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Logic Pro 9 User Manual - Help Library - Apple

Logic Pro 9 User Manual - Help Library - Apple

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4 Click the disclosure triangle to the left of the GM Device 1 entry in the Inspector to open<br />

the Track Parameter box, if not already open.<br />

There are two parameters of particular note here: Port and Channel. (See Setting External<br />

MIDI Channel Strip Parameters.)<br />

5 Choose All from the Port pop-up menu.<br />

All of your MIDI interface Out ports are listed; for example, Port 1 (Unitor 8), Port 2 (Unitor<br />

8), MIDI1 (mLan Network). If you choose a specific Port—Port 1 (Unitor 8), for example—the<br />

GM Device multi-instrument object is routed to this specific MIDI port. This mirrors the<br />

port listing shown in the left column of the <strong>Library</strong> tab.<br />

6 Note that the Channel parameter is set to 1. Create a few new External MIDI tracks by<br />

following steps 1 and 2. These new tracks are called GM Device 2, GM Device 3,<br />

GM Device 4, and so on. Click each of these tracks in the track list, and keep an eye on<br />

the Channel parameter in the Track Parameter box of the Inspector. Each of these tracks<br />

is routed to a sub-channel of the GM Device multi-instrument object. The selection of<br />

each track is mirrored by the 16 sub-channel entries shown in the right column of the<br />

<strong>Library</strong> tab.<br />

When creating more than one new External MIDI track, <strong>Logic</strong> <strong>Pro</strong> does not create a new<br />

multi-instrument object for each one. Rather, it assigns each subsequent track to<br />

sub-channels of the GM Device multi-instrument object. You can create up to 16 tracks<br />

that are assigned on a one-to-one basis with each sub-channel of a multi-instrument<br />

object.<br />

If you need more channels for more external MIDI synthesizers and modules, you have<br />

a couple of options. The easiest way is to use the <strong>Library</strong> tab to reassign newly created<br />

tracks to particular MIDI ports and channels.<br />

Chapter 10 Working with Instruments and Effects<br />

299

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