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Northern Alliance - BFI

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Table 11: Filmmaker career progression 2006-09 43<br />

Scheme<br />

Percentage of<br />

filmmakers<br />

making<br />

further shorts<br />

(%)<br />

Percentage<br />

of<br />

filmmakers<br />

making a<br />

feature (%)<br />

Estimated<br />

number of<br />

filmmakers 44<br />

Total cost<br />

to NCF (£)<br />

Cost per<br />

feature<br />

filmmaker<br />

(£)<br />

Cinema<br />

Extreme n/c 4% 2 249,991 124,996<br />

Completion<br />

Fund 9% 1% 1 183,823 183,823<br />

Digital<br />

Shorts 23% 2% 16 1,634,400 102,150<br />

Digital<br />

Shorts Plus /<br />

Digital<br />

Nation 28% 11% 4 180,000 45,000<br />

Although it would be much more informative to perform the above analysis over a<br />

longer period of time, the fact that we can only analyse recent data at least means<br />

that errors from double counting 45 are more likely to be limited. The timeframe also<br />

coincides with the prosecution of the New Cinema Fund‟s revised strategy.<br />

While the analysis above is constrained by the information available, it appears that<br />

the Digital Shorts Plus/Digital Nation scheme is not only effective but also, relative to<br />

the other schemes, cost-efficient.<br />

43 This table shows the career development of filmmakers (writers, directors, producers) per<br />

scheme, from 2006 to 2009, as recorded by the UK Film Council's strategic partners. Source: strategic<br />

partners questionnaire. Please note, these figures include short films that have been funded but not yet<br />

completed (particularly in the most recent year). Figures reflect activity up until May 2009.<br />

44 Estimated by multiplying the number of films by three (to allow for one writer, director and<br />

producer) and then again by the percentage given. It has not been possible to identify the actual number<br />

of writers, directors and producers who have progressed to make feature films nor to examine the trend<br />

of progression over a longer (and thereby arguably more relevant) timeframe.<br />

45 For example, double counting a Digital Shorts filmmaker who subsequently makes a Digital Shorts<br />

Plus film, and then a Cinema Extreme film.<br />

Page 32

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