Editorial
Editorial
Editorial
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2003 Centre of Contemporary Art, Museum<br />
of Modern Greek Art in Rhodes<br />
2003 Epi kolono Gallery in Athens<br />
Selected Group Exhibitions<br />
2005 Museum of Contemporary Art of Chios<br />
2005 Group exhibition of graduates in<br />
Ergostasio gallery in ASFA School of<br />
Fine Arts, Athens<br />
2005 Unclaimed luggage, Madrid, Spain<br />
2004 Grand Bretagne Hotel, Athens<br />
2003 OMMA Centre, Chania, Crete<br />
2002 MoTeR II, Centre of Contemporary<br />
Art, Museum of Modern Greek Art in<br />
Rhodes<br />
Angelos Michaelides’ four artworks presented<br />
at the Biennale are posing a series of<br />
questions about human presence. They<br />
reveal an almost poetical humanism, a reflection<br />
of the Mediterranean universe and<br />
an echo of its longstanding philosophical<br />
tradition.<br />
Angelos Michaelides, Mummy. Acrylic, paper,<br />
Perspex, 2003.<br />
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