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44<br />

The annual Paphos Aphrodite Opera Festival<br />

held last September treated its audiences<br />

to three evenings of Giuseppe Verdi’s<br />

La Traviata staged by Poland’s National<br />

Opera, Teatr Wielki.<br />

The Paphos Aphrodite Festival was officially<br />

launched in 1998 as a result of a joint effort<br />

between the various professional bodies in<br />

Paphos with the aim of promoting Paphos<br />

as an international centre of high-profile<br />

cultural events.<br />

The event’ s main sponsors were the Ministry<br />

of Education and Culture, the Cyprus<br />

Tourism Organization, the Cyprus Electricity<br />

Authority and the Bank of Cyprus.<br />

Teatr Wielki, the National Opera of Poland<br />

has a 160-year history of staging operas and<br />

ballets in its Warsaw building dating back<br />

to 1825. Teatr Wielki is no stranger to Cyprus<br />

as La Traviata is its fourth opera to be presented<br />

at the Paphos Aphrodite Festival<br />

under the baton of Jacek Kaspszyk who is<br />

also the Musical and Artistic Director of<br />

Teatr Wielki.<br />

As with previous performances, the opera<br />

was set against the backdrop of the Mediaeval<br />

Fort and set designers of Teatr Wiekli<br />

took the challenge of incorporating Butte<br />

La Traviata<br />

The Paphos Aphrodite Festival was officially launched in 1998 as a result of a joint effort between the various<br />

professional bodies in Paphos with the aim of promoting Paphos as an international centre of high profile<br />

cultural events.<br />

Montmartre into the dramatic setting of<br />

the fort. In fact director Marek Weiss –<br />

Grzesinski excelled in conveying the Parisian<br />

atmosphere around 1850 with the symbolic<br />

Moulin Rouge, the bordello-style dining<br />

room, the lovers’ garden of Eden and shrouded<br />

death room at the end. The opera lovers<br />

appreciated the voices of soprano Victoria<br />

Loukianetz as Violetta, tenor Vsevolod<br />

Grivnov in the role of Alfredo and of course<br />

Cypriot baritone Kyros Patsalides’ outstanding<br />

interpretation.<br />

Themis Filippides, General Coordinator of<br />

the Festival, whose team worked under the<br />

direction of Paphos Mayor, Pheidias Sarikas,<br />

was responsible for every single aspect of<br />

the festival. He was satisfied with the fact<br />

that the festival target had been achieved<br />

that is to offer first-rate cultural events matching<br />

international standards. What is<br />

more, the Festival has become an institution<br />

in itself as many tourists schedule their<br />

annual holiday around the Paphos Aphrodite<br />

Festival season. Combining a relaxing<br />

holiday in the seaside resort of Paphos with<br />

an operatic performance set in a breathtaking<br />

environment seems to be captivating<br />

the hearts of more and more people.

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