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Northern Alliance - BFI

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Of the filmmakers supported by respondents that provided diversity data over the<br />

period reviewed:<br />

Women directors increased as a proportion of all directors from 18% to<br />

22%, women producers decreased from 37% to 31%, and women<br />

writers rose from 22% to 24%;<br />

Black and minority ethnic (BME) directors fell as a proportion of<br />

directors from 12% to 10%, BME producers decreased from 9% to 2%,<br />

and BME writers fell from 9% to 8%;Disabled directors increased as a<br />

proportion of all directors from 1% to 6%, disabled producers rose<br />

from 0% to 3%, and disabled writers increased from 2% to 7%,<br />

probably due to the advent of The Magic Hour in the last year of<br />

review.<br />

Diversity career development<br />

Those respondents that collected diversity data show a total of 362 women, BME<br />

and disabled filmmakers were supported by strategic partners over the three<br />

years reviewed. However, career tracking data that can be cross-referenced only<br />

exists for 241 of the filmmakers, and of these:<br />

29 women filmmakers and 14 BME filmmakers have made another short<br />

film;<br />

Five women filmmakers and three BME filmmakers have made a feature<br />

film;<br />

17 women filmmakers and five BME filmmakers have received feature<br />

development funding;<br />

24 women filmmakers and ten BME filmmakers have got an industry<br />

related job;<br />

23 women filmmakers and 21 BME filmmakers have received industry<br />

recognition;<br />

Eight women filmmakers and five BME filmmakers have received public<br />

recognition<br />

Page 121

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