br />

are represented in cdrn-rilievo (PL xii. a), their<br />

portraits are perfectly preserved. <strong>The</strong> king's<br />

young resolute face, with powerful chin and<br />

square nose, is thoroughly Egyptian. We had<br />

one workman very like him on the excav<strong>at</strong>ions.<br />

But the queen's thick lips and fl<strong>at</strong> nose make<br />

her look r<strong>at</strong>her Ethiopian in type. Another<br />

r<strong>el</strong>ief (in the same style) is of interest, since it<br />

depicted the gre<strong>at</strong> noble Masi walking in<br />

the <strong>temple</strong> ;<br />

one of the octagonal columns of the<br />

hall or ambul<strong>at</strong>ory surrounding the pyramid-<br />

base is represented on the r<strong>el</strong>ief close by his leg.<br />

From this represent<strong>at</strong>ion we know th<strong>at</strong> the<br />

capitals of the columns in the ambul<strong>at</strong>ory were<br />

of the simple square type associ<strong>at</strong>ed with this<br />

form of column. On another slab (PI. xvii. d) we<br />

have a very quaint represent<strong>at</strong>ion of the " King's<br />

Favourite, Sadlie," receiving offerings from the<br />

" King's Cupbearer." <strong>The</strong> cup contains beer.<br />

<strong>The</strong> small incised inscription above it reads,<br />

se<strong>at</strong>ed and wearing the short wig, stretches out<br />

her hands to receive the beverage from the hands<br />

of the obsequious cupbearer, who is followed by a<br />

remarkable young lady of very <strong>at</strong>tenu<strong>at</strong>ed form,<br />

who bears in a r<strong>at</strong>her processional manner an<br />

enormous lily on a long stalk. <strong>The</strong> inscription<br />

above contains the usual prayer for Sadhe.<br />

A large number of fragments of the r<strong>el</strong>iefs<br />

and inscriptions of these chap<strong>el</strong>s have been<br />

found : portions of the gaily-coloured cornices<br />

also, and the green lily-pillars which often<br />

adorned their entrances. It will be an in-<br />

teresting task to try to put all these together<br />

again : the work of assembling the fragments<br />

of the false doors may very w<strong>el</strong>l be undertaken<br />

' Or, "for thys<strong>el</strong>f."

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