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Feasibility Study of a Digital Platform for the delivery of UK ... - BFI

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<strong>UK</strong> FILM COUNCIL<br />

programmes transferred to <strong>the</strong>ir portable devices via <strong>the</strong>ir PC. Every morning <strong>the</strong> devices can be loaded with new programmes recorded<br />

<strong>the</strong> night be<strong>for</strong>e.<br />

Strategic Positioning<br />

With a considerable library at its disposal, and a tendency to explore avenues <strong>of</strong> direct retail, Sony is unlikely to seek third party content<br />

over its service in <strong>the</strong> short term. However, as competition increases, especially from Apple, <strong>the</strong> need to differentiate its service may<br />

<strong>for</strong>ce Sony Connect to sign a more diverse range <strong>of</strong> content agreements. Given Sony Pictures’ adherence to independent and specialised<br />

content through its own subsidiary labels (such as Sony Pictures Classics) it is expected that part <strong>of</strong> <strong>the</strong> library content available will be<br />

closer to <strong>the</strong> genres that <strong>the</strong> <strong>UK</strong>FC wishes to support.<br />

Apple iTunes<br />

On Demand Offering<br />

Built on <strong>the</strong> iPod personal music device, <strong>of</strong> which <strong>the</strong>re are currently in excess <strong>of</strong> 30m sold worldwide, Apple’s iTunes Store is <strong>the</strong> most<br />

successful music download service in <strong>the</strong> world, with almost 600m music track sales since launch. As <strong>of</strong> November 2005, <strong>the</strong> service<br />

accounted <strong>for</strong> 80 per cent <strong>of</strong> <strong>the</strong> <strong>UK</strong> digital music market.<br />

Notably, Apple spent much <strong>of</strong> 2005 working on adding video functionality to its application-based plat<strong>for</strong>m, culminating with <strong>the</strong> launch <strong>of</strong><br />

<strong>the</strong> video iPod in October this year. The new iPod supports video playback at 30fps using ei<strong>the</strong>r <strong>the</strong> H.264 or MPEG 4 codecs and features<br />

a 2.5 inch colour screen with a resolution <strong>of</strong> 320 by 240. It can display video or pictures on a TV using Apple's new universal dock. The<br />

iPod is available with ei<strong>the</strong>r a 30Gb or 60Gb hard disk and retails <strong>for</strong> $299 and $399 in <strong>the</strong> USA and £219 and £299 in <strong>the</strong> <strong>UK</strong>.<br />

Video content is handled through iTunes 6 which allows users to download-to-own music videos, short films, and TV shows from iTunes.<br />

At present <strong>the</strong>re are 2,000 music videos available in <strong>the</strong> USA and approximately 1,000 available in <strong>the</strong> <strong>UK</strong> from artists including Madonna<br />

and U2. Short films come from Pixar, animation studio affiliated to Apple CEO Steve Jobs. Premium TV content, meanwhile, is currently<br />

limited to five series and is only available in <strong>the</strong> USA and is supplied by Disney (Lost and Desperate Housewives). The TV content is<br />

available on <strong>the</strong> day after transmission. Apple has continued <strong>the</strong> one size fits all pricing policy that it pioneered with music - all videos<br />

cost $1.99 from <strong>the</strong> US iTunes Store and £1.89 from <strong>UK</strong> store. However, unlike music, users don't have <strong>the</strong> ability to burn <strong>the</strong> videos to<br />

CD or DVD. iTunes 6 also handles video podcasts (vodcasts) and allows users to put home movies onto <strong>the</strong>ir iPod.<br />

<strong>Feasibility</strong> <strong>Study</strong> <strong>for</strong> a <strong>Digital</strong> <strong>Plat<strong>for</strong>m</strong> <strong>for</strong> <strong>the</strong> <strong>delivery</strong> <strong>of</strong> Independent <strong>UK</strong> films and Specialised films to <strong>the</strong> Home<br />

<strong>UK</strong> Film Council © 2006<br />

67

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