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Northern Alliance - BFI

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Screen Agency partners are the most appropriate bodies to fulfil that function. It<br />

should be core to the UK Film Council‟s mission.<br />

The UK short film universe<br />

The Film4 view is that shorts are a better predictor of feature filmmaking ability than<br />

pop promos, advertising and so on, but are still not a perfect predictor. Even shorts<br />

that get festival attention are not necessarily good predictors, as they can be overreliant<br />

on techniques like voice over, or may represent the only creative idea a<br />

filmmaker ever has - the equivalent of one hit wonders in pop music. Short<br />

filmmakers can also be swayed by fashion; they may attempt to recognise trends in<br />

festival taste, or emulate popular feature themes. This can give a false indication of<br />

ability (and can become very dull). Film4 does, however, look at all relevant media to<br />

identify talent – artists‟ films, TV drama, pop promos, etc – and has taken an active<br />

interest in directors from all of these sources.<br />

Future shorts<br />

Looking to the future, Carlton is not convinced that the Digital Shorts model of equal<br />

geographic access is still appropriate. He would propose a model which worked<br />

through fewer centres of excellence around the UK. These centres should be outward<br />

facing and proactive about partnership, and open to application from all. There is the<br />

potential for film workshops, such as Knowle West Media Centre and Threshold<br />

Studios, to act as a support/feeder network for centres of excellence.<br />

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