Northern Alliance - BFI

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Appendix VII Short film schemes 1997-2000 Agency Scheme Number of shorts Budget/genre BBC 10x10 10 Commissioning scheme BFI Production New Directors 6 Up to £40,000; with C4 Independent Film & Video Projects fund Co-funding and Completion Fund, £15-20,000 Disability Film Fund 4 One-off scheme Film4 Short and Curlies 4 £90,000 Arts Council England National Disability Film & Video Project Northern Ireland Film Commission Artists Film & Video National Fund Single screen artists work; up to £20,000 Animate! Experimental animation with C4 Lottery Short Films for Cinema Artists Film & Video Not solely shorts NDFVP 2 Up to £25,000 Premiere Short Film Scheme Scottish Screen Tartan Shorts 3 Up to £45,000; with BBC Scotland 5 Prime Cuts 5 Up to £23,000; with British Screen and Scottish TV First Reels Up to £5,000 New Found Land 6 x 30 mins c. £45,000; drama Page 72
Agency Scheme Number of shorts Budget/genre Sgrîn Big Little Pictures 30 mins; with HTV Wales East Midlands & West Midlands arts boards Animate It! 3 With S4C; animation Rarebits 3 With BBC Wales First Cut 5+ Up to £7,500; with Central TV; parts of southern region also eligible First Take Films First Take 5-10 With Eastern Arts Board and Anglia TV London Film & Video Development Agency London Production Fund MIDA NW Film & Video Production Fund Northern Arts Board North West Arts Board Southern Arts Board South East Arts Board SW Media Development Agency Northern Production Fund North West Production Fund Film & Video Production Fund Up to £15,000 for production or completion Shorts & creative documentary Short and long form drama, documentary & experimental; up to £15,000 Short and long form. Up to 15 mins Taped Up With Meridian TV Production Fund Up to £10k Animation Award 1 With Aardman & BBC Kodak Award 1 £5k Western Lights 4x30mins With HTV West, for TV Page 73
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Northern Alliance Review of short f
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Appendices I Case studies 56 II Def
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1. Executive summary 1.1 Introducti
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support a single disabled filmmaker
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emerge as a result of the structure
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target audience consists of the var
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While our interviewees had sympathy
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3.2 The UK Film Council‟s strateg
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Table 2: Summary of the NCF‟s pro
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All of the entities in the table ab
Page 21 and 22: Table 4: Recent applicants and awar
Page 23 and 24: Table 5: Strategic partners‟ prio
Page 25 and 26: There is a need to ground all futur
Page 27 and 28: Table 8: Success and its cost, from
Page 29 and 30: Shorts appears relatively efficient
Page 31 and 32: As noted in section 4.2 above, the
Page 33 and 34: Given that Cinema Extreme positions
Page 35 and 36: Figures for the Digital Shorts prog
Page 37 and 38: “We have no brief to work towards
Page 39 and 40: 4.5.2. Revenues Table 14: Scheme re
Page 41 and 42: Others were more critical, openly q
Page 43 and 44: 4.7 Support for showcasing films at
Page 45 and 46: The provision of culturally signifi
Page 47 and 48: less than a quarter of the cost of
Page 49 and 50: Recommendation: The UK Film Council
Page 51 and 52: emove the perceived element of comm
Page 53 and 54: As part of our review we checked th
Page 55 and 56: films produced in the UK. We would
Page 57 and 58: million in only a few weeks. I was
Page 59 and 60: That dedication and persistence has
Page 61 and 62: Appendix II Definitions Exactly wha
Page 63 and 64: Directors, started in 1989 and prod
Page 65 and 66: Appendix IV Why short films are mad
Page 67 and 68: Appendix V The public value of shor
Page 69 and 70: Social networking sites, such as Be
Page 71: Investment in the production of sho
Page 75 and 76: Appendix VIII Overview of the UK Fi
Page 77 and 78: Some rules, such as the requirement
Page 79 and 80: The future The short film schemes h
Page 81 and 82: Appendix XI Short film internationa
Page 83 and 84: Beyond Europe 1: New Zealand Film C
Page 85 and 86: Appendix XII Data availability Summ
Page 87 and 88: it subject to loss because of staff
Page 89 and 90: Appendix XIII Platforms and audienc
Page 91 and 92: “There isn‟t much of an audienc
Page 93 and 94: Appendix XV Access and diversity Pa
Page 95 and 96: Appendix XVI Business affairs Short
Page 97 and 98: (b) VAT is paid on awards and provi
Page 99 and 100: Completion Fund, and from the Natio
Page 101 and 102: The training scheme is best known f
Page 103 and 104: Appendix XVIII The role of film fes
Page 105 and 106: Appendix XIX List of interviewees O
Page 107 and 108: Appendix XX Sample survey questionn
Page 109 and 110: 3. Measuring success How does your
Page 111 and 112: 4B. Festival screenings of short fi
Page 113 and 114: 4E. Revenue generated: Please provi
Page 115 and 116: 4H.Of the above, how many have subs
Page 117 and 118: 'Developing exceptional talent' and
Page 119 and 120: for making and reporting distributi
Page 121 and 122: Of the filmmakers supported by resp
Page 123 and 124:
Filmmaker activity On average, each
Page 125:
Appendix XXII Northern Alliance Nor
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