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Editorial

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Erato Hadjisavva<br />

Born in Cyprus in 1966<br />

Studies<br />

2000-2004 Master in Digital Arts<br />

1985-1990 School of Fine Arts, Athens<br />

1987-1989 Byzantine Painting<br />

1983-1985 University of Economics<br />

During the period 1995-2000 she has taught in secondary<br />

education schools and since 2000 she is an<br />

associate of the Fine Arts School Athens (in the<br />

Art Workshop of Mr Psychopedis)<br />

Solo Exhibitions<br />

2003 Gallery Yiagianos Athens (Catalogue)<br />

2002 Gallery Gloria, Nicosia, Cyprus<br />

1992 Gallery Gloria, Nicosia, Cyprus<br />

1991 Gallery Papadopoulou, Athens, Greece<br />

Selected Group Exhibitions<br />

2005 Photosynkyria, Museum of<br />

Photography, Thessaloniki, Greece<br />

2004 Every Monday, Gallery Hrusothemis,<br />

Greece<br />

2003 Passion, Byzantine and Christian<br />

Museum, Greece<br />

2001 Florence Biennale, Florence, Italy<br />

1993 Pancyprian Exhibition of Cyprus<br />

Chamber of Fine Arts Famagusta Gate,<br />

Nicosia, Cyprus<br />

1987 Pancyprian Exhibition of Cyprus<br />

Chamber of Fine Arts Famagusta Gate,<br />

Nicosia, Cyprus<br />

House of Cyprus-Athens<br />

Thanasis Moutsopoulos, architect, writer<br />

and curator, commenting on the artist’s<br />

work points out: "Erato Hadjisavva steps<br />

onto a series of cognitive domains, from<br />

Gestalt psychology to even robotics as<br />

well as onto milestones in the history of art<br />

as far as structural image or optical illusion<br />

is concerned, from M.C. Escher to<br />

Bridget Riley, Victor Vasarely and Op Art.<br />

However, the artist brings all these experiences<br />

to the 21st century through an array<br />

of manipulations which go hand in hand<br />

with the most recent quests of digital<br />

technology, even of modern cinema in its<br />

most impressive moments".<br />

Her video installation "Wave" challenges<br />

our notions of space and reality. Captured<br />

in an arrangement of television sets, a flock<br />

of birds is flying across the sky, each television<br />

set portraying the same scene with<br />

a slight difference in phase from the others.<br />

By moving through the screens the flock of<br />

birds distorts, and ultimately abolishes, the<br />

boundaries between real, palpable space and<br />

the digitised world of virtual reality, where<br />

the birds’ movement is manipulated and<br />

intensified, born directly in three dimensions,<br />

contrary to the representational tradition<br />

of visual arts, with its common practice<br />

of two-dimensional treatment of threedimensional<br />

objects.<br />

Savella Michael<br />

Born in Nicosia, in 1972<br />

Studies<br />

1992-1997 Painting at the School of Fine<br />

Arts, Aristotle University of<br />

Thessaloniki, Greece<br />

1990-1991 Graphic Art at the Frederic<br />

Institute of Technology, Cyprus<br />

Solo Exhibitions<br />

2005 Diatopos Centre of Contemporary Art,<br />

Nicosia, Cyprus<br />

1999 Paratirites, Lobby Gallery, Nicosia, Cyprus<br />

Selected Group Exhibitions<br />

and other Activities:<br />

2005 Accidental Meetings – The Nicosia<br />

Municipal Arts Centre, Nicosia,<br />

Cyprus<br />

Beijing International Art Biennale,<br />

China<br />

2004 Women Cypriot Artists, Kereva Art<br />

Museum, Helsinki, Finland<br />

67

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