Editorial
Editorial
Editorial
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
The Evagoras Lanitis<br />
Centre in Limassol hosted<br />
the exhibition "Recreation<br />
of Ancient Greek Musical<br />
Instruments" last October.<br />
This unique exhibition, the<br />
showcase of the artistic creativity<br />
and genuine workmanship<br />
of musician, tutor<br />
and craftsman Michalis<br />
Georgiou was organized<br />
by the Evagoras and Kathleen<br />
Lanitis Foundation,<br />
under the auspices of<br />
the Embassy of Greece.<br />
The main objective in the<br />
recreation of ancient Greek<br />
musical instruments in<br />
their original form, as mentioned<br />
by the creator himself<br />
is "to achieve that resonance<br />
which will lead us<br />
to a better understanding and<br />
conception of the reverberations<br />
of the universe".<br />
Michalis Georgiou has undertaken<br />
a huge task demanding an arduous<br />
and complex work. The multi-dimensional<br />
nature of the research program to reconstruct<br />
ancient Greek musical instruments requires<br />
exchanges of views between researchers of various<br />
disciplines: archaeology (ancient pottery,<br />
sculptures and mosaics), ancient Greek writers,<br />
notation and instrumentation of ancient<br />
Greek music, mathematics, astronomy, philosophy<br />
and many other topics.<br />
But, "it would be impossible to reconstruct an<br />
ancient Greek instrument", Michalis Georgiou<br />
83