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Logic Pro 9 User Manual
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Preface Chapter 1 Chapter 2 Chapter
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Chapter 8 Chapter 9 163 166 166 167
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Chapter 14 387 393 394 398 401 402
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Chapter 18 Chapter 19 Chapter 20 55
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Chapter 26 Chapter 27 Chapter 28 72
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Chapter 32 Chapter 33 Chapter 34 91
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Chapter 38 Chapter 39 Chapter 40 Ch
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Welcome to Logic Pro Logic Pro is a
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• Logic Studio Working with Apoge
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MIDI recordings are used to trigger
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A Logic Pro project file contains a
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MIDI Regions and Events MIDI region
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• External MIDI control surfaces
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MIDI Interface Your Mac computer do
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To facilitate this, an amplifier an
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Note: Condenser microphones require
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Note: USB audio interfaces should a
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AES/EBU The AES/EBU (Audio Engineer
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If the MIDI interface connected to
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For example, if you buy a new keybo
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µ Click the Preferences button in
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Networking Considerations The prima
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The Track Node buttons have four po
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Overview of the Logic Pro Interface
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The following is an overview of the
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• Track list: This is where you s
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The following image shows the Inspe
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You can add, edit, delete, and rena
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Introducing the Loop Browser The Lo
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Introducing the Library The Library
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• Path menu: Displays the levels
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Introducing Project Notes The Proje
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The Event List can display two type
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Introducing the Tempo List The Temp
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Introducing the Mixer The Mixer is
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Introducing the Piano Roll Editor T
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Local Menu Bars A window’s local
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Global Tracks All linear editing wi
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The Sample Editor is shown, display
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11 Select the software instrument t
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If you want to select an item that
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Customizing Your Window Setup 4 Log
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Key focus areas within windows—su
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To open a window Do one of the foll
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µ Click the close button at the to
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To adjust the size of a window Do o
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µ Set the default size for plug-in
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You can move the visible section by
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To zoom in µ Click the widely spac
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To change the zoom level using the
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Note: When a marquee selection is a
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• Content Link: This mode results
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2 Drag the buttons you want to add
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• Time and Bar: Displays the Bar
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µ Control-click (or right-click) a
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Note: Screensets 1 to 9 can be reca
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To delete the current screenset µ
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Setting the Playhead Position The p
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When typing in a full position usin
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• Play from Left Window Edge: Pla
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• Jump Between Cycle- and Project
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The cycle area is defined by the po
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This has no impact on the Bar ruler
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Defining a Cycle with Markers Dragg
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2 Click the Chase tab, then select
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2 Turn on or turn off individual fu
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• Signature/Division: The (Time)
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To open a new SMPTE or Bar Display
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2 Choose one of the following setti
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Opening Marker Areas and Windows Th
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Creating Markers You can create mar
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Markers created in these ways are a
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• Select the markers, then choose
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2 Type the new marker name in the M
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3 Choose settings in the Font windo
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To adjust a marker to fit a cycle
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Switching Between Marker Alternativ
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When you create a new project (or u
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3 Browse to the location where you
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If a project is already loaded, you
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Opening and Creating Projects Autom
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You can also import the following s
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Tip: You can customize the column v
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The Browser tab updates to show a t
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• Click the Settings button in th
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µ Click the Sample Rate display in
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Time signatures do not affect the p
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µ Open the Signature track, and do
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Click the Dim Master Volume button
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The following should be taken into
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Saving Projects When you choose Fil
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Saving a Project as a Template You
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Basic Operations 8 There are a numb
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2 Type in 45, followed by the Retur
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µ Click the Preferences button in
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• Save a new key command set: Ent
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Assigning Key Commands to Computer
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The Assignments field displays the
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Tools are accessed in the Tool menu
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• Opens Tool Menu: Right-clicking
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• Marquee Tool Click Zones: When
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Flex Tool The Flex tool provides yo
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Using Selection Techniques Whenever
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To select all events (of a specifie
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• Edit > Select Equal Colored Reg
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Paste at Original Position This com
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To erase the Undo History µ Choose
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Understanding Tracks and Channel St
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Configuring the Track Header The tr
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• Buttons section: Select the che
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To create one or more new tracks (a
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Software Instrument Tracks You can
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Creating Tracks Only The commands a
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Creating Tracks for Selected Region
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Naming Tracks in the Arrange Area Y
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To create a track name Do one of th
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Assigning Tracks to Environment Obj
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Assigning Track Icons in the Track
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A bullet to the left of the track n
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Soloing When the Track Solo Buttons
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To freeze a track 1 Click the Freez
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You can now perform your edits, and
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Clicking a Track Protect button tog
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3 Set the following parameters, as
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To bounce regions in place 1 Select
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The Bounce Track in Place dialog ap
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• Include Volume/Pan Automation c
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The Arrange (and Mixer) channel str
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Setting Channel Strip Input Format
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To set the Pan or Balance position
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A menu appears, showing all availab
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To use the Hand tool in the Arrange
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µ On channel strips where Insert s
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The Library displays all channel st
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You can remotely switch between cha
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The plug-in window opens automatica
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To adjust a parameter slider Do one
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When the Link Button Is Switched Of
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• Choose the Load Setting command
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Replacing Setting-Compatible Plug-i
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Hiding and Showing Extended Paramet
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Learning About Effect Routings Ther
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Similarly, you can completely chang
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A post fader signal level, routed t
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Tip: Many of the setup and routing
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3 Click GM Device in the left colum
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To reassign tracks to channels usin
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• If you use the Track Parameter
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• Program, Volume, and Pan: Trans
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7 Insert the effects in the Insert
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Tuning Software Instruments The Fil
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Important: Start Logic Pro first, t
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2 Connect the output (or output pai
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You can see the results of the vali
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Disabling Plug-ins The Audio Units
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Logic Pro also supports Broadcast W
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Navigating in the Browser You can s
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Restricting the search to a particu
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To remove a single advanced conditi
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To access the Loop Browser in the A
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When you place Software Instrument
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Column view offers a standard Mac O
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As you can see from this example, t
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Creating a Collection of Your Favor
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4 Click the Play button to preview
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The dialog below opens. 2 Browse to
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Audio regions that point to compres
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2 Choose settings in the Import ReC
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Getting to Know Regions 12 When aud
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It is, of course, possible to direc
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Feature Quantize parameter availabl
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The Sample Editor opens, with the e
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To open the Audio Bin window µ Cho
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Warning: If any of the deleted regi
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Snapping Edits to Zero Crossings If
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Updating the Audio Region Arrangeme
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• Creating Multiple Copies of Reg
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4 In the Colors window that opens,
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To snap to an absolute, not relativ
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To change the drag mode µ Choose o
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Using Shortcut Menus Many selection
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2 Drag to select or Shift-select th
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To assign the same name to multiple
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c Click the OK button to replace th
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2 Drag the marquee rectangle to mak
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Using the Marquee Selection to Crea
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To restore a deleted audio region D
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µ Choose the View > Event Position
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• Nudge Region/Event Position Rig
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Note: If Hyper Draw or automation i
- Page 390 and 391: Adjusting the Start or End Point of
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- Page 394 and 395: To copy a region (method 1) µ Opti
- Page 396 and 397: To remove gaps between regions 1 Se
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- Page 400 and 401: The alias appears on the selected t
- Page 402 and 403: 2 In the dialog that appears, set t
- Page 404 and 405: Note: The EXS instrument is saved t
- Page 406 and 407: 2 Select (turn on) the Loop option
- Page 408 and 409: 2 Choose Region > Loops > Convert t
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- Page 416 and 417: When opened, folders look just like
- Page 418 and 419: You should ensure that the folder i
- Page 420 and 421: Creating Fades A fade in starts at
- Page 422 and 423: µ Select a region, then edit the F
- Page 424 and 425: To change the playback speed Do one
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- Page 428 and 429: • Advanced Quantization: Q-Flam:
- Page 431 and 432: Recording in Logic Pro 14 This chap
- Page 433 and 434: µ Click the Sample Rate display in
- Page 435 and 436: Setting Up the Metronome for Record
- Page 437 and 438: For details about the Metronome pro
- Page 439: Tip: You can leave the Input Monito
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- Page 445 and 446: • Multitrack recording: You can r
- Page 447 and 448: Imagine a guitar solo being perform
- Page 449 and 450: 5 Open the take folder by doing one
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- Page 453 and 454: The Autopunch feature can be used f
- Page 455 and 456: 5 Stop recording by clicking the St
- Page 457 and 458: The recording appears as a single M
- Page 459 and 460: 4 Set a cycle area by doing one of
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- Page 463 and 464: To record several MIDI tracks in Cy
- Page 465 and 466: When you stop recording, you can wo
- Page 467 and 468: 2 Open the Overlapping Recordings p
- Page 469 and 470: 3 Select the checkboxes that corres
- Page 471 and 472: To color a take in an open or close
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- Page 479: The Space bar provides a Sustain fu
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To alternate selected comp areas be
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Resizing Take Regions You can edit
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To cut a take folder µ Click the t
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The first cut occurs at the clicked
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To create a new take lane for a tak
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To create a new comp from the activ
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3 Type the new name in the dialog t
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To delete a take 1 Click the arrow
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2 Click the arrow in the top right
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To export an active take to a new t
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To export an active comp to a new t
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To move an active take to a new tra
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2 Click the arrow in the top right
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To flatten a take folder 1 Click th
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2 Click the arrow in the top right
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This command—Unpack Take Folder,
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This command—“Unpack Take Folde
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Flex Time Editing 16 Flex Time edit
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To assign a flex mode to an audio t
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Getting to Know the Flex Modes Flex
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• Crossfade: Adjusts the crossfad
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• If you click in the area where
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Moving Flex Markers and Time Stretc
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Note: Time compression or expansion
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2 Click in the upper half of the se
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A yellow guideline appears in the o
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µ Using the Flex tool, place the p
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To time stretch using region border
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Editing Audio in the Sample Editor
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µ Drag the Sample Editor button, w
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To control playback using the Preli
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Navigating Audio Files in the Sampl
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To select a particular section of a
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To select a section of an audio fil
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Using Transient Markers to Edit in
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• − button: Decreases the numbe
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This detects transients across the
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2 Choose the desired settings in th
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Tip: If you use the Silence functio
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Tip: You can also use the Invert fu
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2 Choose the desired settings in th
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To enter relative display mode Do o
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Note: You need to zoom the waveform
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The “Time and Pitch Machine” co
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Setting Tempo Parameters in the “
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Using the Sample Editor’s Groove
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Using the Sample Editor’s Audio E
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Setting Audio Energizer Parameters
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Applying Spike Reduction in the Sil
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Opening the Sample Editor’s “Au
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• Velocity Threshold: Sets the th
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• Quantize by: Open this pop-up m
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Using AudioSuite Plug-ins The Sampl
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Note: Bounced files can only follow
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The locator range should closely ma
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4 Choose Audio > Time Stretch Regio
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The selected regions are analyzed;
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To remove tempo information from an
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Getting to Know the Strip Silence W
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Automatic Anchor Creation When you
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Managing Audio Files 20 This chapte
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Grouping Files in the Audio Bin You
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To open or close one or more groups
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This expands or collapses all audio
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Logic Pro updates the path informat
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Note: If a file of the same name ex
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Note: If you want to simultaneously
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• Double-click the exclamation ma
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Understanding Region- and Event-bas
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The Q-Swing field is located just b
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You can also quantize sections of t
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3 In the Group Settings window, sel
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Quantizing MIDI Events Event-based
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2 Do one of the following, dependin
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Important: The source audio or MIDI
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• Granulation (ms): Determines th
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Introduction to MIDI Editing 22 Thi
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• Disabled: Double-clicking a MID
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2 Click the Editing tab, then choos
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• Deleting or moving portions of
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Editing MIDI Events in the Piano Ro
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• The vertical position of note e
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When the Link Button Is Turned Off
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The Snap menu setting applies to th
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• Click the original note with th
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Important: A Redo list is not displ
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• Nudge Region/Event Position Lef
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• Note Overlap Correction for Rep
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Using the Copy MIDI Events Settings
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You can override this behavior by h
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For more information on the Functio
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Customizing the Piano Roll Editor Y
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Editing MIDI in the Hyper Editor 24
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Getting to Know the Hyper Editor Th
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You can also alter the width and st
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To create multiple events in a line
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This is ideal when adding events wi
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To alter individual event values µ
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• Edit > Paste (or Command-V) pas
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2 Select the Auto Define checkbox i
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To rearrange the order of event def
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• C- Press (Channel Pressure): To
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Setting the MIDI Channel Number A c
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Creating a Hyper Set To create a ne
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µ Choose Delete Hyper Set from the
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Getting to Know the Event List All
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The Event List can also display a l
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This is particularly important for
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You can use these filter buttons al
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Protecting the Position of Events T
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µ Click-hold the specific position
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• Unselected Within Selection: Er
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Mapped Instrument Notes If the edit
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• Other manufacturers use various
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Meta Events Meta events are control
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Editing MIDI Events in the Transfor
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Depending on your needs, it may be
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Random Pitch, Velocity, Length Sets
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This preset is a great creative opt
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Reverse Pitch Inverts the pitch of
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Velocity Limiter Limits the velocit
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Quantize Note Length Quantizes the
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• Delete selected events: Choose
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• Fix: The event type is altered.
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Using the Map 128 vertical bars ref
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This transform set now appears at t
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To convert MIDI note events to MIDI
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2 Click Select And Operate. To dele
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754 Chapter 27 Mixing • Assigning
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756 Chapter 27 Mixing Getting to Kn
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• Master channel strip: A global
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760 Chapter 27 Mixing Understanding
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762 Chapter 27 Mixing The Group Set
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When you choose an inactive group,
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766 Chapter 27 Mixing Soloing Chann
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768 Chapter 27 Mixing When setting
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770 Chapter 27 Mixing To avoid clip
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772 Chapter 27 Mixing To change the
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The following sections explain how
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776 Chapter 27 Mixing You can creat
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778 Chapter 27 Mixing 4 Use the aux
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780 Chapter 27 Mixing 2 Within the
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782 Chapter 27 Mixing When using ou
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784 Chapter 27 Mixing To define a c
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786 Chapter 27 Mixing 2 Double-clic
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788 Chapter 27 Mixing • Doppler b
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790 Chapter 27 Mixing Using the Bin
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792 Chapter 27 Mixing Open the View
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To assign a controller to one of th
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• Output channel strips—used as
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798 Chapter 27 Mixing Note: To view
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800 Chapter 27 Mixing Using Link Mo
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To copy a mixer setup 1 Select the
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804 Chapter 27 Mixing The Record En
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To move to a specific channel strip
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Working with Automation 28 Logic Pr
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The gray automation area appears on
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2 Click the Arrange tab, then adjus
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To set the same automation mode for
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2 Select checkboxes in the “Write
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• Click outside of all track auto
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• Delete All Automation on Select
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A dialog asks if you want to conver
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To offset your automation when Snap
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Using Automation Quick Access The A
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To activate Hyper Draw for the curr
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To use the Note Velocity mode 1 Cho
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Bouncing Your Project 29 You can re
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Defining the Bounce Range Before bo
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Setting Global Parameters in the Bo
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• Normalize pop-up menu: You can
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If the PCM option is unselected in
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Select the “Use default values”
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Simulate Write Only The “Simulate
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You can choose between the followin
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Creating Apple Loops in Logic Pro W
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Because one-shots are handled like
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There are two possible reasons for
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As an alternative, you can use the
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The Change Display Only mode does n
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If you want to turn an Apple Loops
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• Selecting Multiple Regions in t
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Getting to Know the Score Editor Th
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Important: Score display parameters
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To switch between the default score
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• The Display Quantize setting sh
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To display the Insert Defaults sett
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To resize the Hyper Draw area µ Gr
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The palette windows can have differ
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Note Objects in the Part Box The Pa
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Dynamic Symbols in the Part Box Dyn
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Note: The symbols in this Part box
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Apart from 2/4, 3/4, 4/4, 6/8, and
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D.S., D.C., Segno, and Coda Signs i
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Page and Line Break Symbols in the
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• Absolute Change (all values set
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To paste the Clipboard contents int
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An alias can be assigned a staff st
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Resizing Notes and Symbols in the S
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Creating and Editing Tied Notes in
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• Tuplet note values: Choose from
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• Independent Grace: These are al
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Note: Church rests cannot be longer
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These commands place the correspond
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Editing Repeat Signs and Bar Lines
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To insert text in the score 1 Selec
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Setting Special Text Object Paramet
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• Tempo Symbols: Used for the dis
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When a global text object is select
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Setting All Words and Syllables to
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µ Double-click one of the extensio
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The Chord Grid Library window consi
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Getting to Know the Chord Grid Sele
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• Number of Strings field: Displa
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After inserting chord grid symbols
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To modify the chord of an existing
- Page 932 and 933:
To move an existing fingering dot D
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µ Option-click an existing dot to
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To create a barre Do one of the fol
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The string is muted. To unmute a st
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• Choose Layout > Chord Grid Libr
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Importing and Exporting Chord Grid
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• Up/Downstroke: Placement is at
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Note: If you perform this procedure
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Copying Signatures You can copy tim
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µ Choose a number from the Alterna
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When simultaneously changing the se
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Quantize setting 192 384 Correspond
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• Defeat Interpretation Syncopati
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Score This parameter is accessed vi
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Changing the Horizontal Position of
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Changing the Beaming of Notes By de
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• Independent Grace Changing the
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Note: Auto Style can only be chosen
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• Voice parameters: The parameter
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To copy a staff style and assign it
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5 Click the Import button. All staf
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Size Use this parameter to determin
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Head Controls the appearance of not
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2 Draw a line (between notes) where
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You can, of course, also insert not
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Note: As always, rests are displaye
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These options allow you to have two
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Getting to Know the Score Set Windo
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Brackets and bar lines can also be
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Scaling doesn’t take place on ins
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To switch to Page Score view Do one
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Editing Local Margins You can move
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3 Start printing by choosing File >
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Displaying Folders If the current d
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Project and File Interchange 32 Mov
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Sharing is essentially broken down
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By default, all items of the matchi
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2 Click the Create button in the di
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• Format 1 can contain multiple t
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3 Choose the destination directory,
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Importing and Opening OMF Files The
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Set the start time of first importe
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Working with Soundtrack Pro STAP Fi
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3 Define the following parameters,
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3 Define the following parameters,
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2 Define the following parameters,
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Advanced Tempo Operations 33 Logic
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The Tempo track displays tempo chan
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The display range (the scale shown
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Given this behavior, you should avo
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µ Drag the Tempo tab, which change
- Page 1035 and 1036:
• Try out different tempo variati
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Scaling Tempo Changes in the Tempo
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• Tempo Response: This parameter
- Page 1041 and 1042:
Beat Mapping Regions 34 You will ge
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Once selected, short horizontal lin
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There are a number of ways to impro
- Page 1047:
Tip: If using the “Tolerate missi
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• Creating and Editing Transposit
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Transposition events only affect MI
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µ Click the event with the Eraser
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Working in the Environment 36 It is
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You determine the MIDI signal flow
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2 Press Return to confirm the new n
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Moving Objects You can move objects
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• Object move up • Object move
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• Sequencer Input object: This re
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To make a direct output connection
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• No: Your cabling takes place, b
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To route the signal of special outp
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You can also move selections of Env
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Logic Pro maintains an internal lis
- Page 1079:
This creates the mini Environment w
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• Chord Memorizer Objects (p. 113
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If the checkbox is not selected, th
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• No Reset: If the No Reset param
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Program Names There are 128 program
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Cabling Directly to a Sub-Channel T
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• The names of GM Standard drum s
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Custom Bank Selects Logic Pro provi
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µ Choose New > Touch Tracks from t
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Transpos (Transposition) When you d
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Don’t worry about choosing the wr
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• The Options > Apply Buffer Temp
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• Behave as Menu: Select the Beha
- Page 1106 and 1107:
Value As This parameter determines
- Page 1108 and 1109:
4-Channel Vector Mode If you set a
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Data values of 126 and 127 have a s
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The positions of events in the list
- Page 1114 and 1115:
Although you can have any number of
- Page 1116 and 1117:
• Shift-Option-dragging any fader
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For faders, the Channel parameter c
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Bank The Bank parameter hides or sh
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Keyboard Objects You can use a keyb
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Logic Pro encloses all selected obj
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An arpeggiator features parameters
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Events that do not meet the conditi
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Copy Matching Events and Apply Oper
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Meta events 122 to 127 affect trans
- Page 1134 and 1135:
• Transposition pop-up menu: Defi
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To create a new chord memorizer µ
- Page 1138 and 1139:
2 Select the Listen checkbox in the
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By default, the Sequencer Input obj
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Internal Objects Internal objects i
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Channel Strip Objects The Environme
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• Aux: Auxilliary channel strip,
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Working with Video 38 Logic Pro all
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Using the Movie Window You can drag
- Page 1153 and 1154:
Video track settings can be adjuste
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Handling QuickTime Movie Audio Trac
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Working with Surround 39 Logic Pro
- Page 1159 and 1160:
LCRS Surround Format LCRS stands fo
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7.1 (SDDS-Sony Dynamic Digital Soun
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µ Click the Preferences button in
- Page 1165 and 1166:
2 Choose the surround format you wa
- Page 1167 and 1168:
µ Click one of the three Initializ
- Page 1169 and 1170:
To determine the project surround f
- Page 1171 and 1172:
To set a channel strip’s output f
- Page 1173 and 1174:
2 Click the Mixer tab, and choose a
- Page 1175 and 1176:
• A number of speaker icons surro
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Using the Surround Balancer If the
- Page 1179 and 1180:
Channel mapping, panning, and mixin
- Page 1181 and 1182:
When a multi-channel plug-in is fir
- Page 1183 and 1184:
Note: Use the Bounce Extensions pre
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Positioning the Surround Speakers T
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The center speaker is usually used
- Page 1189 and 1190:
Synchronizing Logic Pro 40 Logic Pr
- Page 1191 and 1192:
Using the Sync Button You can use t
- Page 1193 and 1194:
Note: When using Pickup Clock with
- Page 1195 and 1196:
Each arrange track can act as a tap
- Page 1197:
If MIDI and Audio Are Not Synchroni
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The audio interface input and outpu
- Page 1202 and 1203:
As an example: Imagine a simple son
- Page 1204 and 1205:
The last thing to do is to get arou
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Importing Split Channel Files Nothi
- Page 1208 and 1209:
Interleaved or Split Bounce File? I
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The Project Settings window feature
- Page 1212 and 1213:
To open the Synchronization project
- Page 1214 and 1215:
Logic Pro automatically interprets
- Page 1216 and 1217:
• Deviation slider: This display
- Page 1218 and 1219:
MIDI Synchronization Settings The M
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Logic Pro also obeys Full Frame Mes
- Page 1222 and 1223:
Metronome Settings The Metronome pr
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Recording Settings The Recording pr
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Core Audio Recording Settings • R
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• User: Root Key pop-up menu: All
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Detuned octaves are more noticeable
- Page 1232 and 1233:
Audio Settings The Audio project se
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MIDI Settings The MIDI project sett
- Page 1236 and 1237:
• Instrument Without MIDI Thru Fu
- Page 1238 and 1239:
• Control Changes, 0-15, 64-71, a
- Page 1240 and 1241:
The following describes the global
- Page 1242 and 1243:
• Hide Muted Regions checkbox: Ex
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• Page Offset field: This value i
- Page 1246 and 1247:
Logic Pro automatically converts no
- Page 1248 and 1249:
Pitch Logic Pro assigns each note t
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Chords & Grids Settings These are g
- Page 1252 and 1253:
Clefs & Signatures Settings These a
- Page 1254 and 1255:
Note: Only automatically displayed
- Page 1256 and 1257:
Note: If you have a high-resolution
- Page 1258 and 1259:
This makes playback sound much more
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• Chromatic: Allows you to use tw
- Page 1262 and 1263:
• FireWire: Choose this mode to o
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Preferences in Logic Pro 44 Prefere
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A separate preference file, also st
- Page 1269 and 1270:
• Create New Project using Defaul
- Page 1271 and 1272:
• Pointer Tool in Arrange Provide
- Page 1273 and 1274:
• Smooth Cycle Algorithm checkbox
- Page 1275 and 1276:
Audio Preferences in Logic Pro Audi
- Page 1277 and 1278:
Note: When setting an output device
- Page 1279 and 1280:
For full details about activating D
- Page 1281 and 1282:
• Low Latency Mode checkbox and L
- Page 1283 and 1284:
Bounce Extensions Pane The Bounce E
- Page 1285 and 1286:
Audio Sample Editor Preferences The
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Audio MP3 Preferences The MP3 pane
- Page 1289 and 1290:
Audio Nodes Preferences The Nodes p
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All selected checkboxes will send a
- Page 1293 and 1294:
MIDI Sync Preferences The Sync pane
- Page 1295 and 1296:
Display Preferences in Logic Pro Di
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• Display SMPTE, Display Tempo As
- Page 1299 and 1300:
Piano Roll Display Preferences Thes
- Page 1301 and 1302:
• Floating Palette View pop-up me
- Page 1303 and 1304:
Automation Preferences in Logic Pro
- Page 1305 and 1306:
Control Surface Preferences in Logi
- Page 1307:
Sharing Preferences in Logic Pro Sh
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1310 Glossary ALAC Abbreviation for
- Page 1312 and 1313:
1312 Glossary Auto Track Zoom Funct
- Page 1314 and 1315:
1314 Glossary Browser A tab in the
- Page 1316 and 1317:
1316 Glossary comping A process whe
- Page 1318 and 1319:
1318 Glossary DFS An abbreviation f
- Page 1320 and 1321:
1320 Glossary Event List A list tha
- Page 1322 and 1323:
1322 Glossary grid The Logic Pro gr
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1324 Glossary key The scale used in
- Page 1326 and 1327:
1326 Glossary master channel strip
- Page 1328 and 1329:
1328 Glossary mono Short for monoph
- Page 1330 and 1331:
1330 Glossary pan, pan position The
- Page 1332 and 1333:
1332 Glossary Q factor A term gener
- Page 1334 and 1335:
1334 Glossary sample rate When an a
- Page 1336 and 1337:
1336 Glossary Signature track Globa
- Page 1338 and 1339:
1338 Glossary Surround Panner Repla
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1340 Glossary Transform window Logi
- Page 1342:
1342 Glossary zoom An action that e