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WUPATKI PUEBLO: A STUDY IN CULTURAL FUSION AND ...

WUPATKI PUEBLO: A STUDY IN CULTURAL FUSION AND ...

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4-57<br />

stitches; a small bit of weft-wrap openwork; five examples of<br />

twilled weave; and one tapestry tump line. Natural fiber is<br />

used with cotton only as the yucca warps of the tump line*<br />

The one complete fabric reported is a breech clout, and thus<br />

it can only be assumed that the loom used at Wupatki was like<br />

th© vertical Southwestern looms used in contemporaneous sites.<br />

Some of the narrow fabrics and the short wood battens and shed<br />

rods found at Wupatki also suggest the use of a belt loom. Dye<br />

colors represented included brown, tan, red, blue, black, and<br />

yellow (Kent 1957 * )•<br />

Basketweave Cloth<br />

In basketweave, wefts pass over and under single warps.<br />

Thirty-two such fragments were found at Wupatki. Both warps<br />

and wefts are visible, and often can be differentiated. The<br />

average stitch count for Southwestern textiles is about 10 warps<br />

and 9 wefts per cm., and the Wupatki average is 10 warps and 8<br />

wefts per cm. One Wupatki specimen, however, has about 19 warps,<br />

or 53 threads per cm., and represents one of the most finely<br />

woven textiles found In the Southwest (Kent 1957* **90). The<br />

fragments, as a whole, range from very small examples to a nearly<br />

complete breech clout, 61.8 cm. long, and 13.3 cm. wide (Kent<br />

1957« 6?7-78).<br />

Undyed Fragments. Thirteen pieces are of plain white<br />

cotton, three with selvages (described at end of chapter) of

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