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Editorial

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The Evagoras Lanitis<br />

Centre in Limassol hosted<br />

the exhibition "Recreation<br />

of Ancient Greek Musical<br />

Instruments" last October.<br />

This unique exhibition, the<br />

showcase of the artistic creativity<br />

and genuine workmanship<br />

of musician, tutor<br />

and craftsman Michalis<br />

Georgiou was organized<br />

by the Evagoras and Kathleen<br />

Lanitis Foundation,<br />

under the auspices of<br />

the Embassy of Greece.<br />

The main objective in the<br />

recreation of ancient Greek<br />

musical instruments in<br />

their original form, as mentioned<br />

by the creator himself<br />

is "to achieve that resonance<br />

which will lead us<br />

to a better understanding and<br />

conception of the reverberations<br />

of the universe".<br />

Michalis Georgiou has undertaken<br />

a huge task demanding an arduous<br />

and complex work. The multi-dimensional<br />

nature of the research program to reconstruct<br />

ancient Greek musical instruments requires<br />

exchanges of views between researchers of various<br />

disciplines: archaeology (ancient pottery,<br />

sculptures and mosaics), ancient Greek writers,<br />

notation and instrumentation of ancient<br />

Greek music, mathematics, astronomy, philosophy<br />

and many other topics.<br />

But, "it would be impossible to reconstruct an<br />

ancient Greek instrument", Michalis Georgiou<br />

83

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