Editorial
Editorial
Editorial
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Erato Hadjisavva<br />
Born in Cyprus in 1966<br />
Studies<br />
2000-2004 Master in Digital Arts<br />
1985-1990 School of Fine Arts, Athens<br />
1987-1989 Byzantine Painting<br />
1983-1985 University of Economics<br />
During the period 1995-2000 she has taught in secondary<br />
education schools and since 2000 she is an<br />
associate of the Fine Arts School Athens (in the<br />
Art Workshop of Mr Psychopedis)<br />
Solo Exhibitions<br />
2003 Gallery Yiagianos Athens (Catalogue)<br />
2002 Gallery Gloria, Nicosia, Cyprus<br />
1992 Gallery Gloria, Nicosia, Cyprus<br />
1991 Gallery Papadopoulou, Athens, Greece<br />
Selected Group Exhibitions<br />
2005 Photosynkyria, Museum of<br />
Photography, Thessaloniki, Greece<br />
2004 Every Monday, Gallery Hrusothemis,<br />
Greece<br />
2003 Passion, Byzantine and Christian<br />
Museum, Greece<br />
2001 Florence Biennale, Florence, Italy<br />
1993 Pancyprian Exhibition of Cyprus<br />
Chamber of Fine Arts Famagusta Gate,<br />
Nicosia, Cyprus<br />
1987 Pancyprian Exhibition of Cyprus<br />
Chamber of Fine Arts Famagusta Gate,<br />
Nicosia, Cyprus<br />
House of Cyprus-Athens<br />
Thanasis Moutsopoulos, architect, writer<br />
and curator, commenting on the artist’s<br />
work points out: "Erato Hadjisavva steps<br />
onto a series of cognitive domains, from<br />
Gestalt psychology to even robotics as<br />
well as onto milestones in the history of art<br />
as far as structural image or optical illusion<br />
is concerned, from M.C. Escher to<br />
Bridget Riley, Victor Vasarely and Op Art.<br />
However, the artist brings all these experiences<br />
to the 21st century through an array<br />
of manipulations which go hand in hand<br />
with the most recent quests of digital<br />
technology, even of modern cinema in its<br />
most impressive moments".<br />
Her video installation "Wave" challenges<br />
our notions of space and reality. Captured<br />
in an arrangement of television sets, a flock<br />
of birds is flying across the sky, each television<br />
set portraying the same scene with<br />
a slight difference in phase from the others.<br />
By moving through the screens the flock of<br />
birds distorts, and ultimately abolishes, the<br />
boundaries between real, palpable space and<br />
the digitised world of virtual reality, where<br />
the birds’ movement is manipulated and<br />
intensified, born directly in three dimensions,<br />
contrary to the representational tradition<br />
of visual arts, with its common practice<br />
of two-dimensional treatment of threedimensional<br />
objects.<br />
Savella Michael<br />
Born in Nicosia, in 1972<br />
Studies<br />
1992-1997 Painting at the School of Fine<br />
Arts, Aristotle University of<br />
Thessaloniki, Greece<br />
1990-1991 Graphic Art at the Frederic<br />
Institute of Technology, Cyprus<br />
Solo Exhibitions<br />
2005 Diatopos Centre of Contemporary Art,<br />
Nicosia, Cyprus<br />
1999 Paratirites, Lobby Gallery, Nicosia, Cyprus<br />
Selected Group Exhibitions<br />
and other Activities:<br />
2005 Accidental Meetings – The Nicosia<br />
Municipal Arts Centre, Nicosia,<br />
Cyprus<br />
Beijing International Art Biennale,<br />
China<br />
2004 Women Cypriot Artists, Kereva Art<br />
Museum, Helsinki, Finland<br />
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