Editorial
Editorial
Editorial
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68<br />
Savella Michael, untitled. Ink, pencil, acrylic, paper, 2003.<br />
2003 The languages of gender, SPEL<br />
Building, Nicosia, Cyprus<br />
Made in the world of art, Sarajevo<br />
Winter Festival, Bosnia Herzegovina<br />
2002 Colourists, Pantheon Gallery, Nicosia,<br />
Cyprus<br />
2001 For young artists, Rouan Gallery,<br />
Limassol, Cyprus<br />
2000 Lobby Gallery, Nicosia, Cyprus<br />
1999 Sea, Pancyprian Exhibition of the Cyprus<br />
Chamber of Fine Arts, Limassol,<br />
Cyprus<br />
Thessaloniki’s Days in Limassol,<br />
Limassol Cultural Centre, Limassol,<br />
Cyprus<br />
Workshop, Red Crescent Museum of<br />
Gaza, Palestine (organised by the<br />
Doctors of the World and the<br />
Cultural Services of Cyprus)<br />
1998 Friends of Fine Art Society, Nicosia,<br />
Cyprus<br />
1997 Heineken Art, Thessaloniki, Greece<br />
Pancyprian Exhibition of the Cyprus<br />
Chamber of Fine Arts, Nicosia, Cyprus<br />
Pictor’s Studio, Thessaloniki, Greece<br />
(organised by the Cultural Capital of<br />
Thessaloniki Organisation)<br />
1996 Workshop, Vrnzacka Banja, Serbia<br />
(organised by the Schools of Fine Art<br />
Belgrade and Thessaloniki)<br />
Speaking of her painting work, Savella<br />
Michael believes that "complete chaos and<br />
confusion rule, rules and boundaries are<br />
abolished, mistakes are allowed. The innermost<br />
thoughts, wishes and truths are revealed,<br />
journies and new voyages are discovered<br />
promising different experiences, surprises<br />
and reversals".<br />
Angelos Michaelides<br />
Born in Nicosia; has lived in Athens since<br />
1974<br />
Studies<br />
1998-2004 Athens School of Fine Arts (graduated<br />
with excellence)<br />
1988-1994 Medical Studies at the English speaking<br />
University of Pacǎs, Hungary<br />
Solo Exhibitions<br />
2004 Individual exhibition of Diploma work<br />
in the School of Fine Arts ASFA, Athens