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Northern Alliance - BFI

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emove the perceived element of command and control, and create a<br />

customer/supplier relationship between the strategic partners and Lifesize. We think<br />

this would be particularly helpful for those agencies that may lack the human<br />

resources to meet the increased demands of the NCF for high quality short films.<br />

Recommendation:<br />

Management and control functions should be brought back in house, with<br />

greater co-ordination and integration of functions in areas such as data<br />

collection and monitoring. Lower tier schemes should be managed at the level<br />

of the scheme, rather than at the micro-level of the films they support<br />

including, for example, the UK Film Council ceasing to take a right of final cut<br />

on Digital Shorts.<br />

We also found in section 4.5, that there is a need to consider the efficiency and<br />

effectiveness of the UK Film Council‟s short film activity and re-assess whether that<br />

activity is optimally balanced.<br />

There is a strong consensus that it takes time for talent to develop to the point at<br />

which it is clearly of feature film calibre. We would therefore strongly recommend<br />

that the UK Film Council proceeds with caution in any re-arrangement of its support<br />

for short film, as a reduction in the effectiveness of programmes may take many<br />

years to become apparent. In particular, we believe the existing configuration of<br />

programmes, especially the relationship between Digital Shorts and Digital Nation,<br />

should be retained for the short to medium term, though within this core<br />

framework, resources should be reallocated to promote greater effectiveness and<br />

efficiency.<br />

Recommendation:<br />

The concept of a clear pathway for directors leading from lower tier schemes<br />

(eg Digital Shorts) into UK-wide higher programmes (eg Digital Nation) should<br />

be retained.<br />

For that reason, the UK Film Council should continue to adopt the National and<br />

Regional Screen Agency footprint as the primary means of allocating funds to the<br />

lower tier for the short term, but with clear advice as to the extent of success<br />

expected and therefore the level of expertise required. Agencies should be<br />

encouraged to consider forming consortia or sharing resources to deliver<br />

programmes where the level of activity is not cost efficient, or the agency is not<br />

equipped to support filmmakers within its area of responsibility.<br />

Recommendation:<br />

Agencies lacking the scale, resources or experience to deliver improved levels<br />

of effectiveness in short filmmaking should be encouraged to consolidate<br />

with, or sub-contract, responsibilities to agencies or third parties that do.<br />

Page 51

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