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Feasibility Study of a Digital Platform for the delivery of UK ... - BFI

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<strong>UK</strong> FILM COUNCIL<br />

In this section we will assess <strong>the</strong> underlying demand <strong>for</strong> <strong>UK</strong> and specialised film, and attempt to quantify <strong>the</strong> degree to which this<br />

demand has been left unfulfilled by <strong>the</strong> limitations on traditional <strong>for</strong>ms <strong>of</strong> distribution. We are particularly focussed on those factors which<br />

limit <strong>the</strong> number <strong>of</strong> films readily available to <strong>the</strong> film consuming public at any given point in time. These limitations are not only physical<br />

(e.g. shelf space and screens) but commercial.<br />

We will examine <strong>the</strong> statistical evidence <strong>for</strong> an increased demand <strong>for</strong> this type <strong>of</strong> films in an environment where <strong>the</strong>se constraints have<br />

been minimised, or even removed, and try to quantify <strong>the</strong> resulting ‘uplift’ in consumption, if any, <strong>for</strong> <strong>the</strong> <strong>UK</strong> and specialised film sector.<br />

In this way, <strong>the</strong> potential demand <strong>for</strong> a new distribution plat<strong>for</strong>m with a diverse range <strong>of</strong> <strong>UK</strong> and specialised films can be assessed.<br />

The best example <strong>of</strong> this environment is <strong>the</strong> kind <strong>of</strong> online DVD rental service that has been launched in <strong>the</strong> <strong>UK</strong> by <strong>the</strong> likes <strong>of</strong> Video<br />

Island and LoveFilm in recent years. These services <strong>of</strong>fer an extremely diverse range <strong>of</strong> content (including a wide variety <strong>of</strong> specialised<br />

films), and moreover deploy a business model which is subscription<br />

based. We believe that <strong>the</strong> online DVD rental market is an excellent<br />

proxy <strong>for</strong> a future digital plat<strong>for</strong>m, and that an analysis <strong>of</strong> <strong>the</strong> patterns<br />

<strong>of</strong> consumption through this market gives valuable insight into <strong>the</strong> likely<br />

demand <strong>for</strong> <strong>UK</strong> and specialised films on such a plat<strong>for</strong>m.<br />

Opening up <strong>the</strong> market<br />

There were 521 <strong>UK</strong> and specialised films released <strong>the</strong>atrically in <strong>the</strong> <strong>UK</strong><br />

during 2003 and 2004. Of <strong>the</strong>se films, just 108 (21 per cent) followed<br />

up with a traditional video rental release 1 , and 352 (68 per cent) were<br />

available through mainstream retail outlets 2 . Nei<strong>the</strong>r window <strong>of</strong>fered as<br />

much consumer choice as <strong>the</strong> online rental plat<strong>for</strong>m, which carried 407<br />

<strong>of</strong> <strong>the</strong>se titles. Although smaller than its bricks and mortar cousin, <strong>the</strong><br />

online DVD rental market generated business <strong>for</strong> almost four times as<br />

many <strong>UK</strong> and specialised films.<br />

600<br />

500<br />

400<br />

300<br />

200<br />

100<br />

0<br />

Distribution <strong>of</strong> <strong>UK</strong>/specialised films released<br />

<strong>the</strong>atrically in 2003/4<br />

521<br />

108<br />

<strong>the</strong>atrical traditional<br />

rental<br />

352<br />

407<br />

retail online rental<br />

1 This is <strong>the</strong> number <strong>of</strong> <strong>UK</strong> and specialised films that have generated video rental transactions according to MRIB's Rental Monitor as at <strong>the</strong> beginning <strong>of</strong> September 2005.<br />

2 This is <strong>the</strong> number <strong>of</strong> <strong>UK</strong> and specialised films <strong>for</strong> which retail sales have been tracked by <strong>the</strong> Official <strong>UK</strong> Charts Company's (OCC) as at <strong>the</strong> beginning <strong>of</strong> September 2005.<br />

We believe that <strong>the</strong>re were additional films sold through via online plat<strong>for</strong>ms and/or independent retailers that did not appear in <strong>the</strong> sales database.<br />

<strong>Feasibility</strong> <strong>Study</strong> <strong>for</strong> a <strong>Digital</strong> <strong>Plat<strong>for</strong>m</strong> <strong>for</strong> <strong>the</strong> <strong>delivery</strong> <strong>of</strong> Independent <strong>UK</strong> films and Specialised films to <strong>the</strong> Home<br />

<strong>UK</strong> Film Council © 2006<br />

10

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