Editorial
Editorial
Editorial
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44<br />
The annual Paphos Aphrodite Opera Festival<br />
held last September treated its audiences<br />
to three evenings of Giuseppe Verdi’s<br />
La Traviata staged by Poland’s National<br />
Opera, Teatr Wielki.<br />
The Paphos Aphrodite Festival was officially<br />
launched in 1998 as a result of a joint effort<br />
between the various professional bodies in<br />
Paphos with the aim of promoting Paphos<br />
as an international centre of high-profile<br />
cultural events.<br />
The event’ s main sponsors were the Ministry<br />
of Education and Culture, the Cyprus<br />
Tourism Organization, the Cyprus Electricity<br />
Authority and the Bank of Cyprus.<br />
Teatr Wielki, the National Opera of Poland<br />
has a 160-year history of staging operas and<br />
ballets in its Warsaw building dating back<br />
to 1825. Teatr Wielki is no stranger to Cyprus<br />
as La Traviata is its fourth opera to be presented<br />
at the Paphos Aphrodite Festival<br />
under the baton of Jacek Kaspszyk who is<br />
also the Musical and Artistic Director of<br />
Teatr Wielki.<br />
As with previous performances, the opera<br />
was set against the backdrop of the Mediaeval<br />
Fort and set designers of Teatr Wiekli<br />
took the challenge of incorporating Butte<br />
La Traviata<br />
The Paphos Aphrodite Festival was officially launched in 1998 as a result of a joint effort between the various<br />
professional bodies in Paphos with the aim of promoting Paphos as an international centre of high profile<br />
cultural events.<br />
Montmartre into the dramatic setting of<br />
the fort. In fact director Marek Weiss –<br />
Grzesinski excelled in conveying the Parisian<br />
atmosphere around 1850 with the symbolic<br />
Moulin Rouge, the bordello-style dining<br />
room, the lovers’ garden of Eden and shrouded<br />
death room at the end. The opera lovers<br />
appreciated the voices of soprano Victoria<br />
Loukianetz as Violetta, tenor Vsevolod<br />
Grivnov in the role of Alfredo and of course<br />
Cypriot baritone Kyros Patsalides’ outstanding<br />
interpretation.<br />
Themis Filippides, General Coordinator of<br />
the Festival, whose team worked under the<br />
direction of Paphos Mayor, Pheidias Sarikas,<br />
was responsible for every single aspect of<br />
the festival. He was satisfied with the fact<br />
that the festival target had been achieved<br />
that is to offer first-rate cultural events matching<br />
international standards. What is<br />
more, the Festival has become an institution<br />
in itself as many tourists schedule their<br />
annual holiday around the Paphos Aphrodite<br />
Festival season. Combining a relaxing<br />
holiday in the seaside resort of Paphos with<br />
an operatic performance set in a breathtaking<br />
environment seems to be captivating<br />
the hearts of more and more people.